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A major study of the Divine Comedy, this book offers an interesting perspective on Dante's representation of the afterlife. Alison Morgan departs from the conventional critical emphasis on Dante's place in relation to learned traditions by undertaking a thorough examination of the poem in the context of popular beliefs. Her principal sources are thus not the highly literary texts (such as Virgil's Aeneid or Thomas Aquinas's Summa Theologiae) which have become a familiar context for the poem, but rather visions of the Other World found in popular writings, painting and sculpture from the centuries leading up to its composition. The book will be of interest to non-specialists in addition to scholars of Dante, since it offers a clear preliminary account of the Other World tradition, a chronology of its principal representations and summaries of the major texts. Fully illustrated throughout, it integrates with the literary and theological aspects of Dante's heritage the important but often neglected dimension of art history.
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
Peter Dronke explores 'The Divine Comedy' by exploring the medieval Latin traditions of Dante's era.
"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews
The book analyses the medieval vision of the world as depicted in Dante Alighieri's poetic works. In detail it discusses two works, The Banquet and The Divine Comedy, and offers a view on politics, faith and the universe of the medieval period. For modern people that period with its debates, polemics and visions represents something exceedingly remote, obscure and unknown. While admiring Dante's poetic artistry, we often fail to recognize the inspirations that permeated the works of medieval scholars and poets. Although times are constantly changing, every generation has to face the same fundamental questions of meaning, purpose and value of human existence: Dante's cosmological and poetical picture turns out to be surprisingly universal.
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Bringing together cartography, history, philosophy, philology, and other disciplines, Dante and the Greeks taps into the knowledge of scholars of the medieval West, Byzantium, and Dante. Essays discuss the presence of ancient Greek poetry, philosophy, and science in Dante's writings, as well as the Greek characters who populate his works.
Astronomy is one of the most prominent and perplexing features of Dante's Divine Comedy. In the final rhyme of the poem's three parts, and in scores of descriptions and analogies, the stars are an intermediate goal and a constant point of reference for the spiritual journey the poem narrates. This book makes a sustained analysis of Dante's use of astronomy, not only in terms of the precepts of medieval science but also in relation to specific moral, philosophical, and poetic problems laid out in each chapter.For Dante, Alison Cornish says, the stars offer optical representations of invisible realities, from divine providence to the workings of the human soul. Dante's often puzzling celestial figures call attention to the physical world as a scene of reading in which visible phenomena are subject to more than one explanation, Cornish contends. The poetry of Dante's astronomy, as well as its difficulty, rests on this imperative of interpretation. Reading the stars, like reading literature, is an ethical undertaking fraught with risk, not just an exercise in technical understanding. Cornish's book is the first guide to the astronomy of Dante's masterpiece to encompass both ways of reading his work.
Tracks the great Italian poet following his exile from Florence in 1302, his travels as a fugitive from justice over the next twenty years, and the influence of his journeys on the creation of his poetic masterpiece, "The Divine Comedy."