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What causes a generation of intellectuals to switch its political allegiances--in particular, to move from the opposition to the mainstream? In U.S. history, it is the experience of the "Old Left" intellectuals, who swung from avowal of socialism or Communism in the 1930s to apology for American liberalism in the 1950s, that raises this question pointedly. In this highly original and broadsweeping study, Howard Brick focuses on the career of Daniel Bell as an illustrative case of political transformation, combining intellectual history, biography, and the history of sociology to explain Bell's emerging thought in terms of the tensions between socialists and sociological theory. The resulting work will be of compelling interest to Marxists and American intellectual historians, to sociologists, and to all students of twentieth-century American thought and culture. Daniel Bell's route to political reconciliation was a tortuous one. While it is common wisdom to cite World War II as the force that welded national unity and brought Depression-era radicals to an appreciation of democratic institutions, the war actually turned the young Bell to the left. Opposing the centralized power of American business and military elites at war's end, Bell shared the "new radicalism" that infused Dwight MacDonald's Politics Magazine and motivated C. Wright Mills' early work. Nonetheless, by the early 1950s, Bell had declared the demise of American socialism and endorsed the welfare reforms of the Fair Deal. Brick's study finds, however, that the "new radicalism" of the mid-1940s helped to shape Bell's mature perspective, giving it a richness and critical edge often unrecognized. Brick finds that the heritage of modernism, as manifested in social theory, knit together the process of political transformation, combining disdain for the false promises of liberal progress, estrangement from society at large, and reconciliation with a reality perceived to be full of unconquerable tensions. Brick locates the foundations of Bell's mature social theory in the historical context of his early work--particularly in the political concessions made by the social-democratic movement, in the face of the Cold War, to the reconstruction of capitalist order in the West. The crucial turning point, in World politics as in Bell's thinking, can be located in the years 1947-49. After that point, the different strands of Bell's thinking came together to represent the contradictions in the perspective of a social democrat trapped by the "iron cage" of capitalism, who saw in his political accommodation both the road to progress and the rupture of his hopes. This peculiar paradigm, shaped by the experiences of deradicalization, lies at the heart of Daniel Bell's social theory, Brick finds. At the present critical point in American history, as a new generation of leftist intellectuals undergoes a process similar to that of Bell's generation, Brick's work will be especially important in understanding the historical phenomenon of deradicalization.
Indeed, he argues that as the world undergoes greater economic integration, it is also experiencing great political fragmentation, as people retreat to more primordial units for the purposes of self-identity."--BOOK JACKET.
This wide-ranging investigation explores the influence of thinkers from diverse intellectual backgrounds on the development of twentieth century culture, and in so doing tells us much about the modern world in which we live.
Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of coexisting artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven’s later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week’s Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen’s philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neoconservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.
A sweeping account of the way lesbian, gay, and bisexual people have challenged and changed society In this provocative book, Jeffrey Escoffier tracks LGBT movements across the contested terrain of American political life, where they have endured the historical tension between the homoeroticism coursing through American culture and the virulent periodic outbreaks of homophobic populism. Escoffier explores how every new success enables a new disciplinary and normalizing form of domination; only the active exercise of democratic rights and participation in radical coalitions allows LGBT people to sustain the benefits of community and the freedom of sexual perversity.
Cosmopolitan visions Terry A. Cooney traces the evolution of the Partisan Review--often considered to be the most influential little magazine ever published in America--during its formative years, giving a lucid and dispassionate view of the magazine and its luminaries who played a leading role in shaping the public discourse of American intellectuals. Included are Lionel Trilling, Philip Rahv, William Phillips, Dwight Macdonald, F. W. Dupee, Mary McCarthy, Sidney Hook, Harold Rosenberg, and Delmore Schwartz, among others. "An excellent book, which works at each level on which it operates. It succeeds as a straightforward narrative account of the Partisan Review in the 1930s and 1940s. The magazine's leading voices--William Phillips, Philip Rahv, Dwight MacDonald, Lionel Trilling, and all the rest--receive their due. . . . Among the themes that engage Cooney. . . . are: how they dealt with 'modernism' in culture and radicalism in politics, each on its own and in combination; how Jewishness played a complex and fascinating role in many of the thinkers' lives; and, especially, how 'cosmopolitanism' best explains what the Partisan Review was all about."--Robert Booth Fowler, Journal of American History
Between 1945 and 1991, tension between the USA, its allies, and a group of nations led by the USSR, dominated world politics. This period was called the Cold War – a conflict that stopped short to a full-blown war. Benefiting from the recent research of newly open archives, the Encyclopedia of the Cold War discusses how this state of perpetual tensions arose, developed, and was resolved. This work examines the military, economic, diplomatic, and political evolution of the conflict as well as its impact on the different regions and cultures of the world. Using a unique geopolitical approach that will present Russian perspectives and others, the work covers all aspects of the Cold War, from communism to nuclear escalation and from UFOs to red diaper babies, highlighting its vast-ranging and lasting impact on international relations as well as on daily life. Although the work will focus on the 1945–1991 period, it will explore the roots of the conflict, starting with the formation of the Soviet state, and its legacy to the present day.
In Age of Contradiction, Howard Brick provides a rich context for understanding historical events, cultural tensions, political figures, artistic works, and trends of intellectual life. His lucid and comprehensive book combines the best methods of historical analysis and assessment with fascinating subject matter to create a three-dimensional portrait of a complicated time. In one of the only books on the 1960s to put ideas at the center of the period's history, Brick carefully explores the dilemmas, the promise, and the legacy of American thought in that time.
The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell’s major books—The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)—became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian E. Zelizer bring together a group of distinguished contributors to consider how well Bell’s ideas captured their historical moment and continue to provide profound insights into today’s world. Wide-ranging essays demonstrate how Bell’s writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell’s intellectual trajectory and distinctive political stance. Calling himself “a socialist in economics, a liberal in politics, and a conservative in culture,” he resisted being pigeon-holed, especially as a neoconservative. Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O’Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell’s ideas deserve the kind of nuanced and serious attention that they finally receive in this book.
The multi-volume Longman literature in English series aims to provide students of literature with a critical introduction to the major genres in their historical and cultural context. This book looks at cinema, painting and architecture in 20th-century America, as well as the culture of politics.