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What if a dance could save your life? The ancient art of dance, mixed with religion has long been intriguing to mankind. Dancing probably originated out of a heart of gratitude. Someone long, long ago, felt something so delightful, and heart-rending that jumping, leaping and twisting the body was the only possible response. During the course of our life, we will jump and leap for many things, or in honor of some idol we hold dear; how beneficial to refocus that energy to a noble cause! This book uses the metaphor of dance to describe the majestic encounter of a life lived covered by the blood of Jesus the Christ.
Foreword Preface: Two Fables 1. Introduction 2. The Cunning Women 3. The Question, the Journey and the Field The QuestionThe JourneyThe Field4. Mira Datar Dargah ArrivalThe Tomb and its Order5. The Women's Stage Cult and Cure at the Mira Datar Dargah IDramatis Personae IDramatis Personae IIThe Body, its Demon and the Hair: the BallaThe ConfessionThe Curse, the Spirits and their MagiciansThe Female Anthropologist's DreamA Drama: Concerning Bees, Ethnographers andtheir SpiritsThe Goddess and the Human SacrificesThe Punishments: On the Reversal of TimeThe Contest of the DemonsThe Battle: the Sain.
NEW YORK TIMES BESTSELLER • In this revealing and exciting memoir, Shirley MacLaine reflects on the turning points of her life and her spiritual journey of self-discovery and personal growth. Outspoken, controversial, talented, and perceptive, Shirley MacLaine takes us on an intimate and fascinating personal odyssey. In 1984 she won an Oscar, starred on Broadway, wrote the bestselling Out on a Limb—and turned fifty years old. At this special time, in this special year, she was now ready to resume the spiritual journey she had begun in her early forties. In Dancing in the Light, Shirley bares her innermost self and explores the lives, both past and present, which touched and affected her own. She sheds new light on her loves, her losses, her childhood, her passions, and her inner drives and ambitions. She asks poignant questions and finds surprising answers. She challenges her beliefs and confronts her conflicts. Ultimately, she takes us with her through a life-altering experience that provides a stunning new vision of herself, her future . . . and the fate of our world.
Kayla never really thought of her double Ds as "problem breasts." It made them sound like children who wouldn't behave. Kayla Callaway has prima ballerina grace and something else that most ballerinas don't have: a full figure. Her heart is set on a future in dance. Unfortunately, her proportions just got her cast as an ugly stepsister in Florida Arts High School's production of Cinderella. Kayla's disappointment makes her a prime suspect when the dance troupe receives a string of threatening messages.
When a girl is adopted from a Chinese orphanage, everything she knew about family, best friends, and sisterhood must change. Wen has spent the first eleven years of her life at an orphanage in rural China, and the only person she would call family is her best friend, Shu Ling. When Wen is adopted by an American couple, she struggles to adjust to every part of her new life: having access to all the food and clothes she could want, going to school, being someone's daughter. But the hardest part of all is knowing that Shu Ling remains back at the orphanage, alone. Wen knows that her best friend deserves a family and a future, too. But finding a home for Shu Ling isn't easy, and time is running out . . .
Unable to sleep a young boy follows the sound of music to an unusual barn dance.
When the original owner was ten years old, he was pushed into the lake. The original owner was brought to his room by the third lady and beaten to death. The female owner crossed over to his room to accept his memories, adapt to his fate, and meet the male owner.