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The most pervasive gods in ancient Rome had no traditional mythology attached to them, nor was their worship organized by elites. Throughout the Roman world, neighborhood street corners, farm boundaries, and household hearths featured small shrines to the beloved lares, a pair of cheerful little dancing gods. These shrines were maintained primarily by ordinary Romans, and often by slaves and freedmen, for whom the lares cult provided a unique public leadership role. In this comprehensive and richly illustrated book, the first to focus on the lares, Harriet Flower offers a strikingly original account of these gods and a new way of understanding the lived experience of everyday Roman religion. Weaving together a wide range of evidence, Flower sets forth a new interpretation of the much-disputed nature of the lares. She makes the case that they are not spirits of the dead, as many have argued, but rather benevolent protectors—gods of place, especially the household and the neighborhood, and of travel. She examines the rituals honoring the lares, their cult sites, and their iconography, as well as the meaning of the snakes often depicted alongside lares in paintings of gardens. She also looks at Compitalia, a popular midwinter neighborhood festival in honor of the lares, and describes how its politics played a key role in Rome’s increasing violence in the 60s and 50s BC, as well as in the efforts of Augustus to reach out to ordinary people living in the city’s local neighborhoods. A reconsideration of seemingly humble gods that were central to the religious world of the Romans, this is also the first major account of the full range of lares worship in the homes, neighborhoods, and temples of ancient Rome.
"Yemen is the dark horse of the Middle East. Every so often it enters the headlines for one alarming reason or another -- links with al-Qaeda, kidnapped Westerners, explosive population growth -- then sinks into obscurity again. But, as Victoria Clark argues in this riveting book, we ignore Yemen at our peril. The poorest state in the Arab world, it is still dominated by its tribal makeup and has become a perfect breeding ground for insurgent and terrorist movements. Clark returns to the country where she was born to discover a perilously fragile state that deserves more of our understanding and attention. On a series of visits to Yemen between 2004 and 2009, she meets politicians, influential tribesmen, oil workers and jihadists as well as ordinary Yemenis. Untangling Yemen's history before examining the country's role in both al-Qaeda and the wider jihadist movement today, Clark presents a lively, clear, and up-to-date account of a little-known state whose chronic instability is increasingly engaging the general reader"--Publisher description.
From dust jacket: "Over forty years ago, before the complete ban on photography, he visited and revisted this tribe during their Snake ceremonies. From the hundreds of pictures he made of all phases of the dance, have been selected a lavish array of illustrations to enhance this revealing story of the strange religious rite, where the intrepid dancers whirl and cavort with their arms and mouths loaded with vicious rattlesnakes."
For Dennis Covington, what began as a journalistic assignment - covering the trial of an Alabama preacher convicted of attempting to murder his wife with poisonous snakes - would evolve into a headlong plunge into a bizarre, mysterious, and ultimately irresistible world of unshakable faith: the world of holiness snake handling, where people drink strychnine, speak in tongues, lay hands on the sick, and, some claim, raise the dead. Set in the heart of Appalachia, Salvation on Sand Mountain is Covington's unsurpassed and chillingly captivating exploration of the nature, power, and extremity of faith - an exploration that gradually turns inward, until Covington finds himself taking up the snakes. University.
Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times
From boyhood in Home, Pennsylvania, to his death in Tucson, Arizona, in 1989, this book offers - in Abbey's own words - the world of an American original. Whether writing fact or fiction, Abbey was always an autobiographer. Each of the thirty-five selections presented here, arranged chronologically by date of incident (not of publication), demonstrates that Abbey was passionately, insistently his own man. As poet-farmer Wendell Berry puts it: "He remains Edward Abbey, speaking as and for himself, fighting, literally, for dear life ... for the survival not only of nature, but of human nature, of culture, as only our heritage of works and hopes can define it". To speak for the voiceless was his mission. He was a virtuoso of the well-phrased thought in which style and content, symbol and meaning - each imbued with humor - come together to defy the powerful, reminding us always that preservation of wild nature is a key to a free spirit. And along with Emerson and Thoreau, Abbey, the uncompromising stylist, knew that the corruption of language follows the corruption of man. "Language", Abbey wrote, "seeks to transcend itself, 'to grasp the thing that has no name.'"
DANICA SHARDAE IS an avian shapeshifter, and the golden hawk’s form in which she takes to the sky is as natural to her as the human one that graces her on land. The only thing more familiar to her is war: It has raged between her people and the serpiente for so long, no one can remember how the fighting began. As heir to the avian throne, she’ll do anything in her power to stop this war—even accept Zane Cobriana, the terrifying leader of her kind’s greatest enemy, as her pair bond and make the two royal families one. Trust. It is all Zane asks of Danica—and all they ask of their people—but it may be more than she can give. A School Library Journal Best Books of the Year A VOYA Best Science Fiction, Fantasy, and Horror List selection
“It’s the scenery—and the big guy standing in front of the scenery—that keeps us coming back to Craig Johnson’s lean and leathery mysteries.” —The New York Times Book Review The ninth Longmire book from the New York Times bestselling author of Land of Wolves It’s homecoming for the Durant Dogies when Cord Lynear, a Mormon “lost boy” forced off his compound for rebellious behavior, shows up in Absaroka County. Without much guidance, divine or otherwise, Sheriff Walt Longmire, Victoria Moretti, and Henry Standing Bear search for the boy’s mother and find themselves on a high-plains scavenger hunt that ends at the barbed-wire doorstep of an interstate polygamy group. Run by four-hundred-pound Roy Lynear, Cord’s father, the group is frighteningly well armed and very good at keeping secrets. Walt’s got Cord locked up for his own good, but the Absaroka County jailhouse is getting crowded since the arrival of the boy’s self-appointed bodyguard, a dangerously spry old man who claims to be blessed by Joseph Smith himself. As Walt, Vic, and Henry butt heads with the Lynears, they hear whispers of Big Oil and the CIA and fear they might be dealing with a lot more than they bargained for.
Graham, a visionary sacred dancer, ordained priestess, and urban shaman, shows how instinct can be renewed through shedding of one's old skins. Through sacred dances, shamanic journeys, goddess archetypes, dreams, and visions, she shows how reconnect to the thriving intuitive intelligence.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave