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Dennis Lehane meets Megan Miranda in this “dark beauty of a novel” (William Kent Krueger, New York Times bestselling author) about the first female sheriff in rural Bad Axe County, Wisconsin, as she searches for a missing girl, battles local drug dealers, and seeks the truth about the death of her parents twenty years ago—all as a winter storm rages in her embattled community. Fifteen years ago, Heidi White’s parents were shot to death on their Bad Axe County farm. The police declared it a murder-suicide and closed the case. But that night, Heidi found the one clue she knew could lead to the truth—if only the investigators would listen. Now Heidi White is Heidi Kick, wife of local baseball legend Harley Kick and mother of three small children. She’s also the interim sheriff in Bad Axe. Half the county wants Heidi elected but the other half will do anything to keep her out of law enforcement. And as a deadly ice storm makes it way to Bad Axe, tensions rise and long-buried secrets climb to the surface. As freezing rain washes out roads and rivers flood their banks, Heidi finds herself on the trail of a missing teenaged girl. Clues lead her down twisted paths to backwoods stag parties, derelict dairy farms, and the local salvage yard—where the body of a different teenage girl has been carefully hidden for a decade. As the storm rages on, Heidi realizes that someone is planting clues for her to find, leading her to some unpleasant truths that point to the local baseball team and a legendary game her husband pitched years ago. With a murder to solve, a missing girl to save, and a monster to bring to justice, Heidi is on the cusp of shaking her community to its core—and finding out what really happened the night her parents died. With “striking prose, engaging characters, and a searing story of crimes rooted in the heartland,” Bad Axe County is a “darkly irresistible thriller” (Kirkus Reviews, starred review) that you won’t be able to put down.
Set in Western Australia in the first decades of the nineteenth century, That Deadman Dance is a vast, gorgeous novel about the first contact between the Aboriginal Noongar people and the new European settlers. Bobby Wabalanginy is a young Noongar man, smart, resourceful, and eager to please. He befriends the European arrivals, joining them as they hunt whales, till the land, and establish their new colony. He is welcomed into a prosperous white family, and eventually finds himself falling in love with the daughter, Christine. But slowly-by design and by hazard-things begin to change. Not everyone is happy with how the colony is progressing. Livestock mysteriously start to disappear, crops are destroyed, there are "accidents" and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will forever change the future of his country. That Deadman Dance is inevitably tragic, as most stories of European and native contact are. But through Bobby's life, Kim Scott exuberantly explores a moment in time when things could have been different, when black and white lived together in amazement rather than fear of the other, and when the world seemed suddenly twice as large and twice as promising. At once celebratory and heartbreaking, this novel is a unique and important contribution to the literature of native experience.
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.
For Charlie Plato, managing a country-western nightclub presents one adventure after another, especially when former TV heartthrob Zack Hunter runs for political office. When Zack's opponent turns up dead--in Zack's car trunk--Charlie does some sleuthing and finds a picture that's far from pretty.
A lively exploration of animal behavior in all its glorious complexity, whether in tiny wasps, lumbering elephants, or ourselves. For centuries, people have been returning to the same tired nature-versus-nurture debate, trying to determine what we learn and what we inherit. In Dancing Cockatoos and the Dead Man Test, biologist Marlene Zuk goes beyond the binary and instead focuses on interaction, or the way that genes and environment work together. Driving her investigation is a simple but essential question: How does behavior evolve? Drawing from a wealth of research, including her own on insects, Zuk answers this question by turning to a wide range of animals and animal behavior. There are stories of cockatoos that dance to rock music, ants that heal their injured companions, dogs that exhibit signs of obsessive-compulsive disorder, and so much more. For insights into animal intelligence, mating behavior, and an organism’s ability to fight disease, she explores the behavior of smart spiders, silent crickets, and crafty crows. In each example, she clearly demonstrates how these traits were produced by the complex and diverse interactions of genes and the environment and urges us to consider how that same process evolves behavior in us humans. Filled with delightful anecdotes and fresh insights, Dancing Cockatoos and the Dead Man Test helps us see both other animals and ourselves more clearly, demonstrating that animal behavior can be remarkably similar to human behavior, and wonderfully complicated in its own right.
Driving a wedge between Ruth and her fianc, Hutch, is not what Hannah intends when she recommends J & K Dance Studios to her sister. Ruth is determined to shine on her wedding day, but when stunning dance teacher Kay Giannotti greets Hutch with a kiss, its clear this isnt the first time theyve met. Talked into auditioning for Shall We Dance?, a TV talent show, the auditions end in tragedy. Accident or murder? Hannah is on the case . . .
Throughout Bobby Wabalanginy's young life the ships have been arriving, bringing European settlers to the south coast of Western Australia, where Bobby's people, the Noongar people, have always lived. Bobby, smart, resourceful and eager to please, has befriended the settlers, joining them as they hunt whales, till the land, and work to establish their new colony. He is welcomed into a prosperous white family and eventually finds himself falling in love with the daughter, Christine.But slowly - by design and by hazard - things begin to change. Not everyone is so pleased with the progress of the white colonists. Livestock mysteriously starts to disappear, crops are destroyed, there are 'accidents' and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will for ever change the future of his country.That Deadman Dance is haunted by tragedy, as most stories of first contact between European and native peoples are. But through Bobby's life, this novel exuberantly explores a moment in time when things might have been different, when black and white lived together in amazement rather than fear of the other, and when the world suddenly seemed twice as large and twice as promising.
Longlisted for the 2023 PEN/E.O. Wilson Literary Science Writing Award A lively exploration of animal behavior in all its glorious complexity, whether in tiny wasps, lumbering elephants, or ourselves. For centuries, people have been returning to the same tired nature-versus-nurture debate, trying to determine what we learn and what we inherit. In Dancing Cockatoos and the Dead Man Test, biologist Marlene Zuk goes beyond the binary and instead focuses on interaction, or the way that genes and environment work together. Driving her investigation is a simple but essential question: How does behavior evolve? Drawing from a wealth of research, including her own on insects, Zuk answers this question by turning to a wide range of animals and animal behavior. There are stories of cockatoos that dance to rock music, ants that heal their injured companions, dogs that exhibit signs of obsessive-compulsive disorder, and so much more. For insights into animal intelligence, mating behavior, and an organism’s ability to fight disease, she explores the behavior of smart spiders, silent crickets, and crafty crows. In each example, she clearly demonstrates how these traits were produced by the complex and diverse interactions of genes and the environment and urges us to consider how that same process evolves behavior in us humans. Filled with delightful anecdotes and fresh insights, Dancing Cockatoos and the Dead Man Test helps us see both other animals and ourselves more clearly, demonstrating that animal behavior can be remarkably similar to human behavior, and wonderfully complicated in its own right.
A BOOK OF SOUL ENERGIES IN POEMS & LYRICS That Bull Headed Saviour exists, writes Joseph Lamm, is a testament to grace. When all is taken away, when we reach the pouring out of our self, it is our redemption. After completing the poetic narrative Andeans Ascent, Joseph Lamm found critical acclaim and modest chart success in music with the albums Watching The Coming Storm and Standing In The Tower. In 2003 he began work on a project that was born out of a passion for the writings of William Blake. Lamm also had high esteem for beat poet, author, and playwright Michael McClures body of work, especially his bold and daring collection Rain Mirror. The result of an emotional and physiological collapse as McClure himself described it, Rain Mirror was a foreshadowing of Lamms own parallel experience two years later, as a purging of his soul gave way to a wondrous spiritual awakening. Bull Headed Saviour entwines the beauty of nature, the emotion and desires of the heart, and the spirit of the soul toward a common celebration found within everyone. This collection contains many of the poems and lyrics that were written during this period, along with selected lyrics from the albums Watching The Coming Storm, Standing In The Tower, and his newest work, Hot As Sun, Vol.1.