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Life is an adventure, a game, a dance. Whether you're shakin' it at the disco with Athena or doing the Charleston with Hecate, each goddess offers vital lessons for exploring-and enjoying-every facet of our lives. No matter your age, Dancing the Goddess Incarnate can help you get in touch with the maiden, mother, and crone within. You don't have to know the rhythm or the steps. Simply allow each of the nine goddesses to lead you onto the dance floor, outside your comfort zone, where you'll learn to unlock creativity, rediscover play, strategize success, and nurture yourself. This fun Pagan guide to self-exploration includes meditations, games, magic tips, herbal remedies, and exercises that can-with help from the goddesses-bring balance, beauty, and joy into your life.
The Wheel of the Year is given a fresh spin in this inspiring ode to the Wiccan life. Month by month, Bronwynn Forrest Torgerson invigorates Pagan principles with rituals, songs, spells, and poetry. But the underlying thread of this whimsical Wiccan tapestry is Torgerson's own personal stories—funny, enthralling, and moving—that illuminate one Witch's way. This rich collection offers spiritual lessons, belly laughs, and heartfelt wisdom to Witches everywhere. Mingling the practical and the personal, Torgerson explores journeys in January, love and transformation in February, communion in June, and the power of song in September. Between lyrical verses and original parables, you'll witness the author's joys, struggles, minor miracles, and thrilling encounters with the divine. From the mundane (magickally finding the perfect apartment) to the mystical (receiving guidance from the gods), Torgerson recounts the sacred forces that have shaped one Witch's life.
Blending theory, criticism, and ritual, reveals the foundations of the ancient tradition of "matriarchal art," and shows how that tradition flourishes in the works of major contemporary women artists and in contemporary women's spirituality.
Unlock the transformative power of movement as a life-changing spiritual practice. If youre thinking But Im not a dancer or I feel awkward, I hope to reassure you. You dont need a special talent to move. You dont need to be graceful or especially coordinated. You dont need a body thats in shape. Dancing helps us embrace all this humanity. Dance connects us to the holy of life. from the Introduction Seize the joy and healing power of dance! Drawing from her years of experience as a dance and movement teacher, and as cofounder of the international dance organization InterPlay, Cynthia Winton-Henry helps you overcome your embarrassment or anxiety and discover in dance a place of solace and restoration, as well as an energizing spiritual force. She taps into the spirit of dancing throughout history and in many world cultures to provide detailed exercises that will help you learn to trust your body and interpret its physical and spiritual intentions. For both newcomers and seasoned movers alike, she encourages you to embrace dance as a spiritual tool to: Celebrate your unique spirituality and get in touch with your emotions Unify your body and mind, and push your personal boundaries Work through trauma or crisis and restore spiritual well-being Deepen your relationships and strengthen your community Find spiritual direction ... and much more!
Discover two forgotten icons from the golden age of entertainment: the lost stories of Sally Rand and Faith Bacon—women who each claimed to be the inventor of the notorious fan dance in this "detailed, deeply researched, and compelling" feminist history (Chicago Tribune). Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. Sally Rand would go on to perform for the millions who attended the 1933 World’s Fair in Chicago, becoming America’s sweetheart. Faith Bacon—the Marilyn Monroe of her time who was once anointed the “world’s most beautiful woman”—would experience the dark side of fame and slip into drug use. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. A hint of a breast? A forbidden love affair? They were both towering figures, goddesses, icons. Until the world started to change. Little is known about who they really were, until now. Feuding Fan Dancers tells the story of two remarkable women during a tumultuous time in entertainment history. Leslie Zemeckis has pieced together their story and—nearly one hundred years later—both women come alive again.
“Hades and Persephone” meets Phantom of the Opera by way of Laini Taylor, in a sensually rendered world that seethes with intrigue and indulges the senses. Welcome to Luna Island. Violet, magenta, deep blood red. Passion, violence, destruction. Lila Rose Li arrives at her aunt’s cottage with dashed dreams. For years, she pushed herself to become the perfect ballerina her parents would approve of, but after collapsing on stage, she snapped and lashed out violently. Now, exiled to Luna Island, with its sparkling blue waters and rose-covered boutiques, Lila struggles to believe that a girl like her—a natural disaster—deserves good and gentle things. As the islanders gear up for their beloved tradition, the Angel of the Sea pageant, Lila vows to remain on the sidelines. But the more she learns about the island’s lore, the more she grows suspicious. Luna Island was nothing more than a failed fishing village before angels supposedly came and blessed them with abundance. The pageant is a competition to seek a High Priestess for their commune. To win is to be loved and adored by all, the ultimate blessing. However, the Angel of the Sea is supposed to reign for seven years, and the previous winner only reigned for one. Something is haunting the island, throwing off the balance the pageant ensures. And as an eerie voice calls to Lila, drawing her closer to the ocean—to its depths—she worries its haunting her, too. The only way to discover what’s really going on, and protect herself, is to win the pageant. But how can a monstrous girl like her ever hope to be crowned by angels? Kiana Krystle's enchanting debut simmers with forbidden romance and dark secrets. A lush and sinister blend of paranormal mystery and mythology, wrapped up in fairytale about a teen girl's hard-earned journey toward loving every part of herself.
While political liberals celebrated the end of “cowboy politics” with the election of Barack Obama to the presidency, political conservatives in the Tea Party and other like-minded groups still vociferously support “cowboy” values such as small government, low taxes, free-market capitalism, and the right to bear arms. Yet, as Douglas Brode argues in this paradigm-shifting book, these supposedly cowboy or “Old West” values hail not so much from the actual American frontier of the nineteenth century as from Hollywood’s portrayal of it in the twentieth century. And a close reading of Western films and TV shows reveals a much more complex picture than the romanticized, simplistic vision espoused by the conservative right. Examining dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men, Brode demonstrates that the genre (with notable exceptions that he fully covers) was the product of Hollywood liberals who used it to project a progressive agenda on issues such as gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Challenging us to rethink everything we thought we knew about the genre, Brode argues that the Western stands for precisely the opposite of what most people today—whether they love it or hate it—believe to be the essential premise of “the only truly, authentically, and uniquely American narrative form.”
Awaken the Goddess within through spells, rituals, meditations, embodiment practices, and journal prompts In this introduction to the Goddess across time and cultures, and Her many expressions of myth and magick, Gabriela Herstik guides us toward connecting to the Goddess in ourselves and establishing a relationship with Her that is personal, empowering, and transformative. Goddess Energy covers topics including: the history of the Goddess, Her role in modern society, and why it’s imperative that we begin to work with and honor Her how Goddess energy is for everyone, of any gender expression or sexual orientation connecting to the elemental power of the Goddess of the Earth calling on the Goddess of Protection and Healing in moments of need transforming your life into a ritual for the Goddess of Love the potent mysteries of the Dark Goddess and how to embrace the shadow self honoring the Goddess through glamour, astrology, and sex magick working with ritual, tarot, journal questions, and affirmations to attune to Goddess Energy and much more The Goddess path is one of alignment with the heart, with the universe, with nature—and with ourselves. To honor the Goddess, we don’t have to go through anyone else but only remember the divine within. This is your power. This is Goddess energy. The Goddess is calling…Are you listening?
This book shows how the performance of rituals influences the understanding that Hindu women form of their own selves, their sense of femininity, identity as well as their role and position in the lived-in world, and vice versa. Drawn from an intensive ethnographic fieldwork in southern Orissa, each section of the book takes a close look at a specific ritual practice, in exploring concepts such as purity/pollution, religious observances (such as fasting), deity possession, associated beliefs and attitudes, as also celebrated traditions such as Thākurānī Yātrā, local processions, and the role of female ritual specialists. The study uses the premise that religious practices in themselves are neither restricting nor liberating; rather rituals provide a perceptual context with the ability to affect the self-understanding of participants, as also their conception of agency, in a way that spills across non-ritual spheres. Conceptualizing gender identity as resulting from seen, but mostly unnoticed, everyday activities and approaching cultural performances as sites of collectively defining the self, the author offers a telling and vivid account of how women perceive, realize and reflect on religious ideas, while engaging in rituals and, by doing so, negotiate complex gender norms. The book also examines the assumptions of recent theories on the social construction of identities, often-debated impact of religion on women, performativity, self-identity, and ritual agency in considering ‘doing’ gender in a traditional, non-Western context. This book will serve as essential reading for scholars of sociology, anthropology, gender studies, cultural studies, history, religion, performance, and folklore studies.