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The National Book Award-winning novel of a young girl’s coming of age, from the author of Send Me Down a Miracle. Twelve-year-old Miracle McCloy never liked the story of her remarkable birth, but her grandmother Gigi has always loved telling it. An expert in occult magic, Gigi insists that when Miracle was saved from her dead mother’s womb, it was an omen of greatness to come. But how can Miracle become a prodigy like her father when sometimes she feels like she doesn’t even exist? When her father suddenly vanishes without a trace, Miracle’s life starts feeling less miraculous by the day. The only time she feels whole is when she’s dancing—an activity her grandmother strictly forbids. But shortly after her thirteenth birthday, a life-threatening incident puts her whole world in a harsh new light. And though she does not emerge unscathed, Miracle might finally see the truth about her past, her family, and herself. “Extraordinary . . . Nolan does a masterful job of drawing readers into the girl’s mind and of making them care deeply about her chances for the future.” —School Library Journal (starred review) “Elaborately drawn characters that will surprise readers at every turn . . . Compelling.” —Booklist (starred review)
Maureen O'Hara and Graham Leicester explore the competencies - the ways of being, doing, knowing and organising - that can help us navigate in complex and powerful times. They argue that these competencies are innate and within reach of all of us - given the right setting, plenty of practice and some gentle guidance. But they are seldom seen because they are routinely undervalued in today's culture. That must change, the authors insist, and this book is intended to begin that change.The book is based on the authors' extensive research and their practical experience observing the qualities demonstrated by some of today's most successful cultural, political and business leaders. They write of 'persons of tomorrow' that they have witnessed:"e;We find that people who are thriving in the contemporary world, who give us the sense of having it all together and being able to act effectively and with good spirit in challenging circumstances, have some identifiable characteristics in common... They are the people already among us who inhabit the complex and messy problems of the 21st century in a more expansive way than their colleagues. They do not reduce such problems to the scale of the tools available to them, or hide behind those tools when they know they are partial and inadequate. They are less concerned with 'doing the right thing' according to standard procedure than they are with really doing the right thing in the moment, in specific cases, with the individuals involved at the time. In a disciplined yet engaging way they are always pushing boundaries, including their own. They dance at the edge."e;
The director and cowriter of some of the world's most iconic films—including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment—Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.
After a life of crime and poverty in her hometown of Columbus, Ohio, forty-two-year-old Juanita Lewis, craving a simpler life, drops everything, including her three grown, deadbeat children, to move to Montana. Reprint.
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.
In her haunting fourth collection, National Poetry Series winner Joan Murray takes the challenge of performing poetry's original and still necessary tasks in the uncertain landscape of a new millennium. Widely praised for the exceptional humanity and technical virtuosity of her earlier collections, Murray now explores the daily struggles of life and death in the natural world, the hidden pleasures and ironies of life in small-town America, the vulnerable underside of artistic communities, and the myriad complexities that pervade our dreams and relationships in this new century. With wit, generosity, and unflinching honesty, Murray gives us poems that mourn and praise, illuminate and challenge.
YA. Issues. Getting into art school and dance turned out to be the easy part.
Nigeria, the United States’ most important strategic partner in West Africa, is in grave trouble. While Nigerians often claim they are masters of dancing on the brink without falling off, the disastrous administration of President Goodluck Jonathan, the radical Islamic insurrection Boko Haram, and escalating violence in the delta and the north may finally provide the impetus that pushes it into the abyss of state failure. In this thoroughly updated edition, John Campbellexplores Nigeria’s post-colonial history and presents a nuanced explanation of the events and conditions that have carried this complex, dynamic, and very troubled giant to the edge. Central to his analysis are the oil wealth, endemic corruption, and elite competition that have undermined Nigeria’s nascent democratic institutions and alienated an increasingly impoverished population. However, state failure is not inevitable, nor is it in the interest of the United States. Campbell provides concrete new policy options that would not only allow the United States to help Nigeria avoid state failure but also to play a positive role in Nigeria’s political, social, and economic development.
Set in a time of immense change, Dancing on the Edge tells the story of a black jazz group, the Louis Lester Band, as they rise to fame, entertaining guests at exclusive high society gatherings in 1930s London. While many recoil at the presence of black musicians in polite society, the capital's more progressive socialites, including younger members of the Royal Family, take the band under their wing. In this explosive five-part series, Stephen Poliakoff returns to television with his most ambitious work to date. Dancing on the Edge provides a new angle on an extraordinary time in history, giving us a piercingly original vision of Britain in the 1930s; a time of glamour, hardship, vibrant new music and financial meltdown. Combining the rich characterisation of Shooting The Past with the epic sweep of The Lost Prince and inspired by true stories of the era, Dancing on the Edge was produced by Ruby Film and Television for BBC2. Also included is the innovative epilogue to the whole drama, Interviewing Louis, where music journalist Stanley conducts a combative in-depth interview with Louis Lester. This funny and disturbing drama complements the main story perfectly while leading us towards a shocking and unexpected conclusion.