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This tract of land in Niagara-on-the-Lake has witnessed an amazing cavalcade of Canadian history. For 250 years a large tract of oak savannah at the mouth of the Niagara River designated as a Military Reserve has witnessed a rich military and political history: the site of the first parliament of Upper Canada; a battleground during the War of 1812; and annual summer militia camps and the training camp for tens of thousands of men and women during the First and Second World Wars. In the midst of the Reserve stood the symbolic Indian Council House where thousands of Native allies received their annual presents and participated in treaty negotiations. From its inception, this territory was regarded by the local citizenry as common lands, their "Commons." Although portions of the perimeter have been severed for various purposes, including the Shaw Festival Theatre, today this historic place includes three National Historic Sites, playing fields, walking trails, and remnants of first-growth forest in Paradise Grove. On Common Ground chronicles the extraordinary lives and events that have made this place very special indeed.
This look at Progressive-era women and innovative cultural practices “blazes a new trail in dance scholarship” (Choice, Outstanding Academic Book of the Year). From salons to dance halls to settlement houses, new dance practices at the turn of the twentieth century became a vehicle for expressing cultural issues and negotiating matters of gender. By examining master narratives of modern dance history, this provocative and insightful book demonstrates the cultural agency of Progressive-era dance practices. “Tomko blazes a new trail in dance scholarship by interconnecting U.S. History and dance studies . . . the first to argue successfully that middle-class U.S. women promoted a new dance practice to manage industrial changes, crowded urban living, massive immigration, and interchange and repositioning among different classes.” —Choice
There are many ways to live a life, but one thing we know for sure through studying history, the arts, psychology, business, or nearly any field you wish is that there are certain characteristics to living a life of meaning and purpose—elements that also resonate with the founding ideals of the United States. Author Elizabeth Moro refers to these self-evident truths as the Civil Graces. The Civil Graces Project invites you to embark on a journey that has the power to transform your life and the world around you. There are many graces to choose from, and embracing a few or even one in your life can shift your perspective and bring about dramatic change. You can live your life with intention and attention, despite what might be happening in the larger context of the world. Escape the noise and live the life of your dreams. You can save the world by first examining your life and then putting these truths into practice. This self-improvement guide focuses on uniting principles that uplift us and bring us together to pursue common ground and make a more perfect union.
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
"Even in our parceled-out, paved-over urban environs, nature is all around us, it is in us. It is us. This is what Rob Cowen discovered after moving to a new home in northern England. After ten years in London, he was suddenly adrift, searching for a sense of connection. He found himself drawn to a square-mile patch of waste ground at the edge of town. Scrappy, weed-filled, this heart-shaped tangle of land was the very definition of overlooked - a thoroughly in-between place that capitalism had no further use for, leaving nature to take its course. Wandering in meadows, woods, hedges, and fields, Cowen found it was also a magical, mysterious place, haunted and haunting, abandoned but wildly alive - and he fell in fascinated love."--Book jacket.
Fans of the movie and students and scholars of cultural, performance, and film history will appreciate the insight in The Time of Our Lives.
An engaging overview of dance from the Medieval era through the Baroque
Making an Entrance is the first ever practical introduction to teaching dance with disabled and non disabled students. This clearly written, thought provoking and hugely enjoyable manual is essential reading whether you're just starting out or are already active in the field. Taking improvisation as his focus and as the starting point of choreographic exploration, Adam Benjamin asks what it has to offer as an art form and how it can be better used to meet the changing needs of dance education. In the theoretical section Benjamin explores the history of a disintegrated dance practice, placing it within the wider context of cultural and political movements. He questions what is meant today when we talk about 'inclusive' or 'integrated dance' and what we might expect of it. The book includes over 50 exercises and improvisations designed to stimulate and challenge students at all levels of dance. Benjamin also includes useful hints on the practicalities of setting up workshops covering issues as diverse a class size, the safety aspects of wheelchairs and the accessibility of dance spaces.
Dancing the World Smaller examines international dance performances in New York City in the 1940s as sites in which dance artists and audiences contested what it meant to practice globalism in mid-twentieth-century America. Debates over globalism in dance proxied larger cultural struggles over how to realize diversity while honoring difference.