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Bethany Griffin continues the journey of Araby Worth in Dance of the Red Death—the sequel to her teen novel Masque of the Red Death. Lauren DeStefano, author of the New York Times bestselling Chemical Gardens trilogy, called Masque of the Red Death "luscious, sultry, and lingeringly tragic." In Dance of the Red Death, Araby's world is in shambles—betrayal, death, disease, and evil forces surround her. She has no one to trust. But she will fight for herself, for the people she loves, and for her city. Her revenge will take place at the menacing masked ball. It could destroy her and everyone she loves . . . or it could turn her into a hero. With a nod to Edgar Allan Poe, Bethany Griffin concludes her tragic and mysterious Red Death saga about a heroine that young adult readers will never forget.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
A sexy, post-Apocalyptic reimagining of Poe's gothic horror story of the same name. It's 1870 and a deadly virus has decimated the population of North America. Masked corpse-collectors roam the streets, removing the bodies before the contagion can spread. Though Araby tries to escape it all with drugs and parties, even at her most intoxicated she can't forget her brother's death - or her guilt for causing it. But things begin to change when William, the fascinating proprietor of The Debauchery Club where she searches for oblivion, and Elliott, nephew of the insane dictator, enter her life. One wants her heart, and the other her name. Convinced that he has won over his uncle's army, Elliott believes that having Araby on his arm will charm the populace into supporting a new government. After all, her father is the inventor of the mask which prevents the spread of the plague and saved civilisation - for those who can afford it... But Araby's greatest interest is that his plans will make protective masks available to all citizens and, in particular, to Will's young siblings, whom she has come to love despite herself. But nothing is what it seems. A new contagion called the Red Death is sweeping the city and a shocking revelation about the origin of the new virus puts Araby's life in danger. The mob wants her. The rebels want her. And both boys want her. In this superb two-book series, what and whom Araby chooses may just decide the fate of humanity...
Finding a beautiful pair of red shoes, Tammy Peters tries to overcome her superstition when she is told that the shoes are cursed, but whenever a friend borrows them, strange and terrible things happen. Original.
For their heroism and success against the enemy, two of the women's regiments were honored by designation as "Guard" regiments. At least thirty women were decorated with the gold star of Hero of the Soviet Union, their nation's highest award.
After the bizarre deaths of her parents, Madeline never expects to feel happy again. Then she falls in love with Justin Fier, a handsome young doctor. She is warned away from Justin by a young man no one else sees, and an old woman everyone things is crazy. They tell her Justin is a man driven by an evil quest that destroys any woman who dares to love him. Is it too late? Can Madeline escape the curse of the Fears?
While investigating a doctor accused of drug-facilitated sexual assaults, Manhattan Assistant DA Alex Cooper learns of the grisly death of a world-class ballerina at Lincoln Center. Fairstein's latest "New York Times" bestseller is available in a Premium Edition.
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.