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'One of the greats' - Lucy Caldwell 'Comic brilliance' - Sinéad Gleeson 'Ingenious' - The Irish Times 'Daring, funny, heartbreaking' - Observer Following the prize-winning Sweet Home, Wendy Erskine's Belfast is once again illuminated. Meet Drew Lord Haig, called on to sing an obscure hit from his youth at a paramilitary event. Meet Max as he recalls an eventful journey to a Christian film festival. And Mrs Dallesandro who dreams of being a teenager again as she sits in a tanning salon on her wedding anniversary. In these stories, Erskine's characters' wishes and hopes often fall short of their grasp. Brilliantly drawn, Dance Move is about the hugeness of life as seen through glimpses of the everyday. 'A masterpiece' - David Keenan 'Wendy Erskine's debut, Sweet Home, was pitch perfect . . . Dance Move is equally brilliant' - The Daily Mail 'Erskine's stories open slight, but they contain more than it seems possible for short stories to contain' - Keith Ridgway As Read on BBC Radio 4 Shortlisted for the Edge Hill Prize Shortlisted for the An Post Irish Book Awards Short Story of the Year
Capturing centuries of rhythmic wisdom just in time for Saturday night, this must-have compendium features the illustrated, step-by-step moves for 100 hot-blooded hipshakers sure to please veteran groove-machines as well as those with two left feet.
This fresh, inspirational approach shows how to frame the art of dance within the context of life and how to gain the tools to appreciate, discuss and write about dance as a fine art. It also helps develop creative thinking and self-expression.
Blondell Cummings: Dance as Moving Pictures is the first monograph dedicated to the pivotal work of African American choreographer and video artist Blondell Cummings. The book accompanies an exhibition of the same name co-organized by the Getty Research Institute and Art + Practice, on view at Art + Practice in Los Angeles from September 18, 2021 through February 19, 2022.A foundational figure in dance, Cummings bridged postmodern dance experimentation and Black cultural traditions. Through her unique movement vocabulary, which she called "moving pictures," Cummings combined the visual imagery of photography and the kinetic energy of movement in order to explore the emotional details of daily rituals and the intimacy of Black home life. In her most well-known work Chicken Soup (1981), Cummings remembered the family kitchen as a basis for her choreography; the dance was designated an American Masterpiece by the National Endowment for the Arts in 2006. This book draws from Cummings's personal archive and includes performance ephemera and numerous images from digitized recordings of Cummings's performances and dance films; newly commissioned essays by Samada Aranke, Thomas F. DeFrantz, and Tara Aisha Willis; remembrances by Marjani Forté-Saunders, Ishmael Houston-Jones, Meredith Monk, Elizabeth Streb, Edisa Weeks, and Jawole Willa Jo Zollar; a 1995 interview with Cummings by Veta Goler; and transcripts from Cummings's appearances at Jacob's Pillow and the Wexner Center for the Arts. Bringing together reprints, an extended biography, a chronology of her work, rarely seen documentation, and new research, this book begins to contextualize Cummings's practice at the intersection of dance, moving image, and art histories.
Are you cursed with two left feet? Are your dance moves unrighteous? Do you refrain from getting down lest others judge you cruelly? Fear not. Salvation is at hand. Singing hymns of praise is standard practice-now it's time to set your feet a-tapping with a collection of original dance moves inspired by Jesus and the likes of Moses and John the Baptist. Dances include: the Water Walk, the Temptation Tango, the Judas Hustle, and The Apostolic Conga. Each dance move is outlined with: how to, inspiration, and an illustration. Slyly irreverent but ultimately festive, Dancing with Jesus is illustrated in full color. Best of all, two of the dances are animated for full effect by a lenticular cover and last-spread finale, making this a truly one-of-a-kind novelty item! As the Bible says in Ecclesiastes, there is, "A time to weep, a time to laugh, a time to mourn, a time to dance."
Extraordinary, yet simple, training that provides the information ballroom dance teachers and students have been searching for. It is accessible to all ballroom dancers, using simple exercises with fun names.
Grade level: 4, 5, 6, 7, 8, 9, 10, 11, 12, e, i, s, t.
Ana, Bernardo e Celina são adolescentes. Amigos desde a infância, o trio A-Bê-Cê não se separa jamais. Desde pequenos, andam sempre juntos, e juntos vivem as experiências que a vida vai trazendo. Numa tarde comum, Ana sai de casa para se encontrar com a mãe. De repente, um outro encontro. Aquele que poderia não ter acontecido: Ana Lúcia e a bala. Uma bala (perdida?) encontra Ana Lúcia. A partir de um acontecimento que se tornou banal num país onde a violência faz parte do cotidiano, Caio Riter conta, nessa novela juvenil, a história de três adolescentes que se deparam, de repente, com a necessidade de amadurecer. A vida lhes trazendo dor até então desconhecida. O livro, ilustrado por Joãocaré, faz parte da coleção Papo-cabeça, cujo primeiro título, De carona, com nitro, de Luís Dill, foi vencedor do Prêmio Açorianos 2009 na categoria juvenil e finalista na categoria projeto gráfico. ------- Ana, Bernardo and Celina are teenagers. Friends since childhood, the trio A-Bê-Cê never separates. Since they were little, they always go together, and together they live the experiences that life brings. On an ordinary afternoon, Ana leaves home to meet her mother. Suddenly, another date. The one that might not have happened: Ana Lucia and the bullet. A bullet (lost?) Finds Ana Lucia. From an event that has become banal in a country where violence is part of daily life, Caio Riter tells in this youth novel the story of three teenagers who are suddenly faced with the need to mature. Life bringing them pain hitherto unknown. The book, illustrated by Joãocaré, is part of the Papo-cabeça collection, whose first title, De carona, com nitro, by Luís Dill, was winner of the 2009 Açorianos Prize in the juvenile category and finalist in the graphic design category.
Dancing For Him is a helpful handbook about dancing for the Lord during praise and worship, ministry, and gospel presentations. Written from a dance team leader's perspective, the topics include:Dance During Praise SongsDance During WorshipTeam UnityMinistering LoveMinistering DeliveranceMinistering PropheticallyPerformance Vs. MinistryChoreography TipsSuccessful RehearsalsOld and New Testament words relating to praise through movement (along with the associated scriptures)It contains great testimonies, and is wonderful for someone just starting a dance team, as well as for one more experienced.People have said, "I wish I had this book before starting in dance ministry. It certainly would have helped."Also, many dance leaders order one copy for each member of their team, so they may have weekly studies.
Life leaves a mark-a limp-a scar... in exchange for a song-a kiss-a star... Author, GreenBranch, aka Dorothy Phyllis Miller, writes this historical novel based on a true story in moving scenes depicting the life of a young woman born to an immigrant family, who faces prejudice, traumatic deaths, upheaval and shocks with innocence and artlessness-lessons learned by which readers may benefit or share. Entertaining and instructive, you will want to follow this true story (enhanced by some fiction to mellow the drama.) to the surprising end. In the literary world, the author's Canadian magazine, Single Minded, published in the late 1980's, received good reviews; was sold to Singles USA in Ohio in 1987.