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Moving Together: Dance and Pluralism in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada. Focusing on the twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism. Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada.
"Kids love to move. But how do we harness all that kinetic energy effectively for math learning? In Math on the Move, Malke Rosenfeld shows how pairing math concepts and whole body movement creates opportunities for students to make sense of math in entirely new ways. Malke shares her experience creating dynamic learning environments by: exploring the use of the body as a thinking tool, highlighting mathematical ideas that are usefully explored with a moving body, providing a range of entry points for learning to facilitate a moving math classroom. ..."--Publisher description.
Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture. Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of their identity, and how "traditional" dances change over time. It discusses several "parallel layers" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances. Individual chapters center on various immigrant cultures. Chiefly the work focuses on cultural representation and how it is sometimes manipulated. Key folk dance festivals in the United States and Canada are reviewed. Interviews with dancers, teachers, and others offer a first-hand perspective. An extensive bibliography encompasses concert programs and reviews as well as broader scholarly sources.
The hilarious story of an unlikely group of Indigenous dancers who find themselves thrown together on a performance tour of Europe The Tour is all prepared. The Prairie Chicken dance troupe is all set for a fifteen-day trek through Europe, performing at festivals and cultural events. But then the performers all come down with the flu. And John Greyeyes, a retired cowboy who hasn't danced in fifteen years, finds himself abruptly thrust into the position of leading a hastily-assembled group of replacement dancers. A group of expert dancers they are not. There's a middle-aged woman with advanced arthritis, her nineteen-year-old niece who is far more interested in flirtations than pow-wow, and an enigmatic man from the U.S. -- all being chased by Nadine, the organizer of the original tour who is determined to be a part of the action, and the handsome man she picked up in a gas-station bathroom. They're all looking to John, who has never left the continent, to guide them through a world that he knows nothing about. As the gang makes its way from one stop to another, absolutely nothing goes as planned and the tour becomes a string of madcap adventures. The Prairie Chicken Dance Tour is loosely based -- like, hospital-gown loose -- on the true story of a group of Indigenous dancers who left Saskatchewan and toured through Europe in the 1970s. Dawn Dumont brings her signature razor-sharp wit and impeccable comedic timing to this hilarious, warm, and wildly entertaining novel.
In a writing career spanning nearly three decades, Margaret Laurence became one of the most celebrated and widely read authors in the world. In this, her final work, Margaret Laurence reveals the story of her fascinating life, the process of her writing, and the people and emotional journeys which accompanied it. She relates her experiences living in different cultures; the issues and causes she so passionately upheld; her personal battle against censorship. She also pays tribute to the three women from whom she drew important spiritual strength. Including a selection of her articles, speeches, and letters - many never before published - and photographs selected by Margaret Laurence from her personal family albums, Dance on the Earth is a book of celebration and exploration in which Margaret Laurence speaks openly about her place in the world as a woman, a writer, and a concerned human being.
Dance is more than an aesthetic of life – dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.
This is the story of the National Ballet of Canada – the people, the determination, and how at sixty it is still creating new work while still representing the classics. Passion to Dance is the story of the National Ballet of Canada – the people who dreamt the company into existence, the determination needed to keep it afloat, the bumps on the road to its success, and above all, its passion for dance as a living, evolving art form. From catch-as-catch-can beginnings – borrowed quarters, tiny stages, enormous dreams the National Ballet has emerged as one of North America’s foremost dance troupes. The company at sixty is a company of its time, engaged in creating challenging new work, yet committed to maintaining the classics of the past, favourites like Swan Lake, The Nutcracker,and The Sleeping Beauty. One hundred and fifty photographs from the company’s archives illustrate this definitive history, filled with eyewitness accounts, backstage glimpses, and fascinating detail. This is a record of one of Canada’s boldest cultural experiments, a book to enjoy now and keep forever.