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Hold fast to your skivvies, strap yourself in, and sign on with Christian Daring for an adventure beyond forever's end. Watch out! Many perils-steaming piles of dragon droppings, yellow snow, and the most ruthless stalks of gray-blue asparagus this side of Orion's Belt-are raring to malice even the most seasoned star travelers. Beyond Forever's End: Christian Daring and the Ultimate Warrior of the Prophecy is bursting with swashbuckling action/adventure, the mysticism of a prophecy, and gut busting, tear inspiring, bladder loosening humor.
This novella opens with my astonishing account of the origins of the Byblos Foretold phenomenon, and then resumes where the first novella left off, in June of 1903. As Lord Timothy Dexter’s entourage of faux aristocrats makes its way to Byblos, the small upstate New York city he calls home, we are introduced to a new set of characters. There’s Greta, the erstwhile Greenpoint jute-winder and casual prostitute; Jack, a knockabout street urchin with a keen grasp of market economics; Pat and Danny Lyons, identical twin swindlers who together make for a useful literary device; Corporal Trim, a veteran of the gruesome Long Island campaign who’s willing to tell the tale—and then some; Jane Jebril, a parlor house madam possessing all the requisite traits; Tillie, Lord Dexter’s affection-deprived wife, who for now manages to keep a lid on her libido; their accommodating daughter Felicia, who isn’t similarly inclined; and last, Felicia’s fiancé, the inconveniently married Arthur Biddle, whose arrogance and outsized self-regard rival those of his wife. Now that they’re assembled, take a hogshead of deceit and add a jigger each of rum, love philtre, and whichever bodily fluid suits your mood. Mix thoroughly and serve. For more information on the novaplex, please visit: ByblosForetold.com keywords: Humorous,comedic,comedy,humor,parody,farcical,satire,New York,Brooklyn,love,parenting,divorce,Mrs. Biddle,novaplex,women's fiction,marriage,new adult,family life,saga,historical,1900,20th century
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.