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French Studies in and for the 21st Century draws together a range of key scholars to examine the current state of French Studies in the UK, taking account of the variety of factors which have made the discipline what it is. The book looks ahead to the place of French Studies in a world that is increasingly interdisciplinary, and where student demands, new technologies and transnational education are changing the ways in which we learn, teach, research and assess. Required reading for all UK French Studies scholars, the book will also be an essential text for the French Studies community worldwide as it grapples with current demands and plans for the future.
With contributions from leading scholars across the entire range of French studies, this up-to-date volume examines both the current state of French studies in the United Kingdom, as well as its future in an increasingly interdisciplinary world where student demand, new technologies, and developments in transnational education are changing the ways in which we teach, learn, research and assess achievements. Required reading for French studies scholars worldwide, this volume builds upon the findings of the influential Review of Modern Foreign Languages Provision in Higher Education and maps the present and future of the field.
Contemporary French Poetics finds its origin in part in the International Colloquium on French and Francophone Literature in the 1990’s held at Dalhousie University in September 1998. A certain number of the papers given at that time, and since reworked in some fair measure, take their place here alongside other studies subsequently invited. In all they form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and to some degree francophone, poetic practice and its shifting, becoming conceptual underpinnings. Studies offered range from those devoted to the work of established contemporary figures such as Bonnefoy and Du Bouchet, Stétié and Deguy, Noël and Chedid to discussions of younger generation writing by poets as diverse as Pinson and Leclair, Bancquart and Emaz, Maulpoix and Després, Morency and Zins. All center, however, upon work essentially produced over the last ten years.