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Daleka Doroha, which was originally published in 1963 in Ukrainian is a memoir of Michael Podworniak, who in March 1944 left his beloved Volyn in Ukraine and crossed into Halychyna which during that time was under Polish control. He left behind his family because Germany had invaded his village and set it on fire. His journey continued to Warsaw, and when it became evident that only starvation and other dangers awaited him as the German front continued to advance. He elected to go into forced labor into Germany in exchange for food and a place to sleep. The book describes the hardships of life in a German labor camp which was eventually attacked by Allied bombers and fighter planes. It was only God’s grace that preserved his life and let him see the end of the war. After the war ended, all foreigners were required to settle in refugee camps as the Allied occupiers decided their fate. During the years after the war, the author, together with a group of singers, made two tours of the refugee camps in Germany where Slavic people were staying. God blessed these trips and hundreds were converted after hearing the songs and the preaching of the Word. Every page of the book contains interesting and often tragic stories which the author experienced before he, together with his wife and son, boarded a ship for Canada.
Exploring a rich array of folk traditions that developed in the Ukrainian diaspora and in Ukraine during the twentieth century, Ukrainian Otherlands is an innovative exploration of modern ethnic identity and the deeply felt (but sometimes deeply different) understandings of ethnicity in homeland and diaspora.
Over thirty years in the making, the most comprehensive work in English on Ukraine is now complete: its history, people, geography, economy, and cultural heritage, both in Ukraine and in the diaspora.
Includes entries for maps and atlases.
This volume collects papers put together by an interdisciplinary group of scholars, which explore how the two imaginary geo-cultural spaces «Central Europe» and «(North) America» have mutually attributed meanings to each other over the past two centuries, how traveling images of an «othered» cultural space - inserted into specific regional, national and social contexts and appropriated for negotiations of cultural identity and belonging as well as exclusion and colonization - have laid the basis for a cultural essentialism which thinks culture through space and negotiates cultural status through de-historicized notions of place and territory. It particularly focuses on processes of motion and travel which helped to create these images and discusses in individual case studies a wide variety of cultural phenomena - ranging from music to film, from tourism to world fairs - while sharing the common concern to explore how motion through space - whether physical or imaginary - helped shape, crystallize and negotiate images of the cultural other in contact or transit zones where people, images and cultures meet in asymmetrical relations of domination and subordination, and where tourists, exiles, travelers, displaced commodities and foreign cultural practices generate powerful, as well as potentially subversive, visions and imaginings. Thus this volume invites to find individual paths and ports in/between the subjects presented and in a way to contribute to, to follow up the web of exchange represented by its authors, themselves a (mostly) virtual community of researchers.
This wise and moving poetry collection explores the depth of love in many forms, from romance and desire to family to women's shared experience. The theme of unconditional love is universal to women as lovers, and mothers, and through shared sisterhood. These poems reveal a vulnerability that is basic and essential to the act of loving and the quality of pain brought on by loving too much.
An Intimate Guyana Journey is a spellbinding tale of love and legacy with characters as rich and diverse as the landscape. Set in the lush and wild coast of Guyana, An Intimate Guyana Journey is a coming-of-age story about a boy uncovering his roots and discovering his destiny, and an old woman’s quest to make peace with her family. When Vernon’s mother falls gravely ill, he stays with the owner of the plantation where his father works, an old woman named Madeline. While he is with her and as the story progresses, Madeline slowly uncovers her family’s history—an intricate, intimate tale of love and loss—and the truth about her connection to Vernon’s mother. Spanning four generations, roughly a hundred years, from 1873–1972, the story presses upon love’s infinite and healing nature and the power of compassion and understanding.