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Daisy and the Dirty Dozen is the heartwarming and fun story of a female mallard duck and her 12 ducklings that take up residence in a suburban family's swimming pool. The Wallace family take the 13 ducks "under their wing" and are able to watch a mother duck care for her ducklings right from their kitchen window. The ducks also provide the Wallace family with the opportunity to learn more about wildlife and how to enjoy sharing their yard with a family of ducks. You can see the real-life Daisy and the Dirty Dozen at www.daisyandthedirtydozen.com
This is a true story about fifteen girls who graduated from high school in 1950, kept in touch with each other, and have remained friends for life. It tells of their joys, sorrows, amazing achievements and sometimes their deaths. From Bloomington to Burma, from Texas to Thailand, each went their separate ways to become teachers, a nurse, ministers, homemakers, an actress, bookkeeper, councilor, personal assistant, and President of the International Womens Group in South East Asia. Their personal lives took incredible journeys as well. From marriage, to motherhood, from divorce or widowhood, and for some the personal discovery of self and sexual orientation, these amazing women have weather the changes of their lives with grace and poise.
HELP SEND THIS SPY TO CAMP! A lot of people wanted Buzz Cardigan. Some of them wanted him dead. Some just plain wanted him—period. The trouble was he couldn’t tell which was which without a scorecard—and he didn’t know who was keeping score. Cardigan’s reputation as “The Man from Pansy" was solidly established, whether he liked it or not. The gay world was his oyster, and he was perhaps the world’s prize patsy. So he was obviously the agent to find one lost man in a world of losers.... Jebediah Oregon was a top-rank scientist, with knowledge vital to the world’s future and a daisy for a trademark. He was missing. Cardigan had to find him before the enemy did—and his only clue was one lone petal.... Follow Buzz Cardigan in action against the no-holds-barred backdrop of Hipsville, U.S.A. Our guarantee: a laugh—or a scream—on every page... as the worst fiends try to lure him to a camp from which he'll never return.
From the author of The Miracle & Tragedy of the Dionne Quintuplets and The Borden Murders comes the absorbing and compulsively readable story of Violet and Daisy Hilton, conjoined twins who were the sensation of the US sideshow circuits in the 1920s and 1930s. On February 5, 1908, Kate Skinner, a 21-year-old unmarried barmaid in Brighton, England, gave birth to twin girls. They each had ten fingers and ten toes, but were joined back to back at the base of the spine. Freaks, monsters--that's what they were called. Mary Hilton, Kate's employer and midwife, adopted Violet and Daisy and promptly began displaying the babies as "Brighton's United Twins." Exhibitions at street fairs, carnivals, and wax museums across England and Scotland followed. At 8 years old, the girls came to the United States, eventually becoming the stars of sideshow, vaudeville, and burlesque circuits in the 1920s and 1930s. In a story loaded with questions about identity and exploitation, Sarah Miller delivers a completely compelling, empathetic portrait of two sisters whose bonds were so sacred that nothing — not even death— would compel Violet and Daisy to break them.
Blitz, the only comprehensive guide to IT quizzing in India, is tailor made for participants of TCS IT Wiz, Rural IT Quiz and various other IT/TECH Quizzes. Written by an avid IT quizzer and now a Quiz master himself, this book serves as a handy IT reference book for everyone, from tech savvy readers to ardent quizzers. Salient Features : • Comprehensive coverage on history of computers and IT companies. • Over 2800 Technology terms abbreviations and acronyms. • 1000 Multiple Choice Questions-Indians in IT, Computer Games etc. • Who Coined IT Terms, Happy Father's day, Derivation of names etc. About The Author Raveesh Mayya K, who is currently pursuing his MBA at FMS, Delhi University, conceptualized and compiled this book at the age of 19. His brainchild, the Quizblog Portal (www.quizblog.in) has been appreciated and accepted really well by the Quizzing fraternity. He has worked as a IT Quiz Researcher Consultant with Greycaps India Pvt Ltd, led by Mr. Giri Balasubramaniam. He founded the Quotient Quiz Club while studying at PESIT (Bangalore) and ECN Quizzing Circuit while working at Cisco Systems. As a quizmaster, he has hosted many successful quizzes. He's been the quizmaster at college events like the 12th Annual Intercollegiate Youth Festival, VTU 2010 (CIT, Gubbi), Pragyan 1.0 (Chitkara University, Chandigarh) and corporate events like Adobe People Connect Quiz, Microsoft Dreamspark Yatra, Cisco Connceted Women Quiz etc. Table Of Contents • Must Know It • Firsties First • Games! Games!! Games!!! • Power to Create It • Acronums • Swadesh, We Indians • Internet Fever • I'm Loving It • What's in a Name • Pre Internet Timeline
“With unfailing panache and a style that swoops from crisply cynical to downright voluptuous, Princess Daisy is a guaranteed winner.”—Cosmopolitan She was born Princess Marguerite Alexandrovna Valensky. But everyone called her Daisy. She was a blonde beauty living in a world of aristocrats and countless wealthy. Her father was a prince, a Russian nobleman. Her mother was an American movie goddess. Men desired her. Women envied her. Daisy's life was a fairy tale filled with parties and balls, priceless jewels, money and love. Then, suddenly, the fairy tale ended. And Princess Daisy had to start again, with nothing—except the secret she guarded from the day she was born. Praise for Princess Daisy “This page-turner is a champion.”—People “Judith Krantz has written the glamour novel of the year if not of the decade. Princess Daisy has the same storytelling assets as Scruples, only more of them. Glamour, glamour is everywhere.”—John Barkham Reviews “A positively gorgeous reading experience.”—Shirley Eder, Detroit Free Press “Princess Daisy soars to the heights of escapist entertainment. . . . It is delicious.”—Jill Gerson, Philadelphia Inquirer “In true saga style, this blockbuster weaves its spell across an international landscape. A breathless spin of romance.”—Kitty Kelley, Hollywood Reporter “Elegantly written, with verve and panache . . . a glamorous, extremely adult Cinderella story to delight millions of readers who relish nonstop entertainment. Rollicking wit, high drama, haute couture, and a fascinating cast of characters, who gallop from one sumptuous setting to the next.”—Ft. Worth Chronicle
The author grew up during the Great Depression. Born in 1931, she recalls many of the things that occurred during this period of time and in World War 11. Daisy Pate is a fictional character who is a young widow with four children to rear alone. She has inherited a 300 acre farm in North Carolina from her Grandfather. The story tells of her hope and hard work to keep the farm and her children from being victims of the hard times that all America experienced during what is known as the worst time in our history. Daisys journey is an account of many disappointments, yet joy, as she helps her children grow into women and men of respect, accountability and into what is now known as "The Greatest Generation". It is the experiences of life on a farm before electricity, telephones, and other conveniences came to rural North Carolina. The setting is a Quaker Community where life revolves around Daisys home and farm, the church and the public school. Readers of any age will see what life was like in the 1930's and early 40's on a farm.
Peter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director). Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart. Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors. On Lillian Gish: “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon Brando: “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.” John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop man: “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.” These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.
NEW YORK TIMES BESTSELLER • OVER ONE MILLION COPIES SOLD! A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup—from the author of The Seven Husbands of Evelyn Hugo, Malibu Rising, and Carrie Soto Is Back REESE’S BOOK CLUB PICK • COMING SOON AS AN ORIGINAL STREAMING SERIES EXECUTIVE PRODUCED BY REESE WITHERSPOON “An explosive, dynamite, down-and-dirty look at a fictional rock band told in an interview style that gives it irresistible surface energy.”—Elin Hilderbrand ONE OF THE BEST BOOKS OF THE YEAR: NPR, The Washington Post, Esquire, Glamour, Real Simple, Good Housekeeping, Marie Claire, Parade, Paste, Shelf Awareness, BookRiot Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now. Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend. The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.