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'The entire head had been stripped of skin, creating a nightmarish sculpture in gelled blood...' The hideous apparition that confronted John Redpath almost defied description. It was the beginning of a horrific ordeal that would cause him to question his own sanity... A member of a telepathic research project, Redpath believes the cause to be side-effects from the experimental drugs he is taking - but then stranger things begin to happen. He wakes up to find himself in America...he is drawn to a local house occupied by a bizarre group of people leading an artificial and peculiar life...which events are really happening? Slowly an explanation emerges, more terrifying than anything he could have imagined...
'And when I shall die, Take him and cut him out in little stars.' This collection of Shakespeare's soliloquies, including both old favourites and lesser-known pieces, shows him at his dazzling best. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare’s language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare’s writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.
Reprint of the original, first published in 1882.
Dr Haha Lung, author of more than a dozen books on martial arts, presents an all-in-one primer to breaching your enemy's mental defences. Building on the techniques he presented in the classic Mind Manipulation (Citadel, 2006), he shows how to use your enemy s fears, insecurities, hopes, and beliefs against him. Some of the most effective mind control techniques are from forgotten masters of the trade, and are featured here for the very first time.
This book examines how the experiences of hearing voices and seeing visions were understood within the cultural, literary, and intellectual contexts of the medieval and early modern periods. In the Middle Ages, these experiences were interpreted according to frameworks that could credit visionaries or voice-hearers with spiritual knowledge, and allow them to inhabit social roles that were as much desired as feared. Voice-hearing and visionary experience offered powerful creative possibilities in imaginative literature and were often central to the writing of inner, spiritual lives. Ideas about such experience were taken up and reshaped in response to the cultural shifts of the early modern period. These essays, which consider the period 1100 to 1700, offer diverse new insights into a complex, controversial, and contested category of human experience, exploring literary and spiritual works as illuminated by scientific and medical writings, natural philosophy and theology, and the visual arts. In extending and challenging contemporary bio-medical perspectives through the insights and methodologies of the arts and humanities, the volume offers a timely intervention within the wider project of the medical humanities. Chapters 2 and 5 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.