Download Free Daaku Book in PDF and EPUB Free Download. You can read online Daaku and write the review.

In the violent and ruthless world of Indo-Canadian gangs, Ruby Pandher is on his way up. A self-described daaku (Punjabi for outlaw), Ruby learns young that might, in the form of his drunken father's fists, is right, and that money is easier to steal than earn. Ruby's small-time scams reveal a knack for leadership and after his first stint in youth detention, the big-timers start to notice his potential. Soon, Ruby is doing collections for Indo-Canadian drug dealers. Now "known to police," Ruby is drawn into a gang war just as he's trying to beat the rap on weapons charges and theft -- while simultaneously organizing a jailhouse smuggling ring. On the cusp of adulthood, and surrounded by Punjabi terrorists, bikers and Indo-Canadian gangsters, Ruby is drawn like a moth to the glamour of power, money, and drugs. A story of betrayal, cold-blooded murder and the rise and eventual fall of one gangster, Daaku is a bullet-riddled grand tour of Indo-Canadian gangland.
Violence, wild partying and flashy spending mark Ruby Pandher's comeback as he recovers from a failed hit by his own associates. His eyes and perspective are widened by the new contacts he makes as he tries to measure up to, and then sideline, big-time gangster Khalsi. Joining forces with a sinister associate and sounding very much like themodern businessman, he sets out to expand his criminal enterprises--and while battling his conscience and wondering what a life outside the underworld would be like.
When ‘Once upon a time successful’ Bollywood script writer Avinash Shastri shifts to a modest one room apartment in a middle class Mumbai suburb, he gets more than he bargained for in the form of a young innocent wife Sanam Kaur Bedi. He is the heir of a conglomerate and she is a penniless orphan at the mercy of her relatives. Their love blooms when they are forced to stay together in a contract marriage for a few months. They push the harsh reality of life to the back-burner and fall for each other in the city of dreams, Mumbai.
These essays reexamine European forts in West Africa as hubs where different peoples interacted, negotiated and transformed each other socially, politically, culturally, and economically. This collection brings together scholars of history, archaeology, cultural studies, and others to present a nuanced image of fortifications, showing that over time the functions and impacts of the buildings changed as the motives, missions, allegiances, and power dynamics in the region also changed. Focusing on the fortifications of Ghana, the authors discuss how these structures may be interpreted as connecting Ghanaian and West African histories to a multitude of global histories. They also enable greater understanding of the fortifications’ contemporary use as heritage sites, where the Afro-European experience is narrated through guided tours and museums.
This volume examines the archaeology of precolonial West African societies in the era of the trans-Atlantic slave trade. Using historical and archaeological perspectives on landscape, this collection of essays sheds light on how involvement in the commercial revolutions of the early modern period dramatically reshaped the regional contours of political organization across West Africa. The essays examine how social and political transformations occurred at the regional level by exploring regional economic networks, population shifts, cultural values and ideologies. The book demonstrates the importance of anthropological insights not only to the broad political history of West Africa, but also to an understanding of political culture as a form of meaningful social practice.
Brings together the most recent and essential writings on slavery. Spanning almost five centuries - the late fifteenth until the mid-nineteenth - the articles trace the range and impact of slavery on the modern western world.
BLACK LIONS, LOVE AND WAR A HISTORICAL DRAMA ON THE BRITISH--ASHANTI WARS. This work of well over a decade, is dedicated to Esi Ayensu of Cape Coast, and to the late Clive Compton, Barrister-At-Law and the late MaryAnn Compton, my loving parents who saw to it that I went to school, learned good manners and be polite, and also strong, for you may suffer long for what you may want. Everyone comes under my microscopic pen and my impeccable candor in this scholarly historical drama of love and war. And as an American I look out for the interest of the entire vast region, from as far down to Brazil Amazon, to U.S.A, Canada, Carribean Island, hoping Americans will read and enjoy my work. But this is too narrow. From my studies in Literature at U.C.L.A. where I earned a B.A. in Literature, on to my M.A. in Education at Georgia State University and my subsequent admission in the Doctoral program, I was taught NOT to see the tree but the entire forest. So now I hope that the entire World will read and enjoy my book and gain from it. It is sheer fun for me to read, create, write, and bring out my artistry, remembering always that this is what distinguishes me from the goat, the cow, the donkey and makes me human. Originate and be Scholarly and remember too that there is nothing as fiction, for the writer draws from life itself, the sine qua non of the pen. I LIVE FOR ART. MELVIN F. COMPTON [email protected]
Combining theoretical and historical analysis, this book develops the thesis that the concepts of 'race' and 'ethnicity' are socially constructed. It demonstrates that the social values placed upon Blacks and Irish immigrants in the US result from their placement into specific labour categories rather than from inherent attributes.
The Present Anthology Is An Attempt To Present The Living Folklore Of The Saora People Of Gajapati. The Songs & The Tales Included In This Anthology By The Author, With A Hope To Understand The Saora Mind & Its Creativity.
This book's very existence is significant, since the material is that of the end of the seventeenth century, the period when the dramatic changes that took place in the eighteenth century were beginning to materialize. Transatlantic slaving was to become the chief interest and the use of firearms was to become much more widespread. Tilleman's time on West Africa's Gold Coast came just after Jean Barbot's and coincided with that of Thomas Phillips and Willem Bosman. It is of interest to compare and contrast their reports to give us a fuller picture of events, practices, and allegations. Tilleman's text allows for a comparison of the areas in which they agree and where there are discrepancies, especially considering that these four men represent different European backgrounds, colored by their particular national interests. It is also important to note that the Europeans' headquarters on the coast were in different places and among different cultural groups and polities: Barbot and Phillips used Cape Coast, among the Fetu, as their home base; Bosman lived and worked at Elmina among the Fante; Tilleman worked at Christiansborg among the Gã and Akwamu. Tilleman's book also reveals, as do the other sources, prevailing attitudes and beliefs held by the Europeans, as they described the Africans and their lives. Since Tilleman's purpose was to produce a practical guide to sailing and trade, it was much easier for him to reiterate than investigate the general European attitudes toward, for example, religious practices, the character of the people at various places, or the supposed beliefs held by the Africans.