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A lead role means lots of drama in this sparkling story of one tween’s efforts to shine in the spotlight. Sunny Kim is done with one-line roles at Carnegie Arts Academy—she’s ready for the lead. But even after a summer of studying with an acting coach, Sunny doesn’t snag the role of Mary Poppins in her school’s upcoming production. Unfortunately, her entire family mistakenly thinks otherwise, including her former-actress mother. Desperate for a solution, Sunny convinces her theater adviser to let her produce a one-woman show. But when the rest of her friends find out—the friends that never seem to make the playbill either—they all want to join in. Before long, Sunny is knee-deep in curtains, catfights, and chorus lines as her one-woman work turns into a staging of the hit musical Wicked. And when a terrible misunderstanding pits the entire cast against Sunny, can the show—and Sunny’s future acting career—be saved in time for opening night?
Finalist in the 2022 Lambda Literary Awards for the LGBTQ Anthology category The Methuen Drama Book of Trans Plays for the Stage is the first play anthology to offer eight new plays by trans playwrights featuring trans characters. This edited collection establishes a canon of contemporary American trans theatre which represents a variety of performance modes and genres. From groundbreaking new work from across America's stages to unpublished work by new voices, these plays address themes such as gender identity and expression to racial and religious attitudes toward love and sex. Edited by Lindsey Mantoan, Angela Farr Schiller and Leanna Keyes, the plays selected explicitly call for trans characters as central protagonists in order to promote opportunities for trans performers, making this an original and necessary publication for both practical use and academic study. Sagittarius Ponderosa by MJ Kaufman The Betterment Society by Mashuq Mushtaq Deen how to clean your room by j. chavez She He Me by Raphaël Amahl Khouri The Devils Between Us by Sharifa Yasmin Doctor Voynich and Her Children by Leanna Keyes Firebird Tattoo by Ty Defoe Crooked Parts by Azure Osborne-Lee
From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile and Sisters! Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
The seventh book in The Good Girlz series from national bestselling author ReShonda Tate Billingsley She’s in the spotlight . . . The Good Girlz have always known their girlfriend Camille is a gifted dancer. But when she wins the Search for a Star talent competition, it’s her incredible singing voice that blows them away—why didn’t she tell them she could sing like Beyoncé and Ciara rolled into one? And when Camille lands a spot in rap superstar Sisco’s new music video, Jasmine, Angel, and Alexis discover yet another side to their friend—total diva! Will it get too hot too soon? With her new hair weave, trendy clothes, and too-cool attitude, Camille is working everyone’s nerves, even her boyfriend Xavier’s. But when a photo of Camille and Sisco causes a tabloid scandal, the wannabe starlet gets a taste of unwanted fame. Meanwhile Alexis, upset over her wealthy parents’ divorce, suddenly disappears. . . . With more than enough drama to go around, what will it take to bring the girlfriends together and keep Camille grounded while reaching for the stars?
Contributors to this collection argue for the importance of academic drama as a site of cultural production in England from 1500 to 1700. They explore how these plays address various aspects of culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
The eighth book in The Good Girlz series from national bestselling author ReShonda Tate Billingsley. Seniors rule the school . . . High school is coming to a close for the Good Girlz, and it couldn’t end on a better note: Camille, Angel, Alexis, and Jasmine are ecstatic to discover they’ve all been accepted to the same Texas university! Prairie View A&M, watch out: there will be four inseparable friends on campus come September, and between the cute guys, the Greek parties—oh, and the cool classes, of course—their good times will just be beginning. But college has all new rules. Just when things should be falling into place, there is more uncertainty—and more drama—than ever: Alexis passed up an Ivy League scholarship to go to PV, but a summer scandal may bar her from college entirely. Jasmine’s struggling to nail the final exams on which her future depends . . . and Angel stuns everyone with her plans to move to Dallas with her new boyfriend. They may have their diplomas, but these girls have a lot to learn about relying on their faith—and each other—when facing life’s tough decisions.
Finalist for the 2012 Governor General's Award for Drama Penelope Douglas is an ex–forensic psychiatrist looking for a fresh start in a western boomtown grown three sizes too crazy. But then a television writer offs himself in her sleek bathroom and her oil-wife friend pronounces Penelope her baby's godmother. Will she be able to find heart in this wild and soulless landscape? Will she have to smudge her lipstick to "cowboy up"? Drama, a new play by the master of edgy dark humor, has all the answers. Karen Hines is the author of Hello . . . Hello (A Romantic Satire) and The Pochsy Plays. A Second City alumna, Hines has appeared in numerous television and film productions and is the director of cult horror clowns Mump & Smoot.
Civil disobedience has a tattered history in the American story. Described by Martin Luther King Jr. as both moral reflection and political act, the performance of civil disobedience in the face of unjust laws is also, Patrice Rankine argues, a deeply artistic practice. Modern parallels to King's civil disobedience can be found in black theater, where the black body challenges the normative assumptions of classical texts and modes of creation. This is a theater of civil disobedience. Utilizing Aristotle's Poetics, Rankine ably invokes the six aspects of Aristotelian drama--character, story, thought, spectacle, song, and diction. He demonstrates the re-appropriation and rejection of these themes by black playwrights August Wilson, Adrienne Kennedy, and Eugene O'Neill. Aristotle and Black Drama frames the theater of civil disobedience to challenge the hostility that still exists between theater and black identity.