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This collection of thirty poems may be compared to the critical essays that have made Venclova famous. Venclova's major poetic accomplishment is his linking of intimate experience and historical incident in poems that are intensely contemporary at the same time as they reach back to the ethnic roots of an entire generation. Diana Senechal's deft translation from the Lithuanian - done in collaboration with the author - preserves both Venclova's lyric voice and the complex stanzaic patterns for which his poetry is known in his native country. Featuring an insightful introduction by the late Joseph Brodsky, and a fascinating exhange between Venclova and Nobel laureate Czeslaw Milosz about the city of their respective youths.
A Part of Speech contains poems from the years 1965-1978, translated by various hands.
An intimate portrayal of the friendship between two icons of twentieth-century poetry...highlights the paralles lives of the poets as exiles living in America and as Nobel Prize laureates in literature...Irena Grudzinska Gross draws on poems, essays, letter, interviews, speeches, lectures, and her own personal memories as a confidant of both Milosz and Brodsky. -- pub. description.
Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.
Biography -- Literary Criticism Joseph Brodsky (1940-1996) is unquestionably the greatest poet to emerge from postwar Russia and one of the great minds of the last century. After his expulsion from the Soviet Union in 1972, Brodsky transformed himself from a stunned and unprepared emigre into, as he himself termed it, "a Russian poet, an English essayist, and, of course, an American citizen." In interviews from 1972 to 1995, Joseph Brodsky: Conversations covers the course of his exile. The last interview dates from just ten weeks before his death. In talks, he calibrates the process of his remarkable reinvention from a brilliant, brash, but decidedly provincial Leningrad poet to an international man of letters and an erudite Nobel Prize laureate. Brodsky's poetry earned him a Nobel, and his essays won him awards and international acclaim. This volume shows that there was a third medium, in addition to poetry and essays, in which Brodsky excelled--the interview. Although he said that "in principle prose is simply spilling some beans, which poetry sort of contains in a tight pod," he nevertheless emerges as an extraordinary and inventive conversationalist. This volume includes not only his notable interviews that helped consolidate Brodsky's international reputation but also early and hard-to-find interviews in journals that have since disappeared. Cynthia L. Haven is a literary critic at the San Francisco Chronicle and a regular contributor to Times Literary Supplement, the Los Angeles Times Book Review, the Cortland Review, and Stanford Magazine. Her work also has been published in Civilization, the Washington Post, and the Georgia Review.
René Girard (1923–2015) was one of the leading thinkers of our era—a provocative sage who bypassed prevailing orthodoxies to offer a bold, sweeping vision of human nature, human history, and human destiny. His oeuvre, offering a “mimetic theory” of cultural origins and human behavior, inspired such writers as Milan Kundera and J. M. Coetzee, and earned him a place among the forty “immortals” of the Académie Française. Too often, however, his work is considered only within various academic specializations. This first-ever biographical study takes a wider view. Cynthia L. Haven traces the evolution of Girard’s thought in parallel with his life and times. She recounts his formative years in France and his arrival in a country torn by racial division, and reveals his insights into the collective delusions of our technological world and the changing nature of warfare. Drawing on interviews with Girard and his colleagues, Evolution of Desire: A Life of René Girard provides an essential introduction to one of the twentieth century’s most controversial and original minds.
"On Grief and Reason c"ollects the essays Joseph Brodsky wrote between his reception of the Nobel Prize in Literature in 1987 and his death in January 1996. The volume includes his Nobel lecture; essays on the condition of exile, the nature of history, the art of reading, and the notion of the poet as an inveterate DonGiovanni; his "Immodest Proposal" for the future of poetry, written when he was serving as Poet Laureate of the United States; a consideration of the poetry of Robert Frost; Brodsky's searching estimations of Hardy, Horace, and Rilke; and an affecting memoir of Stephen Spender.
Czesław Miłosz (1911-2004) felt that part of his role as a poet and critic was to bear witness to bloodshed and terror as well as to beauty. He survived the Soviet invasion of his beloved Lithuania, escaped to Nazi-occupied Warsaw where he joined the Socialist resistance, then witnessed the Holocaust and the razing of the Warsaw Ghetto. After persecution and censorship triggered his defection in 1951, he found not relief but the anguish of solitude and obscurity. In the years of loneliness and labor, Miłosz continued writing poems and essays, learning to love his privacy and preoccupations and enjoying the devotion of his students at the University of California, Berkeley. International fame came like lightning when Miłosz won the 1980 Nobel Prize for Literature. Czesław Miłosz: Conversations collects pieces from a wide range of sources over twenty-five years and includes an unpublished interview between Miłosz and his friend and fellow Nobel Laureate poet Joseph Brodsky. This volume acquaints us with a man whose work, life, and thought defy easy characterization. He is a sensualist with a scholar's penchant for history, as likely to celebrate Heraclitus as the hooks on a woman's corset. He is a devout but doubting Catholic, and a thinker tinged with a heretical sensibility. Cynthia L. Haven is a literary critic for the San Francisco Chronicle and a regular contributor to the Washington Post Book World, the Times Literary Supplement, and the Los Angeles Times Book Review. Her work also has been published in Civilization, the Georgia Review, the Kenyon Review, and the Cortland Review.
Milosz's poems move forward while attending to his past, and deal with how his Lithuania, and Europe at large, maintain their habit of partial memory and forgetting. In these poems, such as the sequence Lithuania. After Fifty-Two Years, Wanda (about the painter Wanda Telakowska), Sarajevo, Translating Anna Swir on an Island in the Caribbean, visible worlds exist and sensations of body and soul exist in memory, a living resource and not a nostalgia. Milosz remains aware of suffering but aware too, of the poet's duty to celebrate. Facing the River does not have the tone of finality, but of a restless seeking which finds.
Between Two Fires is about the transnational movement of poetry during the Cold War. Beginning in the 1950s, it examines transnational engagements across the Iron Curtain, reassessing US poetry through a consideration of overlooked radical poets of the mid-century, and then asking what such transactions tell us about the way that anglophone culture absorbed new models during this period. The Cold War synchronized culture across the globe, leading to similar themes, forms, and critical maneuvers. Poetry, a discourse routinely figured as distant from political concerns, was profoundly affected by the ideological pressures of the period. But beyond such mirroring, there were many movements across the Iron Curtain, despite the barriers of cultural and language difference, state security surveillance, spies, traitors and translators. Justin Quinn shows how such factors are integral to transnational cultural movements during this period, and have influenced even postwar anglophone poetry that is thematically distant from the Cold War. For the purposes of the study, Czech poetry—its writers, its translators, its critics—stands on the other side of the Iron Curtain as receptor and, which has been overlooked, part creator, of the anglophone tradition in this period. By stepping outside the frameworks by which anglophone poetry is usually considered, we see figures such as Robert Lowell, Derek Walcott, Allen Ginsberg, and Seamus Heaney, in a new way, with respect to the ideological mechanisms that were at work behind the promotion of the aesthetic as a category independent of political considerations, foremost among these postcolonial theory.