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A mesmerizing and challenging book of Russian games for the mind.
This Biographical Dictionary describes the lives, works and aspirations of more than 150 women and men who were active in, or part of, women’s movements and feminisms in Central, Eastern and South Eastern Europe. Thus, it challenges the widely held belief that there was no historical feminism in this part of Europe. These innovative and often moving biographical portraits not only show that feminists existed here, but also that they were widespread and diverse, and included Romanian princesses, Serbian philosophers and peasants, Latvian and Slovakian novelists, Albanian teachers, Hungarian Christian social workers and activists of the Catholic women’s movement, Austrian factory workers, Bulgarian feminist scientists and socialist feminists, Russian radicals, philanthropists, militant suffragists and Bolshevik activists, prominent writers and philosophers of the Ottoman era, as well as Turkish republican leftist political activists and nationalists, internationally recognized Greek feminist leaders, Estonian pharmacologists and science historians, Slovenian ‘literary feminists,’ Czech avant-garde painters, Ukrainian feminist scholars, Polish and Czech Senate Members, and many more. Their stories together constitute a rich tapestry of feminist activity and redress a serious imbalance in the historiography of women’s movements and feminisms.
The book presents to the reader the first ever English translation of short stories, so far for no reason rather neglected, by Czech female authors at the turn of the 19th and 20th century. These short stories are brought together not only by the translator, but also by the period they were written in, as well as by the beginnings of female emancipation in the early 20th century. The book is accompanied by the biographies of all the eight authors, including B. Benesová, R. Jesenská, M. Majerová and others.
Each of the 12 chapters presents a first-person account, based on letters and autobiography, of a woman who contributed significantly to the cultural life of Prague from the late 18th century to the present. Excellent historical notes accompany each account as well as fascinating but fuzzy bandw photos. Annotation copyright by Book News, Inc., Portland, OR
This anthology of texts by Czech literary scientists presents the phenomenon of the samizdat and its historical transformation. The chapters primarily focus on the definition of the samizdat itself as well as the extensive controversy over the concept of unofficial literature. The scholars also pay attention to the origin, development and characteristics of the various samizdat editions; individual chapters are devoted to underground production and censorship. One chapter deals with the relationship between domestic samizdat production and exile literature. In the final chapters of the publication, samizdat is covered also in the international context, in particular in the Polish and Russian contexts. This book, Samizdat Past and Present, is a representative publication presenting the diverse forms of samizdat and has the potential to become a basic guide on the issue.
Prague is now one of the most popular tourist destinations of the world. Every year, the capital of the Czech Republic attracts visitors by the millions. Many claim that Prague is one of the most beautiful and intriguing cities they have ever seen. The city is known for its splendid cathedrals, palaces, medieval lanes, the famous 14th century Charles Bridge, the Prague Castle, and the nightlife. Czech history goes back more than a thousand years, and the Czech people have gone through very turbulent times. The country has had its ups and downs. In the 14th century, Prague was the seat of Emperor Charles IV and the political powerhouse of Central Europe. In the 16th century, Prague was the cultural capital of Europe under the rule of Emperor Rudolf II. The twentieth century saw Czechs fall first under Nazi occupation and then under the Soviet rule. It was not until 1989 when the Czechs were able to live in freedom again. Yet, Prague and the Czech Republic still remain somewhat of an enigma to many. This collection of short crime stories offers the reader a chance to learn more about the Czech psyche, while having fun reading mysteries by such authors as Karel Capek, Jaroslav Hasek or Franz Kafka. Many of the stories have never been translated into English until now.
The “definitive biography” of the poet and political dissident who became the last president of Czechoslovakia—and first president of the Czech Republic (Walter Isaacson). This portrait of Vaclav Havel, iconoclast and intellectual, renowned playwright turned political dissident, president of a united then divided nation, and dedicated human rights activist, is written by his former press secretary, advisor, and longtime friend—and recounts the turbulent twentieth-century era through which he prevailed. Havel’s lifelong perspective as an outsider began with his privileged childhood in Prague and his family’s blacklisted status following the Communist coup of 1948. This feeling of being outcast fueled his career as an essayist and a dramatist writing absurdist plays as social commentary. His involvement during the Prague Spring and his leadership of Charter 77, his unflagging belief in the power of the powerless, and his galvanizing personality catapulted Havel into a pivotal role as the leader of the Velvet Revolution in 1989. Although Havel was a courageous visionary, he was also a man of great contradictions, wracked with doubt and self-criticism. But he always remained true to himself. This “smart and exciting” biography is “both inspiring and filled with lessons for our time” (Walter Isaacson). “Havel was one of the most important intellectual-troublemaking statesmen of his time—a nonconformist, determined to live in truth, who questioned the system, his countrymen and himself constantly. No one is better suited than Michael Zantovsky to describe, interpret, and analyze this moral giant . . . A brilliantly informed intellectual and political history.” —Madeleine Albright “Entertaining, intimate, and moving . . . Zantovsky’s voice—that of a natural storyteller with an eye for the memorable anecdote, a mischievous wit, an easy intelligence, and keen sense of balance and fairness—is so engaging.” —Paul Wilson, The New York Review of Books
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.