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The heartaches and drama of Nazi persecution are brought to life in this Jewish family saga. Its author, Brigid Grauman, has drawn on the intimate memoirs and diaries of no less than seven of her forebears to recreate a vivid picture of that darkest of eras. Brigid's book combines the searing experiences of her family with her own compassion and affection. Her family members spring to life and step from the page. "Uncle Otto's Puppet Theatre" takes the reader through two centuries of Jewish life, spanning peasant years in rural Moravia to headlong flight from Central Europe and hard-earned new lives in America. The humanity and gifted storytelling of this book emulates the emotional impact of "The Diary of Anne Frank" and "The Hare with Amber Eyes", and is a tribute to the courage of the author's own family.
Read & Play Puppet Theater invites you to read and perform your favorite fairy tales. The illustrated box doubles as a small stage and travel case for an assortment of puppets, backdrops, and storybook.
This stimulating compilation of essays and images reveals an essential and valuable component of Czech contributions to the world of modern theatre heretofore largely unseen outside the country itself. Featuring the craft of twenty-seven of the best stage and costume designers of the twentieth century, Joe Brandesky supplies ample evidence of their consistently high quality and dynamic creativity, survival skills for a people whose national identity had been dismantled during many years of occupation and repression. Essays by Vera Ptacková, Dennis Christilles, Delbert Unruh, and, Marie Zdenková their full texts restored and reedited for this volume since their initial publication in exhibit catalogs, provide historical and linguistic insights into contemporary Czech scenography as well as comparisons to the major art movements affecting the designers. Brandesky’s informative introductory essay contextualizes the shifting tenets of Czech theatre design. Also included are biographies of the designers, a bibliography, and thirty black-and-white photographs. The accompanying CD provides access to the vibrant and sophisticated images of the Czech theatrical world: 138 richly colorful paintings and drawings of costumes, models, and set designs and in situ photos of exhibited designs plus 27 color and black-and-white photos of the designers. The CD also includes the full text of the book with links to all the art and to the designers’ biographies. Book and CD together showcase the Czech Republic as a center of international stage design.
This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters. Contributors John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis
Kate, a tall-tale heroine born on a Mississippi River shanty boat, frustrates her ma's attempts to tame her until she astounds everyone by defeating a hurricane through the blaring cacophony of a truly American instrument--the steamboat calliope. A fact-based tale in the tradition of Paul Bunyan, Kate's adventure invites the reader into a unique aspect of American history while bringing to life a strong girl who never gives up and finds her true voice.
From riches to rags, Milena is growing up in the city of Prague at the turn of the twentieth century. Her parents' once prosperous theatre lies in disrepair and her life seems to be in ruins, and has been since that fateful night her father died in a tragic accident and Milena's beautiful, talented Mother went missing. No trace of her has been found. But Milena has never lost hope that she will come back. The day she meets the flamboyant Puppet Master and his menacing protégés, the twins Zdenko and Zdenka, under the shadow of Prague's famous Astronomical Clock in the Old Town square is, coincidentally, the date of her mother's birthday. And it's the day Milena's grandmother chooses to reveal to her the story of her ancestors... and of her legacy. Or perhaps it's not such a coincidence. Joanne Owen's debut novel skilfully mingles the legends of Bohemia in a story rich in the traditions of circus, theatre and magic, all set in a city waiting to lay bare a myriad of secrets. Longlisted for the Branford Boase Award 2009 and the Carnegie Medal.
The first comparative study in English of all aspects of puppetry in nineteenth-century Europe.