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Imagine for a moment that you are 6-years-old and you are woken in the early hours, bathed and then dressed in rags before being led down to an ominous looking tent at the end of your garden. And there, you are subjected to the cruellest cut, ordered by your own mother. Forced down on a bed, her legs held apart, Hibo Warderewas made to undergo female genital cutting, a process so brutal, she nearly died. As a teenager she moved to London in the shadow of the Somalian Civil War where she quickly learnt the procedure she had undergone in her home country was not 'normal' in the west. She embarked on a journey to understand FGM and its roots, whilst raising her own family and dealing with the devastating consequences of the cutting in her own life. Today Hibo finds herself working in London as an FGM campaigner, helping young girls whose families plan to take them abroad for the procedure. She has vowed to devote herself to the campaign against FGM. Eloquent and searingly honest, this is Hibo's memoir which promises not only to tell her remarkable story but also to shed light on a medieval practice that's being carried out in the 21stcentury, right on our doorstep. FGM in the UK has gone undocumented for too long and now that's going to change. Devastating, empowering and informative, this book brings to life a clash of cultures at the heart of contemporary society and shows how female genital mutilation is a very British problem.
Imagine for a moment that you are 6-years-old and you are woken in the early hours, bathed and then dressed in rags before being led down to an ominous looking tent at the end of your garden. And there, you are subjected to the cruellest cut, ordered by your own mother. Forced down on a bed, her legs held apart, Hibo Warderewas made to undergo female genital cutting, a process so brutal, she nearly died. As a teenager she moved to London in the shadow of the Somalian Civil War where she quickly learnt the procedure she had undergone in her home country was not 'normal' in the west. She embarked on a journey to understand FGM and its roots, whilst raising her own family and dealing with the devastating consequences of the cutting in her own life. Today Hibo finds herself working in London as an FGM campaigner, helping young girls whose families plan to take them abroad for the procedure. She has vowed to devote herself to the campaign against FGM. Eloquent and searingly honest, this is Hibo's memoir which promises not only to tell her remarkable story but also to shed light on a medieval practice that's being carried out in the 21stcentury, right on our doorstep. FGM in the UK has gone undocumented for too long and now that's going to change. Devastating, empowering and informative, this book brings to life a clash of cultures at the heart of contemporary society and shows how female genital mutilation is a very British problem.
We're opposites, even though we came from the same, she's nuttin like me, an that shames me. Teenagers Muna and Iqra catch the same school bus. They were both born in Somalia but their backgrounds are very different. What they share is a painful secret. Tracking the urgent issue of FGM in Britain, this devastating play reveals the price some girls pay to become women. Cuttin' It premieres at the Young Vic, London, in May 2016. Charlene James is the winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play.
Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status? In Making the Mark, Miroslava Prazak follows the practice of female circumcision through the lives and activities of community members in a rural Kenyan farming society as they decide whether or not to participate in the tradition. In an ethnography twenty years in the making, Prazak weaves multiple Kuria perspectives—those of girls, boys, family members, circumcisers, political and religious leaders—into a riveting account. Though many books have been published on the topic of genital cutting, this is one of the few ethnographies to give voice to evolving perspectives of practitioners, especially through a period of intense anticutting campaigning on the part of international NGOs, local activists, and donor organizations. Prazak also examines the cultural challenges that complicate the human-rights anti-FGM stance. Set in the rolling hills of southwestern Kenya, Making the Mark examines the influences that shape and change female genital cutting over time, presenting a rich mosaic of the voices contributing to the debate over this life-altering ritual.
Waris Dirie, the Somalia nomad who became a supermodel, and an anti-FGM activist, first came to the world's attention with the publication of her autobiography, Desert Flower. The book was subsequently made into a film and little Safa Nour, from one of the slums of Djibouti in the Horn of Africa, was chosen to play the young Waris. The book and the film record many extraordinary things - from facing down a tiger, to being discovered by a famous photographer in London - but it also tells the grim story of female circumcision, an ordeal that the young Waris had to endure. Saving Safa opens with a letter from Safa, now aged seven, who explains that she is worried that she will undergo FGM in spite of the contract her parents have signed with Dirie's Desert Flower Foundation stating that they will never have their daughter cut. Waris drops everything and flies to Djibouti where she meets Safa's father and mother who thinks her daughter should be cut to stop the community ostracising them. As Safa was saved from FGM through a contract with her parents, the Foundation believes a thousand other girls can be saved through providing their families with aid in return for a promise not to mutilate their daughters
This ground-breaking handbook details the present situation with regard to female genital mutilation (FGM) in Britain, referring also to other western nations where FGM occurs. It scrutinizes current pathways to eradicating this often dangerous, sometimes lethal, form of child abuse and gender-related violence. This book makes the case urgently for developing a shared, coherent model - a multi-disciplinary paradigm - as the basis to achieve the eradication of FGM. The text will be required reading for health, legal, educational and social services professionals, as well as researchers, policy makers, school governors, journalists and other concerned citizens.
Aduke, a young Nigerian wife, is under extreme pressure from her mother and her husband, Kunle, to undergo Female Genital Mutilation because she has not yet conceived and they assure her it will enable her in their superstitious minds to become pregnant. She argues desperately against it, having heard that it is dangerous, but in the end, she is persuaded and then drugged while the operation is carried out. She is horrified to see that rusty knife the woman is using is the same one she had dreamed about in a nightmare in the first chapter. She suffers catastrophic loss of blood and almost dies. She is saved by the intervention of a doctor who lectures her mother and husband on the appalling risks of FGM. While she is being treated, they discover she is pregnant anyway so FGM was not needed. The rest of the book is an account of FGM and the campaign against it and uses the story as an illustration of the wickedness, barbarity and superstition of FGM. The barbaric and dangerous practice of Female Genital Mutilation (FGM) in childhood or early womanhood is the scourge of the women of many African and Middle Eastern countries, because of an ancient, misguided belief that cutting away the clitoral area increases fertility, eases childbirth and reduces promiscuity and increases pleasure for men. This book combines a harrowing true account of one woman's near-fatal experience of FGM in Nigeria with information designed to provide enlightenment on this abhorrent practice and why it should be stamped out in all the countries of the world where it is still practised. Published with the support and backing of key and influential women from several countries.
This book comprises a collection of narratives by people whose lives have been touched by female genital mutilation (FMG), across five continents.
An “outstandingly dramatic and moving” memoir of fleeing a brutal girlhood in Somalia—and becoming a supermodel and UN special ambassador (Kirkus Reviews). To escape an arranged marriage to a sixty-year-old man, Waris Dirie ran away from her oppressive life in the African desert when she was barely in her teens, illiterate and impoverished, with nothing to her name but a tattered shawl. She traveled alone across the dangerous Somali desert to Mogadishu—the first leg of a remarkable journey that would take her to London, where she worked as a house servant; then to nearly every corner of the globe as an internationally renowned fashion model; and ultimately to New York City, where she became a human rights ambassador for the U.N. Poignant and powerfully told, Desert Flower is Waris’s extraordinary story. “Affecting and at times very entertaining . . . it is Dirie’s remarkable lack of narcissism or entitlement that makes her so captivating a raconteur.” —Publishers Weekly “Written with innocence and warmth, this book shows how one woman’s tragedy can help others.” —The New York Times Book Review “Waris’s story is one of remarkable courage. From the deserts of Somalia to the world of high fashion, she battles against oppression and emerges a real champion. She is the most beautiful inspiration to anyone.” —Elton John
Bolokoli, khifad, tahara, tahoor, qudiin, irua, bondo, kuruna, negekorsigin, and kene-kene are a few of the terms used in local African languages to denote a set of cultural practices collectively known as female circumcision. Practiced in many countries across Africa and Asia, this ritual is hotly debated. Supporters regard it as a central coming-of-age ritual that ensures chastity and promotes fertility. Human rights groups denounce the procedure as barbaric. It is estimated that between 100 million and 130 million girls and women today have undergone forms of this genital surgery. Female Circumcision gathers together African activists to examine the issue within its various cultural and historical contexts, the debates on circumcision regarding African refugee and immigrant populations in the United States, and the human rights efforts to eradicate the practice. This work brings African women's voices into the discussion, foregrounds indigenous processes of social and cultural change, and demonstrates the manifold linkages between respect for women's bodily integrity, the empowerment of women, and democratic modes of economic development. This volume does not focus narrowly on female circumcision as a set of ritualized surgeries sanctioned by society. Instead, the contributors explore a chain of connecting issues and processes through which the practice is being transformed in local and transnational contexts. The authors document shifts in local views to highlight processes of change and chronicle the efforts of diverse communities as agents in the process of cultural and social transformation.