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Description of the costume collection in the Royal Ontario Museum.
Following François Laruelle's nonstandard philosophy and the work of Judith Butler, Drucilla Cornell, Luce Irigaray, and Rosi Braidotti, Katerina Kolozova reclaims the relevance of categories traditionally rendered "unthinkable" by postmodern feminist philosophies, such as "the real," "the one," "the limit," and "finality," thus critically repositioning poststructuralist feminist philosophy and gender/queer studies. Poststructuralist (feminist) theory sees the subject as a purely linguistic category, as always already multiple, as always already nonfixed and fluctuating, as limitless discursivity, and as constitutively detached from the instance of the real. This reconceptualization is based on the exclusion of and dichotomous opposition to notions of the real, the one (unity and continuity), and the stable. The non-philosophical reading of postructuralist philosophy engenders new forms of universalisms for global debate and action, expressed in a language the world can understand. It also liberates theory from ideological paralysis, recasting the real as an immediately experienced human condition determined by gender, race, and social and economic circumstance.
Lacing cultural criticism, Victorian literature, and storytelling together, Too Much explores how culture corsets women's bodies, souls, and sexualities - and how we might finally undo the strings. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, Too Much encourages women to reconsider the beauty of their excesses - emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's 'hysterical' behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us 'too much'.
Two friends, a rabbit and a pig, have a quarrel until they discover that they have more fun together than alone.
In the writing style of the great Raymond Chandler comes this tense 1940s thriller set under the bright lights of today's PGA Tour. - For Jack Austin, life on Tour is great. He still believes in what the game stands for: honesty and integrity. At a tournament in Arizona, however, a rookie pro reveals to Jack that a mafia-run gambling ring has invaded the Tour--and the young man is in the middle of it. The golfer is being mysteriously blackmailed and Jack is forced to enter the underworld to protect his fiancee, solve a murder, and save the game he loves.
"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.
This Little Golden Book is based on the box office hit Disney Frozen 2--now streaming on Disney+! Directed by Jennifer Lee and Chris Buck, and produced by Peter Del Vecho, Walt Disney Animation Studios' feature-length follow-up to 2013's Oscar®-winning film Frozen is a record-breaking blockbuster. Kristen Bell, Josh Gad, Idina Menzel, and Jonathan Groff are reprising their roles in an all-new story that sees Anna, Elsa, Olaf, Kristoff, and Sven journey to the enchanted forests and dark seas beyond Arendelle. This Little Golden Book with exciting scenes from Disney Frozen 2 is perfect for girls and boys ages 2 to 5, as well as Disney Little Golden Book collectors of all ages!
These meditations inspired by a Matisse painting are “a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds.” —The New York Times Book Review Named a Chicago Tribune Best Book of the Year and a Los Angeles Times Favorite Nonfiction of the Year Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.
From the Bestselling Author of the hit Netflix series, Virgin River! In Sullivan’s Crossing, #1 New York Times bestselling author Robyn Carr has created a place where good people, powerful emotions, great humor and a healthy dose of common sense are the key ingredients to a happy life. Sullivan’s Crossing brings out the best in people. It’s a place you’ll want to visit again and again. Dr. Leigh Culver loves practicing medicine in Timberlake, Colorado. It is a much-needed change of pace from her stressful life in Chicago. The only drawback is she misses her aunt Helen, the woman who raised her. But it’s time that Leigh has her independence, and she hopes the beauty of the Colorado wilderness will entice her aunt to visit often. Helen Culver is an independent woman who lovingly raised her sister’s orphaned child. Now, with Leigh grown, it’s time for her to live life for herself. The retired teacher has become a successful mystery writer who loves to travel and intends to never experience winter again. When Helen visits Leigh, she is surprised to find her niece still needs her, especially when it comes to sorting out her love life. But the biggest surprise comes when Leigh takes Helen out to Sullivan’s Crossing and Helen finds herself falling for the place and one special person. Helen and Leigh will each have to decide if they can open themselves up to love neither expected to find and seize the opportunity to live their best lives.