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This beautiful botanical magazine showcases the most stunning and ornamental foreign plants cultivated in flower-gardens around the world. Featuring accurate representations of every kind of ornamental plant, from delicate vines to glorious shrubs, this book is an inspiration to gardeners and nature-lovers alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Many years ago, during a long, confining illness in her native Australia, Margaret Stones whiled away the hours drawing the wildflowers friends placed at her bedside. Today she is acclaimed as one of the world's most distinguished botanical artists. Stones served for twenty-five years as the principal illustrator for Curtis's Botanical Magazine, contributing more than 400 drawings. She has also completed a six-volume illustrated work, The Endemic Flora of Tasmania, and has worked under commission for the Royal Botanical Gardens at Kew, England, the Royal Horticultural Society of England, and similar institutions the world over.In 1976, as part of the United States' bicentennial celebration, Louisiana State University commissioned Stones to execute six watercolor renderings of Louisiana flora. This initial project was so successful that Stones was asked to draw a much larger number of the state's native plants. Today Stones has completed more than 200 watercolors, all of which are maintained in the LSU Libraries' E. A. McIlhenny Natural History Collection. The drawings represent not only a collection of exquisite botanical art but an accurate scientific record of Louisiana's lush, varied, and beautiful flora.Flora of Louisiana reproduces the great bulk of Stones's collection. The volume contains more than 200 pages of full-color and black-and-white illustrations. Each drawing is accompanied by a short text that gives information about the plant, including a physical description and details about habitat and growing conditions.The publications of Flora of Louisiana is set to coincide with the first of several international exhibitions of Stones's drawings, beginning in April, 1991.
"Reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre."--
A native of Persia. Flowers in February and March. Its beauty, early appearance, and fragrant blossoms, make it highly esteemed by all lovers of flowers; like the Hyacinth or Narcissus it will blow within doors in a water-glass, but stronger in a small pot of sand, or sandy loam; a few flowers will scent a whole apartment: it will also blossom in the open air, but requires warmth and shelter; it is propagated by offsets and seeds; the best flowering roots are imported from Holland, they bear forcing well; and hence this plant may be had to flower a full month or six weeks in succession. This species differs from the other plants of the genus, in the colour of its outermost petals, which are long, narrow, purple, and pendulous, and not unaptly resemble small pieces of red tape. Notwithstanding it is a native of the warm climates Carolina and Virginia, it succeeds very well with us in an open border: but, as Mr. Miller very justly observes, it will always be prudent to shelter two or three plants under a common hot-bed frame in winter, to preserve the kind, because in very severe winters, those in the open air are sometimes killed. It flowers in July. As it rarely ripens its seeds with us, the only mode of propagating it, is by parting the roots; but in that way the plant does not admit of much increase.
Roadside 'weeds' and other routinely overlooked aspects of urban nature provide a fascinating glimpse into the complex global ecologies and new cultures of nature emerging across the world. This unique collection of essays explores the botanical dimensions of urban space, ranging from scientific efforts to understand the distinctive dynamics of urban flora to the way spontaneous vegetation has inspired artists and writers. The book comprises five thematic sections: histories and taxonomies, botanising the asphalt, the art of urban flora, experiments in non-design, and cartographic imaginations. The essays explore developments in Berlin, London, Lahore, and many other cities, as well as more philosophical reflections on the meaning of urban nature under the putative shift to the Anthropocene. 100 colour images
This book brings together striking botanical art of Indian origin spanning a period of 300 years, focussing on the 18th and 19th centuries. Drawn mostly from original works held in the collections of the Royal Botanic Gardens, Kew, some of the paintings have never been published before. They showcase the richness and variety of art commissioned from talented, mostly unknown, Indian artists who made a substantial contribution to the documentation of the flora of the Indian subcontinent. A foreword written by Sita Reddy places the collections in contemporary context. The book concludes with works from a new generation of botanical artists in India, who excite interest today.