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A scientist and a veterinarian are bitten by infected wolves and will become werewolves if you dont find the antidote flower by the full moon. While the associates seek the remedy plant, the wolf-men transform. Death and chaos disrupt the process to attain the cure.
The 4th Marine Brigade, with roughly 10,000 men, was the only large Marine unit to see major action in World War I. Dubbed "Devil Dogs" by the Germans, the 4th was part of the 2nd Division of the American Expeditionary Forces, nicknamed the "Race Horse Division" for its rapid and devastating pursuit of the enemy. The 4th Brigade fought at Verdun, Soissons, St. Mihiel, Blanc Mont, and the Meuse-Argonne, and its signature victory at Belleau Wood saved Paris from falling into German hands. It was also one of the major reasons that the 2nd Division advanced more miles, captured more territory, and amassed more casualties than any other in the war. George Clark, a former Marine and expert on Marine Corps history, here draws upon memoirs, diaries, letters, and post-war interviews-most of which have not been seen since the war ended-to create a chorus of voices chronicling the 4th Brigade's experiences. Through the words of these Marines, Clark captures the rigors of training at Paris Island and Quantico, the ferocity of combat overseas, and the strange quietude of occupation. He reveals what it was like for these men to fight in trenches while knee-deep in mud, with rats playing over them as they slept; going days between meals, often surviving on what they could forage from dead German or French packs; and even wishing for a wound that would allow some time off far from the terrors of the front. He also illuminates the dread and despair of Marines who beat the odds during one blood bath, surviving when most of their comrades did not, only to find themselves flung into an even worse battle not long afterward. One German soldier remarked that these "Americans are savages. They kill everything that moves," a caustic testament to the Marines' intensity and prowess. But that came at a cost: by war's end the 4th had suffered a severe casualty rate of 150 percent. Vividly reflecting the horrors of that "war to end all wars," Devil Dogs Chronicle pays tribute to the Marines whose bravery helped the Allies achieve victory in the first global conflict.
In this illuminating and evocative exploration of the origin and function of storytelling, the author goes beyond the work of mythologist Joseph Campbell, arguing that mythmaking evolved as a cultural survival strategy for coping with the constant fear of being killed and eaten by predators. Beginning nearly two million years ago in the Pleistocene era, the first stories, Trout argues, functioned as alarm calls, warning fellow group members about the carnivores lurking in the surroundings. At the earliest period, before the development of language, these rudimentary "stories" would have been acted out. When language appeared with the evolution of the ancestral human brain, stories were recited, memorized, and much later written down as the often bone-chilling myths that have survived to this day. This book takes the reader through the landscape of world mythology to show how our more recent ancestors created myths that portrayed animal predators in four basic ways: as monsters, as gods, as benefactors, and as role models. Each incarnation is a variation of the fear-management technique that enabled early humans not only to survive but to overcome their potentially incapacitating fear of predators. In the final chapter, Trout explores the ways in which our visceral fear of predators is played out in the movies, where both animal and human predators serve to probe and revitalize our capacity to detect and survive danger. Anyone with an interest in mythology, archaeology, folk tales, and the origins of contemporary storytelling will find this book an exciting and provocative exploration into the natural and psychological forces that shaped human culture and gave rise to storytelling and mythmaking.
I’ve been called many things — most of them are bad, but all are true. I was freed from jail for a crime I didn’t commit because only I could catch a monster terrorizing a rural community.<> Forced to partner with the man who believes I’m capable of mass murder might prove more than I can handle. The destroyed trust puts us at odds when the mounting danger demands we support each other. Tempers flare and sparks fly. I don’t know if I want to throttle him or kiss him, but I do know that I need him as much as he needs me. If we cannot overcome these challenges, then more lives will be lost and the shadows will rise again.
How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."
S. M. Stirling presents his first Novel of the Change, the start of the New York Times bestselling postapocalyptic saga set in a world where all technology has been rendered useless. The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable—and plunged the world into a dark age humanity was unprepared to face... Michael Pound was flying over Idaho en route to the holiday home of his passengers when the plane’s engines inexplicably died, forcing a less than perfect landing in the wilderness. And as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident. Juniper McKenzie was singing and playing guitar in a pub when her small Oregon town was thrust into darkness. Now, taking refuge in her family’s cabin with her daughter and a growing circle of friends, Juniper is determined to create a farming community to benefit the survivors of this crisis. But even as people band together to help one another, others are building armies for conquest...
Reprint of the original, first published in 1845.
There are certain places in the world where people fear to tread. From castles where horrific executions took place to tombs where paranormal creatures are said to gather, the author takes readers on a world tour to some of the scariest places on Earth. The author examines the history and folklore regarding these sites, many of which have a sinister past, and explores the feelings and experiences they evoke in visitors. Readers will enjoy feeling a chill down their spine while remaining safely at home.