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CURIOUS, IF TRUE: Strange Tales is a collection of five dark Victorian tales of suspense, horror, mood and mystery by Elizabeth Gaskell, published variously between 1852 and 1861. Includes "The Old Nurse's Story," "The Poor Clare," "Lois The Witch," "The Grey Woman," and "Curious, If True."
CURIOUS, IF TRUE: Strange Tales is a collection of five dark Victorian tales of suspense, horror, mood and mystery by Elizabeth Gaskell, published variously between 1852 and 1861. Includes "The Old Nurse's Story," "The Poor Clare," "Lois The Witch," "The Grey Woman," and "Curious, If True."
Featuring five works of short gothic fiction, Curious, If True delivers peculiar stories that incite spine-chilling reactions. Depicting a classic ghost tale, The Old Nurse’s Story follows a nurse named Hester as she tells a group of children about her ancestry. The Poor Clare, depicts an intriguing narrative as a pragmatic lawyer uses his position to investigate the records and history of strange women said to have supernatural abilities. . Primarily told through a letter, The Grey Woman follows a young woman named Anna who was rushed into a terrible marriage. Soon Anna discovers how horrible her husband is proving the doubts she had before the she was pressured into the union. When his murderous rage makes Anna a target, her handmaid, Amante rushes to her safety. On the run and in disguise, Anna and Amante work together to outsmart and overcome Anna’s abusive and violent husband. Depicting a change of scene, Lois the Witch features a compelling and unexpected narrative set during the Salem Witch Trials. Following a woman accused of witchcraft, Lois the Witch tells a dark tale that leaves readers on the edge of their seats. Finally, the title piece, Curious, If True reexamines fairy tales and folk lore with a mysterious and dark lens, answering the question—what happens after “happily ever after”? First each published separately between the years of 1852-1861, the short works of fiction within Curious, If True can be read as stand-alone pieces while still working together to create a chilling tone and mood. Typically known for her biographies and Victorian fiction depicting homelife, Elizabeth Cleghorn Gaskell breaks from her mold to deliver these delightfully spooky stories. With intricate prose, strong characterization, and compelling plots, Gaskell proves that her merit extends across many genres, and that her work remains to be applicable even to modern audiences. Now presented in an easy-to-read font and featuring a stunning new cover design, this edition of Elizabeth Cleghorn Gaskell’s Curious, If True, is catered to modern readers, updating the classic to be accessible and conformed to contemporary standards while preserving the original genius of the work.
CURIOUS, IF TRUE: Strange Tales is a collection of five dark Victorian tales of suspense, horror, mood and mystery by Elizabeth Gaskell, published variously between 1852 and 1861. Includes "The Old Nurse's Story," "The Poor Clare," "Lois The Witch," "The Grey Woman," and "Curious, If True.
A collection of five spooky Victorian stories.
"Curious, if True: Strange Tales" is a collection of stories written by Mrs. Gaskell. It includes "The Old Nurse's Story," "The Poor Clare," "Lois the Witch," "The Grey Woman," and "Curious, if True." Each story offers a unique and mysterious narrative, exploring themes of supernatural occurrences, historical settings, and intriguing characters.
Elizabeth Cleghorn Gaskell née Stevenson (1810-1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Brontë. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. She married William Gaskell, the minister at Cross Street Unitarian Chapel in Manchester. They settled in Manchester, where the industrial surroundings would offer inspiration for her novels. Her first novel, Mary Barton: A Tale of Manchester Life, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1855), and Wives and Daughters (1866).
The fantastic has occupied the literary imagination of readers and scholars across historical, theoretical, and cultural contexts. Representations of the fantastic in literature rely on formal and generic types, tropes, and archetypes to mediate between depictions of “fantasy” and “reality.” Present in myth and folklore, the gothic and neo-gothic, and contemporary and mainstream fantasy, the fantastic reach stretches into many conceptions of literature over time. “Curious, if True”: The Fantastic in Literature presents recent articles by graduate students on the fantastic and makes connections across category, genre, and historical periods. Fantasy is used as an organizing topic, a genre that has always allowed for a broad interpretation of its meaning. From magic realism, to high fantasy, sci-fi to the Gothic, this collection furthers the reach of fantasy in the study of English literature. The authors value tradition in their reading and their writing but are not afraid to reach across genre borders to show their understanding of “the fantastical in literature.” The ideas presented span years and literary periods, texts and genres, and show the undeniable value of interdisciplinary study to expand perspectives in the field of English.
Curious, If True: Strange Tales Elizabeth Cleghorn Gaskell - In these short stories, never previously published together, Mrs Gaskell (1810-1865) unleashes her fascination with the macabre and uncanny. These short fictions provide outlets for a strange and powerful imagination.Strange Tales is a Marvel Comics anthology series. The title was revived in different forms on multiple occasions. Doctor Strange and Nick Fury, Agent of S.H.I.E.L.D. made their debuts in Strange Tales. It was a showcase for the science fiction/suspense stories of artists Jack Kirby and Steve Ditko, and for the groundbreaking work of writer-artist Jim Steranko. Two previous, unrelated magazines also bore that title.
You know, my dears, that your mother was an orphan, and an only child; and I daresay you have heard that your grandfather was a clergyman up in Westmoreland, where I come from. I was just a girl in the village school, when, one day, your grandmother came in to ask the mistress if there was any scholar there who would do for a nurse-maid; and mighty proud I was, I can tell ye, when the mistress called me up, and spoke of me being a good girl at my needle, and a steady, honest girl, and one whose parents were very respectable, though they might be poor. I thought I should like nothing better than to serve the pretty young lady, who was blushing as deep as I was, as she spoke of the coming baby, and what I should have to do with it.