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Simple, rhyming text expands on the familiar nursery rhyme as Curious George prepares for a birthday party.
With 2 dolls and 48 costumes -- including pirate, fireman, snake charmer, and dozens of other imaginative roles -- kids can re-enact George's famous adventures, or invent new escapades.
When the man with the yellow hat tells George that he is planning a surprise, of course George is curious. Before long George finds a hat, noisemakers, decorations, and games. It must be a birthday! But whose birthday is it? That’s the surprise! This paperback edition now includes a maze and a birthday vocabulary seek-and-find.
George and his friend Steve eat all of the honeycomb Betsy was going to use for her report on bees, so they build a beehive to make more.
Curious George is helping Professor Wiseman train for a race, but she thinks running is boring. Can George find a way to show her that running is fun before the big race?
At the train station, it’s up to lovable monkey George to save the day! Curious George heads to the train station to take a trip with the man with the yellow hat. But when he tries to help out the station master, he gets himself into trouble. George finds himself a hiding place—only to discover that his help is really needed when a little boy’s toy train is about to fall onto the tracks… “The only predictable thing about that dynamic monkey, Curious George, is his unpredictability.”—The New York Times
This book is for librarians and educators who truly want to hone their craft and become expert storytellers. Walter Minkel offers instruction on staging puppet shows in the library, creating characters, writing scripts, and building stages.
There's only one you in this great big world. Make it a better place! Adri's mama and papa share with their eager son some of the wisdom they have gained through the years. Their words, simple and powerful, are meant to comfort and guide him as he goes about exploring the world. This exquisitely illustrated book explodes with color and honest insights. Kranz's uniquely painted rockfish, set against vibrant blue seas, make an unforgettable and truly special impression. Only One You will inspire parents and children of all ages as they swim through life. No hay nadie como tú en este inmenso mundo. ¡Haz de él un lugar mejor! Los padres de Adri quieren compartir con su joven hijo la experiencia que han adquirido a través de los años. Sus palabras, sencillas pero impactantes, pretenden orientarlo y proporcionarle la seguridad que necesita para descubrir el mundo. Los originales pececitos de roca pintados por Kranz, y su clara percepción, servirán de guía a padres e hijos de todas las edades para navegar por la vida.
In the rec room in at a church in Cypress, Texas, Margery leads her students in a puppet pageant to strengthen their faith in the Bible and evade Satan's hand. But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.
The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects—objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature—Collodi’s cruel, wooden Pinocchio, puppetlike characters in Kafka and Dickens, Rilke’s puppet-angels, the dark puppeteering of Philip Roth’s Micky Sabbath—as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, Puppet evokes the startling power of puppets as mirrors of the uncanny in life and art.