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Reprint of the original, first published in 1883.
LOCUS AWARD FINALIST! “This generation’s Le Guin.” —Andrew Sean Greer, Pulitzer Prize-winning author of Less Charlie Jane Anders, the nationally bestselling author of All the Birds in the Sky delivers a brilliant new novel set in a hauntingly strange future with #10 LA Times bestseller The City in the Middle of the Night. "If you control our sleep, then you can own our dreams... And from there, it's easy to control our entire lives." January is a dying planet—divided between a permanently frozen darkness on one side, and blazing endless sunshine on the other. Humanity clings to life, spread across two archaic cities built in the sliver of habitable dusk. But life inside the cities is just as dangerous as the uninhabitable wastelands outside. Sophie, a student and reluctant revolutionary, is supposed to be dead after being exiled into the night. Saved only by forming an unusual bond with the enigmatic beasts who roam the ice, Sophie vows to stay hidden from the world, hoping she can heal. But fate has other plans—and Sophie's ensuing odyssey and the ragtag family she finds will change the entire world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
If the world is right, then I am crazy. And crazy is dangerous. In a world where nothing supernatural exists, Tess Eckhart is positive she’s going crazy. After her complete freakout at a high school party, her family is too. So much that they pack their bags and move across the country, next to a nationally-renowned facility for the mentally ill. Tess is determined to fit in at her new school, despite the whispers and stares. But when it comes to Luka Williams, a reluctantly popular boy in her class, she’s unused to a stare that intense. Then the headaches start, and the seemingly prophetic dreams that haunt her at night. As Tess tries harder to hide them, she becomes increasingly convinced that Luka knows something—that he might somehow be responsible. But what if she’s wrong? What if Luka Williams is the only thing separating her from a madness too terrifying to fathom?
The 126 poems in this superb collection of 19th and 20th century British and American verse range from famous poets such as Wordsworth, Tennyson, Whitman, and Frost to less well-known poets. Includes 10 selections from the Common Core State Standards Initiative.
A bookstore clerk blogs while fighting off the zombie apocalypse in this chilling adventure by the New York Times–bestselling author of Asylum. Allison Hewitt and her five colleagues at the Brooks and Peabody Bookstore are trapped together when the zombie outbreak hits. Allison reaches out for help through her blog, writing on her laptop and utilizing the military’s emergency wireless network (SNET). It may also be her only chance to reach her mother. But as the reality of their situation sinks in, Allison’s blog becomes a harrowing account of her edge-of-the-seat adventures (with some witty sarcasm thrown in) as she and her companions fight their way through ravenous zombies and sometimes even more dangerous humans. Praise for Allison Hewitt Is Trapped “A smart and furious thrill ride.” —Ilona Andrews, New York Times–bestselling author of Magic Bleeds “An engaging and addictive adventure story.” —Christine Warren, New York Times–bestselling author of The Others series “[An] obvious talent for witty characters and gory action sequences.” —Publishers Weekly
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.