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Cupid's livid. It's bad enough he made two people fall in love, but now thanks to King Larus, the whole Immortal Realm knows about it. There's only one thing a troll can do. Get Revenge. Lady Mina and her sister are impoverished, starving, and their castle home is crumbling around their feet. With their father is dead, the servants have all fled and left them to fend for themselves in the middle of winter. Mina doesn’t think things could get worse, until they're kidnapped and left as an offering to a handsome man-beast. After Cupid caused a great disruption amongst his lycans by bringing an enchanted human to their realm, King Larus had to meet with the Council of Elders to tell what the troll had done. It should have been enough to stop future mischief. Or so he thought. Now he’s trapped in the woods with two beautiful women—one whose madly in love with him and one who wants nothing more than to claw his eyes out. Larus is quickly learning not to underestimate a troll bent on revenge. From NYT & USAT Bestselling Author Naughty Cupid Series Anniversary Edition Reader Note: This book has been re-edited and revised for it's anniversary. Paranormal Werewolf Shifter Fantasy Historical Romance Naughty Cupid Series Cupid's Enchantment Cupid's Revenge Cupid's Favor Genres: Dark, High Fantasy, Epic, Medieval, Historical, Paranormal, Other-World Romance, fairies, elves, demons, trolls, mythical, fanciful creatures, shapeshifter, Psychic, paranormal romance, elf, fantasy romance, Wizards, Sorcery, action and adventure, alpha male, bad boy hero, damaged hero, fae, fantasy, hea, kick ass heroine, kick butt chick, legends, labyrinth, magic, myths, romantic adventure, shifter romance, Wizards & Witches, sprights, knights, nobility, royalty, cupid, valentines day, spells, witchcraft, enchantment, comedy, humorous, romantic comedy
An investigation of how Renaissance English revenge drama carried out important ethical work through audience participation and metatheatre.
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.
While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth a
Sabrina Feldman manages the Planetary Science Instrument Development Office at the NASA Jet Propulsion Laboratory. Born and raised in Riverside, California, she attended college and graduate school at the University of California at Berkeley, where she enjoyed the wonderful performances of the Berkeley Shakespeare Company, studied Shakespeare's works for a semester with Professor Stephen Booth, and received a Ph.D. in experimental physics in 1996. She has worked on many different instrument development projects for NASA, and is the former deputy director of JPL's Center for Life Detection. Her scientific training, combined with a lifelong love of literature and all things Shakespearean, gives her a unique perspective on the Shakespeare authorship mystery. Dr. Feldman lives in Pasadena, California with her husband and two children. This is her first book. If William Shakespeare wrote the Bard's works... Who wrote the Shakespeare Apocrypha? During his lifetime and for many years afterwards, William Shakespeare was credited with writing not only the Bard's canonical works, but also a series of 'apocryphal' Shakespeare plays. Stylistic threads linking these lesser works suggest they shared a common author or co-author who wrote in a coarse, breezy style, and created very funny clown scenes. He was also prone to pilfering lines from other dramatists, consistent with Robert Greene's 1592 attack on William Shakespeare as an "upstart crow." The anomalous existence of two bodies of work exhibiting distinct poetic voices printed under one man's name suggests a fascinating possibility. Could William Shakespeare have written the apocryphal plays while serving as a front man for the 'poet in purple robes, ' a hidden court poet who was much admired by a literary coterie in the 1590s? And could the 'poet in purple robes' have been the great poet and statesman Thomas Sackville (1536-1608), a previously overlooked authorship candidate who is an excellent fit to the Shakespearean glass slipper? Both of these scenarios are well supported by literary and historical records, many of which have not been previously considered in the context of the Shakespeare authorship debate.