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Evelyn Bowden, at nineteen, sacrificed herself for Tate Gallier. Her act inspired the gods to deem her immortal as a cupid. Now, she’s been assigned to apprentice with Andel Lambros, a 200 year-old heavenly archer that looks 24. The purpose of the cupids is easy enough for the newbie to understand, and to resent. But the significance of their work doesn’t have time to sink in when Evelyn is given her first assignment. Cupid elders have received a message and need their newest, least experienced, comrade-in-arms—Evelyn—to retrieve an arrow. That means she must release a mortal from an everlasting love. When she discovers the arrow is fastened to none other than her own love, Tate’s heart, Evelyn battles with letting him go. The century old war for love may be lost if Evelyn doesn’t gear up to save them all. Being a cupid takes more than a bow and some arrows. Evelyn is challenged to deliver her arrow, let go of her first love, and trust an ancient brooding cupid with her existence. Giving up her lost love’s arrow as an offering will be more painful than getting hit by a streetcar, and she knows how that feels since it’s what started the whole predicament. Will Evelyn be able to keep her covenant to her fellow cupids? Will she save them all or lose everything trying? *The Cupids is the eighth novella in the Supernatural Chronicles: New Orleans. The boxed set will be released in January 2016.
Medieval Venuses and Cupids analyses the transformations of the love deities in later Middle English Chaucerian poetry, academic Latin discourses on classical myth (including astrology, natural philosophy, and commentaries on classical Roman literature), and French conventions that associate Venus and Cupid with Ovidian arts of love. Whereas existing studies of Venus and Cupid contend that they always and everywhere represent two loves (good and evil), the author argues that medieval discourses actually promulgate diverse, multiple, and often contradictory meanings for the deities. The book establishes the range of meanings bestowed on the deities through the later Middle Ages, and draws on feminist and cultural theories to offer new models for interpreting both academic Latin discourses and vernacular poetry.
Writer Andie M. Long returns with a further book in her hilarious supernatural dating agency series. The Withernsea gang are back! Author note: Samara's part of this storyline previously featured in Crazy, Stupid, Lazy, Cupid. However it has been re-edited and thirty thousand words added to this new story. At cupid school there are lessons in love. Tired of his representative’s reluctance to make love matches, Cupid takes drastic action. With the assistance of Fate, Samara is sent back to training school. However, Samara’s frustration that Cupid won’t listen to her gets pushed aside when she realises someone’s out to get her… but who? Back in Withernsea, Shelley is busy helping her daughter plan her wedding while looking for new premises for the dating agency. When Samara asks for her assistance with changing the future of cupiding, Shelley has an idea. But can they get Cupid to move his targets from statistics back towards hearts, and will Samara discover who’s behind the vendetta before it’s too late? SUPERNATURAL DATING AGENCY SERIES #1 The Vampire Wants a Wife #2 A Devil of a Date #3 Hate, Date, or Mate? #4 Here for the Seer #5 Didn't Sea it Coming #6 Phwoar and Peace #7 Acting Cupid #8 Cupid Fools - out April 2023 ​​​​​​​#9 Dead and Breakfast - coming 2023.
An uneasy truce is being held between Sally's devil, Muddlespot, and her angel, Windleberry. But then the cupids attack... For once, Muddle and Win are in agreement: cupids mean Trouble. They both know that when True Love is involved, things aren’t simply black or white – they’re horribly, confusingly pink! Sure enough, a heart-tipped golden arrow makes Sally’s sister Billie fall for Tony, the hottest, and most off-limits, boy in school. War breaks out at Darlington High, and as usual it's up to Sally to put things right. But can she undo the damage without getting caught in the crossfire?
Algorithmic Institutionalism is a multidisciplinary and innovative perspective on algorithms and the way they affect individuals and societies.
When a single arrow inspires romance, can you really trust happy endings? Sometimes love needs a shove. Eliza Herman (a.k.a. The World's Worst Cupid) has spent her entire life carefully avoiding her calling as a Descendant of Eros. After all, happily-ever-afters are nothing but a myth. But when a family crisis requires her to fill in at the local Cupid-for-hire shop, Eliza finds herself enchanting couples under the watchful eye of her assigned mentor, Jake Sanders...the one man she could never get out of her head. Before long, Eliza is rethinking her stance on romance—until things start going terribly wrong with her enchantments. Now Eliza and Jake must fight to unravel a conspiracy that could destroy thousands of relationships, including their own...and spell the end of Love itself. No pressure, right?
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.