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Le principe mythologique et cosmogonique africain implique des constructions religieuses, imaginaires qui fondent une puissance virile symbolique. Son pouvoir induit une injonction à la stigmatisation de la femme. Le projet d'une philosophie féministe africaine suppose de repenser, de reconcevoir l'ensemble des paradigmes de cette société ; il traduit une volonté de déconstruction de ces conditions assujettissantes pour déboucher sur la reconstruction autonome de l'identité féminine.
Remaking the Male Body looks at interwar physical culture as a set of popular practices and as a field of ideas. It takes as its central subject the imagined failure of French manhood that was mapped out in this realm by physical culturist 'experts', often physicians. Their diagnosis of intertwined crises in masculine virility and national vitality was surprisingly widely shared across popular and political culture. Theirs was a hygienist and sometimes overtly eugenicist conception of physical exercise and national strength that suggests the persistence of fin-de-siècle pre-occupations with biological degeneration and regeneration well beyond the First World War. Joan Tumblety traces these patterns of thinking about the male body across a seemingly disparate set of voices, all of whom argued that the physical training of men offered a salve to France's real and imagined woes. In interrogating a range of sources, from get-fit manuals and the popular press, to the mobilising campaigns of popular politics on left and right and official debates about physical education, Tumblety illustrates how the realm of male physical culture was presented as an instrument of social hygiene as well as an instrument of political struggle. In highlighting the purchase of these concerns in the interwar years, the book ultimately sheds light on the roots of Vichy's project for masculine renewal after the military defeat of 1940.
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Postmodernism's dedication to the rehabilitation of "lesser" artists and its revision of modernist history have not affected Cocteau studies even in areas of self-evident relevance like sexuality, myth, and gender.
This book examines the representation of masculinities in contemporary texts written by women who have immigrated into France or Canada from a range of geographical spaces. Exploring works by Léonora Miano (Cameroon), Fatou Diome (Senegal), Assia Djebar, Malika Mokeddem (Algeria), Ananda Devi (Mauritius), Ying Chen (China) and Kim Thúy (Vietnam), this study charts the extent to which migration generates new ways of understanding and writing masculinities. It draws on diverse theoretical perspectives, including postcolonial theory, affect theory and critical race theory, while bringing visibility to the many women across various historical and geographical terrains who write about (im)migration and the impact on men, even as these women, too, acquire a different position in the new society.
This book focuses on the multiple and diverse masculinities ‘at work’. Spanning both historical approaches to the rise of ‘profession’ as a marker of masculinity, and critical approaches to the current structures of management, employment and workplace hierarchy, the book questions what role masculinity plays in cultural understandings, affective experiences and mediatised representations of a professional ‘career’.