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The Power of Culture in City Planning focuses on human diversity, strengths, needs, and ways of living together in geographic communities. The book turns attention to the anthropological definition of culture, encouraging planners in both urban and cultural planning to focus on characteristics of humanity in all their variety. It calls for a paradigm shift, re-positioning city planners’ "base maps" to start with a richer understanding of human cultures. Borrup argues for cultural master plans in parallel to transportation, housing, parks, and other specialized plans, while also changing the approach of city comprehensive planning to put people or "users" first rather than land "uses" as does the dominant practice. Cultural plans as currently conceived are not sufficient to help cities keep pace with dizzying impacts of globalization, immigration, and rapidly changing cultural interests. Cultural planners need to up their game, and enriching their own and city planners’ cultural competencies is only one step. Both planning practices have much to learn from one another and already overlap in more ways than most recognize. This book highlights some of the strengths of the lesser-known practice of cultural planning to help forge greater understanding and collaboration between the two practices, empowering city planners with new tools to bring about more equitable communities. This will be an important resource for students, teachers, and practitioners of city and cultural planning, as well as municipal policymakers of all stripes.
Engagement in the City: How Arts and Culture Impact Development in Urban Areas provides readers with numerous examples of ways that the arts can contribute to community development. Through the diverse backgrounds of its contributing authors - representing artists, art educators, and public administration scholars – the role of arts is explored as a contributing factor in strengthening communities. The book shows that the arts have the potential to positively impact a wide variety of development interests, including economic, education, health, social capital, and of cultural. The book provides strategies and techniques for implementing successful arts-based projects, whether it be through public art initiatives, service-learning opportunities, or the development or cultural districts. Cross-sectoral collaboration is a key in many of these projects, making the book beneficial for artists and community leaders who seek ways to work together to improve their cities.
Seeks to understand the roles played by gardens from Roman antiquity to approximately 1850, particularly as they relate to public life in large cities.
Routledge Library Editions: The City reprints some of the most important works in urban studies published in the last century. For further information on this collection please email [email protected].
A much-needed resource on the practice of public art commissions and community engagement through the arts in urban Asia. Distributed for the NTU Centre for Co ntemporary Art Public art integrates landscape architecture, urban planning, and cultural management to create a sense of place. This book, dstributed for the NTU Centre for Contemporary Art, documents a major public art commission in Singapore, featuring works by artists Dan Graham, Zul Mahmod, Tomás Saraceno, and Yinka Shonibare, and represents a unique collaboration between Nanyang Technology University Centre for Contemporary Art Singapore and Mapletree Investments--a Singaporean state-owned property developer with global operations. Essays and interviews with the artists tell the story of the regional histories, urban politics, and collaboration that went into the successful creation of a public space. Culture City. Culture Scape. is a much-needed resource on the role that art can play in public education and social corporate investment in urban Asia.
Classic representations of the city have focused on simplistic urban dichotomies such as renewal or decline, poverty or prosperity, and vice or vigor. We are left with the question of what actually constitutes a city and what makes it and its people succeed or fail. Recent writing on the city, however, has begun to question the images, metaphors, and discourses through which the contemporary city is represented. Discussing recent visual, architectural and spatial transformations in New York and other major world cities in relation to the themes of ethnicity, capital, and culture, Re-Presenting the City moves between interpretive representations of the newly emerging metropolis and the theoretical and methodological questions raised by the task of such representations. Contributors with backgrounds in urban planning, sociology, cultural studies, architecture, art history, geography, and philosophy reflect on the construction of both the real and the unreal city, the images, metaphors and discourses through which the contemporary city is represented, and the texts which both mediate our experience of, as well as contribute to producing, the city of the future.
A series of rich case studies examine a range of topics, including neighbourhood gentrification, subway busking, yard sales, electronic waste, and language, refining the touchstone principle of circulation for the study of urban culture, both materially and theoretically. Contributors employ a variety of disciplinary approaches to create a richly varied picture of the multiple trajectories and effects of movement in the city. An engaging work that considers city planning, urban culture, and social behaviour, Circulation and the City adds a new dimension that revitalizes the ways we have commonly looked at - and thought about - the city.
Cities are products of culture and sites where culture is made. By presenting the best of classic and contemporary writing on the culture of cities, this reader provides an overview of the diverse material on the interface between cities and culture.
*What is distinctive about urban life? *What key trends have shaped the contemporary city? *How have the city and urban cultures been explained by sociology and cultural studies? This is the first book to explore cities and urban life from the perspectives of both sociology and cultural theory. Through an interdisciplinary approach and use of case material, the book demonstrates that the 'real' city of physicality and struggle and the 'imagined' city of representations are entwined in the construction of urban cultures. Starting with a comparison of the rural and the urban, the book considers ways of imagining the city and of conceptualising urban cultures. It goes on to investigate the implications of several pivotal urban and cultural trends, such as the use of the arts and local cultures in city re-imaging, and the ways in which modernism, postmodernism and globalisation have shaped the built environment and the orientation of academic enquiry. Also examined is the way in which representations of the urban landscape in film, literature, art, and popular texts, have informed dominant ideas about the way certain city spaces - including city centres, urban waterfronts, and so-called 'global cities' - should look, function and 'feel'. Designed as a text for undergraduate courses in cultural studies, sociology and wider social science, this book traces the development of urban environments from the nineteenth century to the present, and illuminates the nature of urban life.