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Crete has always attracted the interest of scholars in modern times not only because of the archaeological discoveries of Sir Arthur Evans, but also because of its rich history and the particular cultural traits and traditions resulting from the fact that the island has been at the centre of geographical, cultural and religious crossroads. The fifteen papers included in this volume explore original aspects of the Cretan cultural and historical tradition, give original insights into already established fields and underline from the vantage point of their own particular discipline its distinctive character and impact. As a result of such a thematic variety, this volume will be of interest not only to scholars and students of modern Greek studies, but also Renaissance Studies, comparative literature, cultural and social history and anthropology, and travel literature, as well as historical linguistics and dialectology.
Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.
Aristocratic Society in Ancient Crete, first published in 1955, investigates the emergence and progress of Dorian society on Crete from the 8th century BC onwards. The major contribution of Cretan culture in this period was in the field of law – law and order are traditionally linked, and Dorian Crete remained steadfast in its pursuit of order. The author offers an explanation for the protracted aristocratic character of Cretan society, basing his study on the crucial Code of Gortyna. The primitive foundations of the social system are examined, illuminating the tribal institutions which formed the basis of the aristocratic states which developed. The four classes of the Cretan states, and the mutual relations of these classes, are defined, and the stages whereby family institutions developed are analysed. Finally, political and judicial organisation is scrutinised, and the Cretan culture is situated in the wider horizon of Mediterranean civilisation.
Obwohl die Insel Kreta reiches Material zur Untersuchung von Fragen bietet, die im Mittelpunkt der Forschungen zur gesellschaftlichen Organisation im frühen Griechenland stehen, liegt die Beschäftigung mit der archaischen und klassischen Periode Kretas seit jeher am Rand des altertumswissen¬schaftlichen Interesses. Die Beiträge des Tagungsbandes analysieren aus archäologischer und historischer Sicht die strukturellen Veränderungsprozesse, die sich während der archaisch-klassischen Zeit in den kretischen Bürgerstaaten vollzogen. Erstmals werden damit die unterschiedlichen Forschungsansätze der einzelnen Disziplinen zu einer einheitli¬chen Perspektive zusammengeführt. An mehreren Beispielen wird gezeigt, wie es der kretischen Aristokratie gelang, den Prozess der Poliswerdung aktiv zu gestalten und eine stabile, da institutionalisierte Adelsherrschaft zu etablieren. Deutlich wird zudem, dass die Veränderungen in der materiellen Kultur, die seit dem Ende des 7. Jahrhunderts v. Chr. durch eine zunehmende Austerität gekennzeichnet ist, Manifestationen des strukturellen Wandels der politischen und sozialen Organisation der kretischen Poleis waren.
A new look at the Cult of the Saints in late antiquity: Did it really dominate Christianity in late antique Rome?
A Companion that examines together two pivotal periods of Greek archaeology and offers a rich analysis of early Greek culture A Companion to the Archaeology of Early Greece and the Mediterranean offers an original and inclusive review of two key periods of Greek archaeology, which are typically treated separately—the Late Bronze Age and the Early Iron Age. It presents an in-depth exploration of the society and material culture of Greece and the Mediterranean, from the 14th to the early 7th centuries BC. The two-volume companion sets Aegean developments within their broader geographic and cultural context, and presents the wide-ranging interactions with the Mediterranean. The companion bridges the gap that typically exists between Prehistoric and Classical Archaeology and examines material culture and social practice across Greece and the Mediterranean. A number of specialists examine the environment and demography, and analyze a range of textual and archaeological evidence to shed light on socio-political and cultural developments. The companion also emphasizes regionalism in the archaeology of early Greece and examines the responses of different regions to major phenomena such as state formation, literacy, migration and colonization. Comprehensive in scope, this important companion: Outlines major developments in the two key phases of early Greece, the Late Bronze Age and the Early Iron Age Includes studies of the geography, chronology and demography of early Greece Explores the development of early Greek state and society and examines economy, religion, art and material culture Sets Aegean developments within their Mediterranean context Written for students, and scholars interested in the material culture of the era, ACompanion to the Archaeology of Early Greece and the Mediterranean offers a comprehensive and authoritative guide that bridges the gap between the Late Bronze Age and the Early Iron Age. 2020 CHOICE Outstanding Academic Title Winner!
This Companion covers the history and the material culture of Crete, Greece and the Aegean Islands from c. 3000-1100 BCE.
Examines what regional mythologies reveal about the social and cultural orientation and identity of Caria in antiquity.
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted.