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Silk has a long history in South Asia, more than 4,000 years. Today sericulture and silk production provide a livelihood to millions of people, not least tribal women. Here India dominates, being the second largest producer of silk in the world after China. The history of mulberry silk is well known and much has been written on its cultivation and production, especially by and for specialists. The scope and purpose of this volume is quite different, however. Aimed at a broader readership, it presents the diversity and complexity of sericulture and silk production across South Asia and Myanmar within a single, richly illustrated book. Significantly, it explores new directions in sericulture, and suggests alternatives to mulberry silk, which is not without environmental and ethical issues. Special attention is paid to Eri silk, similar to soft cotton and regarded as the most world?s comfortable textile. The result is a fascinating exploration of the world of silk in South Asia, a volume that will interest and intrigue silk specialists and general readers alike.
The eight studies in this volume by established and emerging scholars range geographically and chronologically from the Greek Kingdom of Bactria of the 2nd century BCE to the Uighur Kingdoms of Karabalgasun in Mongolia and Qoco in Xinjiang of the 8th-9th centuries CE. It contains a key study on sericulture as well on the conduct of the trade in silk between China and the Roman Near East using archaeological as well as literary evidence. Other topics covered include Sogdian religious art, the role of Manichaeism as a Silk Road religion par excellence, the enigmatic names for the Roman Empire in Chinese sources and a multi-lingual gazetteer of place- and ethnic names in Pre-Islamic Central Asia which will be an essential reference tool for researchers. The volume also contains an author and title index to all the Silk Road Studies volumes published up to 2014. The broad ranging theme covered by this volume should appeal to a wider public fascinated by the history of the Silk Road and wishing to be informed of the latest state of research. Because of the centrality of the topics covered by this study, the volume could serve as a basic reading text for university courses on the history of the Silk Road.
A look at the cultural, or intercultural, exchange that took place in the Silk Roads and the role this has played in the shaping of cultures and civilizations.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Matter of History links the history of people with the history of things through a bold new materialist theory of the past.
Considering silk as a major force of cross-cultural interaction, this book examines the integration of silk production and consumption into various cultures in the pre-modern world.
Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with a new captivating portrait focusing on material things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, received them, used them, sold them, worshipped them, and, in more recent times, bought them, conserved them, and curated them. From a delicate pair of earrings from a steppe tomb to a massive stupa deep in Central Asia, a hoard of Kushan coins stored in an Ethiopian monastery to a Hellenistic glass bowl from a southern Chinese tomb, and a fragment of Byzantine silk wrapping the bones of a French saint to a Bactrian ewer depicting episodes from the Trojan War, these objects show us something of the cultural diversity and interaction along these trading routes of Afro-Eurasia. Exploring the labor, tools, materials, and rituals behind these various objects, Whitfield infuses her narrative with delightful details as the objects journey through time, space, and meaning. Silk, Slaves, and Stupas is a lively, visual, and tangible way to understand the Silk Road and the cultural, economic, and technical changes of the late antique and medieval worlds.