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Vietnam is increasingly opening up to the West, and society is in flux between tradition and modernity, and capitalism and socialism. Americans have distanced themselves from the Vietnam War now, and Culture and Customs of Vietnam fills a need to learn about the country, which has also evolved. Readers will find that this is the only general book on Vietnamese culture in English written by specialists. McLeod and Nguyen, historians specializing in Vietnam engagingly show the various forces of Vietnamese culture in narrative chapters on the land, people, and language; history and institutions; thought and religion; literature; art and architecture; cuisine; family, marriage, gender, and youth culture; festivals and leisure activities, and performing arts. Culture and Customs of Vietnam is a comprehensive, one-stop source, providing the most useful and intriguing information for students and general readers. Some of the highlights include the discussion of the Chinese influence in writing, thought, and religion; eating habits; the changing family; and water puppetry. A chronology, glossary, and numerous photos complement the text.
The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding. Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese—both our friends and foes, and those who wished to be neither—to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences. By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.
This is a study of the history and consequences of the revolutionary campaign to transform culture and ritual in northern Vietnam. Based on official documents and several years of field research, it provides a detailed account of the nature of revolutionary cultural reform in Vietnam.
Vietnam is increasingly opening up to the West, and society is in flux between tradition and modernity, and capitalism and socialism. Americans have distanced themselves from the Vietnam War now, and Culture and Customs of Vietnam fills a need to learn about the country, which has also evolved. Readers will find that this is the only general book on Vietnamese culture in English written by specialists. McLeod and Nguyen, historians specializing in Vietnam engagingly show the various forces of Vietnamese culture in narrative chapters on the land, people, and language; history and institutions; thought and religion; literature; art and architecture; cuisine; family, marriage, gender, and youth culture; festivals and leisure activities, and performing arts. Culture and Customs of Vietnam is a comprehensive, one-stop source, providing the most useful and intriguing information for students and general readers. Some of the highlights include the discussion of the Chinese influence in writing, thought, and religion; eating habits; the changing family; and water puppetry. A chronology, glossary, and numerous photos complement the text.
A concise, information-packed background of the history and culture of Vietnam, including the country's relations with the United States. Comprehensive and authoritative, this book accurately describes this fascinating country. The author begins with a description of the geographical features of the country and the various tribes and people that inhabit it, then reviews the various religions, the educational system, and customs that have played and continue to play determinative roles in the lives of the Vietnamese. The French colonial period and its influence on the religion and educational system of the country are covered as well as such fascinating sidelights as eating habits, society, and hair styles. A separate chapter covers arts of this part of Asia. These include the theater as well as painting, architecture, sculpture, music, and literature. Some Vietnamese legends are retold in the final chapter. Visitors to this country will be especially interested in the sections on language, customs, festivals, holidays, and recreation, not to mention places to visit. Miss Hau Dinh Cam, a Vietnamese artist, has given added life to many pages with her drawings of the people in scenes of daily life.
Originally published in 2002 Culture, Ritual and Revolution in Vietnam is a study of the history and consequences of the revolutionary campaign to transform culture and ritual in northern Vietnam. Based upon official documents and several years of field research in Thinh Liet Commune, a Red River delta community near Hanoi, it provides the first detailed account of the nature of revolutionary cultural reforms in Vietnam as how those reforms continue to animate contemporary socio-cultural life. The study examines the key foci of revolutionary cultural change, such as the articulation of a new moral system, the attempts to eliminate explanations that invoke supernatural causality, the creation of socialist weddings and funerals, and the development of innovation ties to commemorate war dead. By examining debates over culture, ritual, and morality that have emerged between residents, notably between men and women, and party members and non-party members, the study shows how ideas and values that preceded the revolution have entered into a creative dialogue with those that were articulated by the revolution, and how this has produced an innovative set of ritual and other practices, particularly since the relaxation of the cultural reform agenda in the post-1986 period.
Vietnam became part of French Indochina in 1887 and did not regain its independence again until after the Vietnam War. However, despite a relatively peaceful two decades the country experienced little economic growth because of conservative leadership policies. In an effort to change this stagnation, Vietnamese authorities have committed to economic liberalization and enacted structural reforms needed to modernize the economy and to produce more competitive, export-driven industries. The third edition of this dictionary focuses on the recent changes and leadership of Vietnam while giving due attention to the earlier kingdoms, the period of French Indochina, the wars for liberation, the Vietnam War, and much more. Hundreds of cross-referenced A to Z dictionary entries are included on political, economic, social and cultural aspects as well as the major cities and geographic features. This book also contains a chronology and introduction that traces Vietnam's history, as well as a bibliography.
Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.