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This exciting text is a comprehensive work that examines the use of art, play, music, dance/movement, and drama in different cultures and with diverse client populations. The editors’ primary purpose is to explore how the creative therapies can be implemented in diverse cultures and in different countries. Renowned, well-credentialed, and professional creative arts therapists in the areas of art, play, music, dance/movement, and drama helped write this collection. Examples include the use of art in working with refugee children in Australia and with Chinese-American children; shared experiences in using dance and movement with Arabic women in Jerusalem, indigenous Inner Mongolia, and with survivors of torture. Other chapters offer stories of using drama in the Netherlands, music and other creative arts in China, play therapy in Appalachia and with different races. Additionally, there are chapters on working with children with learning disabilities as well as the use of creative arts in supervision. Some of the chapters are beautifully complimented with photographs of client works of art or play. The text provides a rich tapestry on how the creative therapies can be used across cultures for issues such as depression and trauma to name a few. Of special interest are the chapters on supervision. Not only a tool for creative art therapists, this informative book will be of special interest to educators, students, therapists, as well as people working in other parts of the world or with culturally diverse clients.
Here, in one compact volume, is an illuminating survey of Jewish folkways on five continents. Filled with fascinating facts and keen insights, The Jewish Cultural Tapestry is a richly woven fabric that vividly captures the diversity of Jewish life. All traditional Jews are bound together by the common thread of the Torah and the Talmud, notes author Steven Lowenstein, but this thread takes on a different coloration in different parts of the world as Jewish tradition and local non-Jewish customs intertwine. Lowenstein describes these widely varying regional Jewish cultures with needlepoint accuracy, highlighting the often surprising similarities between Jewish and non-Jewish local traditions, and revealing why Jewish customs vary as much as they do from region to region. From Europe to India, Israel to America, The Jewish Cultural Tapestry offers an engaging overview of the customs and folkways of a people united by tradition, yet scattered to the far corners of the earth.
Professionals engaged in art therapy discuss aspects of practice which are affected by an environment of increasing cultural diversity. Some contributions examine problems faced by members of ethnic minorities who are caught between assertion of their cultural identities and assimilation into a different social milieu.
This multicultural reader contains 85 accessible readings, with a non-biased political stance, and composition-orientated apparatus. It is divided into nine thematic chapters, each focusing on a different aspect of American culture. It's concluding chapter encourages students to see the tapestry as a whole. The apparatus is constructed to help students gain broader perspectives by comparing readings both within each chapter and throughout the entire text. Contributors include Ishmael Reed, Alice Walker, V.S. Naipaul, Garrison Keillor, Gloria Steinham, Martin Luther King Jr, Kurt Vonnegut Jr and Oscar Hijeulos.
"Why do the first generation still act like that?" "Why can't we try some new ideas?" "Why are the second generation so lazy?" "Why are the second generation so disrespectful?" "Isn't it a shame how the church is split between the two generations?" These and many more questions reflect the tangled conflicts within the Asian American church. Cultural differences have led to many misunderstandings and conflicts. Conflicts have created bitterness and churches have split apart. How can these tangled threads be rewoven into a beautiful tapestry of God's grace? What would it take for the Asian American church to reflect God's grace? In Tapestry of Grace, Dr. Benjamin C. Shin and Dr. Sheryl Takagi Silzer apply their years of study and teaching to explain how the cultural complexities that occur between the different generations of the Asian American church can be untangled. Taking lessons from their own spiritual journeys, they show how each generation can experience the amazing grace of the Gospel.
Enables students to reflect on how they embody their native culture while building students' understanding of the learning styles and strategies they use.
More than forty years afterleaving her native New Orleans as a young woman, Leta Weiss Marks awakened to the realization that her family history there was almost beyond the horizon of living memory. Rescuing it, for herself and posterity, became her mission and brought her home again. In a compelling, elegant blend of fact and fiction, Marks weaves a tapestry of family members and events, drawing mainly upon interviews with her nonagenarian mother and aunt. Letters, archival research, and Marks’s own recollections and imagination also contribute to the composition, which she calls “a song of myself and my family.” At the center are Marks’s mother and father, and the highs and lows of their courtship and marriage. Caroline Dreyfous was born into a prominent Jewish family of New Orleans; Leon Weiss, seventeen years her senior, always struggled to gain their acceptance. He was an ambitious, talented architect, the driving force in the famous firm of Weiss, Dreyfous and Seiferth, chosen by Huey Long to design the new state capitol and governor’s mansion, New Orleans’ Charity Hospital, and other landmarks. He also was implicated in the “Louisiana Scandals” and sentenced to two years in federal prison. Time’s Tapestry is in part Marks’s attempt to peel back her mother’s reticent yet unwavering loyalty toward her father and understand this man, who died when Marks was only twenty-one and preparing to move to Connecticut. Stories and memories of three generations of the Dreyfous branch of the family tree complete Marks’s portrait. She makes vivid not only the personalities of her kin but also the times in which they lived, conjuring the New Orleans of her great-grandfather, grandparents, parents, and own childhood—segregation, the alternate inclusion and exclusion of the Jewish community, the fervid politics of the Long era—and juxtaposing those scenes with her experiences as an adult returning to visit her family in a greatly changed city. Charming and evocative, a superb example of creative nonfiction—Time’s Tapestry makes for both an intimate family album and a priceless record of New Orleans’ cultural, social, and political history.
Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.
This book brings together the most recent work of Caribbean psychologists in the English-speaking islands of Jamaica, Barbados and Trinidad on gender and sexuality. The authors analyse the unique challenges posed by contradictions between cultural values and modern sexual expression in the region. They examine a broad range of topics such as conceptions of gender roles in primary school children, sexual behavior and emotional social intelligence in adolescents, and sexual identities and orientations in adults. Chapters cover issues including how women who have sex with women (WSWs) self-identify, the 'Lebenswelt' (life world) of men who have sex with men (MSM) in Jamaica, transsexual care and its psychological impact, the influence of music on sexuality, how intimacy is defined, as well as the relationship between identity formation and the fear of intimacy in Jamaica, and the practice of polyamory in Jamaica and Trinidad. This distinctive collection is the first of its kind, grounded in both qualitative and quantitative research. It presents a sophisticated comparative analyses of the cultures of the Anglophone Caribbean represented by Trinidad, Jamaica and Barbados to offer a broader discussions of intimacy and relationships. With practical implications for therapy, it will be of great interest to scholars and practitioners of gender and sexuality studies, psychology and culture.
Tapestry of Light offers an account of the psychic, intellectual, and cultural aftermath of the Chinese Cultural Revolution. Drawing on a wide range of works including essay, fiction, memoir, painting and film, the book explores links between history, trauma and haunting. Challenging the leftist currents in Cultural Revolution scholarship, the tone pervading the book is a rhythm of melancholia, indeterminacy but also hope. Huang demonstrates that aesthetic afterlives resist both the conservative nostalgia for China’s revolutionary past as well as China’s elated, false confidence in the market-driven future. Huang engages with prominent Chinese intellectuals, writers, artists and filmmakers, including Ba Jin, Han Shaogong, Hong Ying, Zhang Xiaogang, Jiang Wen and Ann Hui.