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In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.
Over twenty years of civil war in predominantly Christian Southern Sudan has forced countless people from their homes. Transforming Displaced Women in Sudan examines the lives of women who have forged a new community in a shantytown on the outskirts of Khartoum, the largely Muslim, heavily Arabized capital in the north of the country. Sudanese-born anthropologist Rogaia Mustafa Abusharaf delivers a rich ethnography of this squatter settlement based on personal interviews with displaced women and careful observation of the various strategies they adopt to reconstruct their lives and livelihoods. Her findings debunk the myth that these settlements are utterly abject, and instead she discovers a dynamic culture where many women play an active role in fighting for peace and social change. Abusharaf also examines the way women’s bodies are politicized by their displacement, analyzing issues such as religious conversion, marriage, and female circumcision. An urgent dispatch from the ongoing humanitarian crisis in northeastern Africa, Transforming Displaced Women in Sudan will be essential for anyone concerned with the interrelated consequences of war, forced migration, and gender inequality.
Political scientists by and large ignore cultural industries and technologies whereas they are prominent in other disciplines. This book provides insights from local, societal, national, and international levels in understanding cultural industries, technologies, and policies and integrates these perspectives into the study of political science.
First Published in 2003. Nearly half a century ago the first flares of Sudan's civil war were enkindled. Today, as the world enters a new century and a new millennium, Sudan's civil war has degenerated into an inferno of carnage and destruction. Sudan's war, however, is no different from wars elsewhere; it is an entangled political, cultural and social weave with equally intricate international ramifications. This volume charts Sudanese’s history of conflict.
Sharkey examines the history of the Anglo-Egyptian Sudan (1898-1956) and the Republic of Sudan that followed in order to understand how colonialism worked on the ground, affected local cultures, influenced the rise of nationalism, and shaped the postcolonial nation state.
Based on fieldwork largely collected during the CPA interim period by Sudanese and European researchers, this volume sheds light on the dynamics of change and the relationship between microscale and macroscale processes which took place in Sudan between the 1980s and the independence of South Sudan in 2011. Contributors’ various disciplinary approaches—socio-anthropological, geographical, political, historical, linguistic—focus on the general issue of “access to resources.” The book analyzes major transformations which affected Sudan in the framework of globalization, including land and urban issues; water management; “new” actors and “new conflicts”; and language, identity, and ideology.
First published in 1992, this book looks at the interaction between ideals and reality, with the focus upon social inequality and education in modern society, as well as the possibilities for education to lessen the related problems. The essays in this volume examine three forms of inequality in global society: aboriginal societies in modern industrial states; long-established communities that have been denied full status; and differences arising from recent population migrations. In doing so, it considers how education might support the efforts of all members of society to pursue the goal of equal status for all.
First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
"It is now widely acknowledged that the issue of Sudan's cultural and political identity is one of the root causes of the Sudanese crisis that has crippled the country since its independence in 1956 and plunged it into a civil war regarded as the longest in Africa. Nevertheless, this issue continues to be a grossly neglected topic in scholarship concerning Sudan. On the other hand, the politics of intellectual and artistic production have been inseparable from the pivotal issue of identity ever since the advent of Sudanese nationalism in the 1920s. But there has yet been no publication dedicated to the topic of identity as one of the major concerns in modern Sudanese artistic production. This study thus undertakes a critical examination of key discourses concerning the cultural basis of modern Sudanese literature, visual art, music, and dance, and it attempts to highlight their underlying political and ideological orientations. The terms Arabism, Afro-Arabism, Africanism, Islamism, and Sudanism have developed within these discourses as defining concepts describing the country's ethnic and cultural origins, thereby serving as identity constructs. The study also examines the relation between the political and the artistic institutions as well as the policy of the ""Islamization of the Arts"" launched by the present Islamist regime and its outcome. The study may also be viewed as an endeavor to ""discover"" within the aesthetic field the missing ""Sudanese"" collective memory. Stated otherwise, this is an effort to redeem the lost ""Sudanese"" pedigree that has long been deliberately mystified, misconceived, and misconstrued for the for the sake of certain political and cultural strategies. Another aim of the study is to introduce Sudanese arts and the specific Sudanese aesthetic/political debate concerning the topics of culture and identity to both the general reader and specialists as well as to Africanists in general and scholars of African arts and literature in particular."