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UNESCO pub. Study of the methods of cultural policy in Senegal - describes the institutional framework, investment policy and relevant educational reforms designed for the promotion and dissemination of culture and the protection of cultural property, and covers intellectual and artistic spheres, science, technology and education, etc.
This book explores the dynamic relationship between politics and the arts in the planning and implementation of Senegalese cultural policy since 1960. It examines political reactions to the arts in Senegal and compares and contrasts the respective cultural policies of President Leopold Sedar Senghor and President Abdou Diouf. An overview of the French colonial administration and cultural policy in Senegal serve as a background for the central study.
DIVA study of art in post-independence Senegal./div
Political scientists by and large ignore cultural industries and technologies whereas they are prominent in other disciplines. This book provides insights from local, societal, national, and international levels in understanding cultural industries, technologies, and policies and integrates these perspectives into the study of political science.
This document is based mainly on replies to questionnaire SHC-74/WS/33 (annexed) sent by Unesco to the African countries invited to take part in the Conference.
Choreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white spectators. She then examines the work of the National Ballet in relation to Léopold Sédar Senghor's Négritude ideology and cultural politics. Finally, the author addresses the circulation of dances in the streets, discotheques, and courtyards of Dakar, drawing attention to women dancers' occupation of the urban landscape.