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This book gives an outline of the great contributions of the past which together cover all aspects of poetics, from creation to expression The twelve aestheticians including the great Bharata have expressed their views in their fields with perceptive insight and meticulous details
THE object of the series is to offer the general reader authentic accounts of the life and work of the great figures since the earliest times who have contributed in large measure to the culture and thought of India and influenced the mind and life of its people. The series will include about 125 such names— seers and philosophers, poets and dramatists, mystics and religious leaders, writers on science, aestheticians and composers. Soon after the volume on the philosophical systems, we are able to bring out the volume on the writers of science in ancient India. The present volume is significant, especially in the present times, for drawing attention to the contributions of ancient India to the scientific and technical fields.
In this volume representing Part One, twelve of these personalities are dealt with: five from Tamil Nadu in the South, two from the North-west (Punjab and Kashmir), one from Varanasi, and two from the East (Bengal and Assam). The book is edited by Dr. V. Raghavan, an eminent Sanskrit scholar and Indologist.
This Volume, the second part, on the Devotional Poets and Mystics, offers another fourteen of them; five from the Hindi speaking areas; three from western India (Gujarat and Maharashtra), one from the east (Bengal), a group of saints, the Hari-dasas of Karnataka; two from Tamil Nadu and one each from Sindh and Andhra Pradesh. The book is edited by Dr. V. Raghavan, an eminent Sanskrit scholar and Indologist.
For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kings, some of which extend outwardly to the cosmos, while others arise inwardly, in the refined feelings which a musical connoisseur experiences when listening to it. In this book the author explores signification in Hindustani classical music along a two-fold path. Martineq first constructs a theory of musical semiotics based on the sign-theories of Charles Sanders Peirce. He then applies his theory to the analysis of various types of Hindustani music and how they generate significations. The author engages such fundamental issues as sound quality, raga, tala and form, while advancing his unique interpretations of well-known semiotic phenomena like iconicity, metalanguage, indexicality, symbolism, Martinez`s study also provides deep insight into semiotic issues of musical perception, performance, scholarship, and composition. An specially innovative and extensive section of the book analyzes representations in Hindustani music in terms of the Indian aesthetic theory of rasa. The evolution of the rasa system as applied to musical structures is traced historically and analyzed semiotically. In the light of Martinez`s theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated system of acoustic representations.
It Studies The Historical Progression Of Aesthetics Both Indian And Western Since Ancient Times, Focussing On The Landmarks In The Course Of Its Development And Theories On Art, Beauty And Related Concepts.
This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.