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The five iinfluential women writers discussed in Seymour-Jorn’s timely work—Salwa Bakr, Nemat el-Behairy, Radwa Ashour, Etidal Osman, and Ibtihal Salem—all emerged on the literary scene in the late 1970s and early 1980s. They came of age at a time when women’s writing was attracting critical attention and more venues for publication were opening up. This widening platform enabled these writers to develop and mature as cultural critics, resulting in the creation of a successful blend of politically and socially committed literature with artistically innovative literary techniques. Artfully combining literary analysis with ethnographic research, Seymour-Jorn explores the ways in which these writers generate new patterns of thinking and talking about women, society, and social change. She describes how the writers conceive of their role as authors, particularly as female authors, and how they refigure the Arabic language to express themselves as women. By examining these authors’ works and lives, Seymour-Jorn illuminates the extent to which writing brings women into the public sphere, an arena in which they have traditionally had limited access to positions of power and authority.
Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.
This book engages with contemporary Arab women writers from Egypt, Palestine, Lebanon and Algeria. In spite of Edward Said’s groundbreaking reappraisal of the uneven relationship between the West and the Arab world in Orientalism, there has been little postcolonial criticism of Arab writing. Anastasia Valassopoulos raises the profile of Arab women writers by examining how they negotiate contexts and experiences that have come to be identified with postcoloniality such as the preoccupation with Western feminism, political conflict and war, the social effects of non-conformity and female empowerment, and the negotiation of influential cultural discourses such as orientalism. Contemporary Arab Women Writers revitalizes theoretical concepts associated with feminism, gender studies and cultural studies, and explores how art history, popular culture, translation studies, psychoanalysis and news media all offer productive ways to associate with Arab women’s writing that work beyond a limiting socio-historical context. Discussing the writings of authors including Ahdaf Soueif, Nawal El Saadawi, Leila Sebbar, Liana Badr and Hanan Al-Shaykh, this book represents a new direction in postcolonial literary criticism that transcends constrictive monothematic approaches.
Historical Dictionary of Egypt, Fifth Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture.
The late President of Egypt, Gamal Abdel Nasser (1918-1970), has been represented in many major works of Egyptian literature and film, and continues to have a presence in everyday life and discourse in the country. Omar Khalifah's analysis of these representations focuses on how the historical character of Nasser has emerged in the Egyptian imaginary. He explores the recurrent images of Nasser in literature and film and shows how Nasser constitutes a perfect site for plural interpretations. He argues that Nasser has become a rhetorical device, a figure of speech, a trope that connotes specific images constantly invoked whenever he is mentioned. His study makes a case for literature and art to be seen as alternative archives that question, erase, distort and add to the official history of Nasser.
This is an in-depth, original survey of religion in the modern Arabic novel. Tracing the relationship from the genesis of the form in the early 20th century to present, Phillips provides a thematic exploration of the push and pull between religion and secularism as it played out on the pages of the Egyptian novel. Through close readings of representative texts, the book reveals the manifold ways in which Islam, Christianity, Sufism, myth, ritual and intertext have engaged in modern Arabic literature and culture more broadly.
Through a close-reading of a corpus of novels featuring young protagonists in their path toward adulthood, the book shows how Bildungsroman impacted the formation of the Egyptian narrative. On a larger scale, the book helps the reader to understand the key role played by the coming of age novel in the definition and perception of modern Arab subjectivity. Exploring the role of Bildungsroman in shaping the canonical Egyptian novel, the book discusses the case of Zaynab by Muhammad Husayn Haykal (1913) as an example of early Arab Bildungsnarrative. It focuses on Latifa Zayyat’s masterpiece The Open Door and the novels of the 90es Generation, offering a gender-based analysis of the Egyptian Bildungsroman. It provides insightful readings about the function of the novel in women’s re-negotiation of social boundaries. The study shows how the stories of youth present universal themes such as the thwarted quest for love, the struggle for personal fulfilment, the desire to achieve a cultural modernity often felt as "other than self". The book is a journey in the Twentieth Century Egyptian Novel, seen through the lens of the transnational form of Bildungsroman. It is a key resource to students and academics interested in Arabic literature, comparative literature and cultural studies.
Zenobia was the third-century Syrian queen who rebelled against Roman rule. Before Emperor Aurelian prevailed against her forces, she had seized almost one-third of the Roman Empire. Today, her legend attracts thousands of visitors to her capital, Palmyra, one of the great ruined cities of the ancient world. In the nineteenth and early twentieth centuries, during the time of Ottoman rule, travel to the Middle East was almost impossible for Westerners. That did not stop five daring women from abandoning their conventional lives and venturing into the heart of this inhospitable region. Improbable Women explores the lives of Hester Stanhope, Jane Digby, Isabel Burton, Gertrude Bell, and Freya Stark, narrating the story of each woman’s pilgrimage to Palmyra to pay homage to the warrior queen. Although the women lived in different time periods, ranging from the eighteenth century to the mid–twentieth century, they all had middle- to upper-class British backgrounds and overcame great societal pressures to pursue their independence. Cotterman situates their lives against a backdrop of the Middle Eastern history that was the setting for their adventures. Divided into six sections, one devoted to Zenobia and one on each of the five women, Improbable Women is a fascinating glimpse into the experiences and characters of these intelligent, open-minded, and free-spirited explorers.
Can a reality lived in Arabic be expressed in French? Can a French-language literary work speak Arabic? In Native Tongue, Stranger Talk Hartman shows how Lebanese women authors use spoken Arabic to disrupt literary French, with sometimes surprising results. Challenging the common claim that these writers express a Francophile or "colonized" consciousness, this book demonstrates how Lebanese women writers actively question the political and cultural meaning of writing in French in Lebanon. Hartman argues that their innovative language inscribes messages about society into their novels by disrupting class-status hierarchies, narrow ethno-religious identities, and rigid gender roles. Because the languages of these texts reflect the crucial issues of their times, Native Tongue, Stranger Talk guides the reader through three key periods of Lebanese history: the French Mandate and Early Independence, the Civil War, and the postwar period. Three novels are discussed in each time period, exposing the contours of how the authors "write Arabic in French" to invent new literary languages.