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A unique illustrated reference on the origins and meanings of nearly one thousand tattoo symbols that serves as a guide for choosing a personal image and provides a fascinating look at the tattoo as a work of art. Tattoos continue to move into the mainstream and grow in popularity with each passing day. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. A comprehensive, informative exploration of the colorful world of tattoos, The Tattoo Encyclopedia presents concise descriptions of symbols both common and unusual and sheds light on their historic, religious, and cultural significance. Organized in a convenient A-to-Z format, cross-referenced, indexed by category, and illustrated with three hundred samples of authentic tattoo line art, this book features a stunning array of images ranging from ancient Buddhist and Chinese designs to those sported by twenty-first-century bikers. The definition of each symbol includes the widely accepted interpretation based on historical fact and cultural source, as well as various interpretations that have developed across different cultures and time periods. Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply being interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in The Tattoo Encyclopedia.
Despite the social sciences' growing fascination with tattooing--and the immense popularity of tattoos themselves--the practice has not left much of a historical record. And, until very recently, there was no good context for writing a serious history of tattooing in the West. This collection exposes, for the first time, the richness of the tattoo's European and American history from antiquity to the present day. In the process, it rescues tattoos from their stereotypical and sensationalized association with criminality. The tattoo has long hovered in a space between the cosmetic and the punitive. Throughout its history, the status of the tattoo has been complicated by its dual association with slavery and penal practices on the one hand and exotic or forbidden sexuality on the other. The tattoo appears often as an involuntary stigma, sometimes as a self-imposed marker of identity, and occasionally as a beautiful corporal decoration. This volume analyzes the tattoo's fluctuating, often uncomfortable position from multiple angles. Individual chapters explore fascinating segments of its history--from the metaphorical meanings of tattooing in Celtic society to the class-related commodification of the body in Victorian Britain, from tattooed entertainers in Germany to tattooing and piercing as self-expression in the contemporary United States. But they also accumulate to form an expansive, textured view of permanent bodily modification in the West. By combining empirical history, powerful cultural analysis, and a highly readable style, this volume both draws on and propels the ongoing effort to write a meaningful cultural history of the body. The contributors, representing several disciplines, have all conducted extensive original research into the Western tattoo. Together, they have produced an unrivalled account of its history. They are, in addition to the editor, Clare Anderson, Susan Benson, James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and Abby Schrader.
Roughly chronological, these essays explore Barnes' early work in the New York newspaper world of the 'teens, proceed through the 1954 publication of The Antiphon, and include several approaches to such works as Ryder, Ladies Almanack, and Nightwood. This judicious mix of essays--many of them illustrated by photographs and drawings--presents a comprehensive picture of the creative imagination of Djuna Barnes. Essayists include Mary Lynn Broe, Nancy J. Levine, Ann Larabee, Joan Retallack, Carolyn Allen, Carolyn Burke, Sheryl Stevenson, Marie Ponsot, Frances M. Doughty, Susan Sniader Lanser, Frann Michel, Karla Jay, Jane Marcus, Judith Lee, Julie L. Abraham, Meryl Altman, Lynda Curry, Louise A. DeSalvo, and Catharine Stimpson. Individuals sharing personal recollections of Barnes are Ruth Ford, James B. Scott, Alex Gildzen, Hank O'Neal, Chester Page, Andrew Field, and Frances McCullough. Janice Thom and Kevin Engel provide an updated bibliography. From The Book of Repulsive Women to The Antiphon, Barnes challenged old gender dichotomies as she shaped radical sociopolitical views. Her textual methods celebrated a multiplicity of voices, heterodox forms, and genres, transgressing those tenets of modernism that privilege the "high art" of a single, unified textual identity or a discrete discourse. These essays offer various critical approaches and sinuous readings of the full range of Barnes' achievement. Interwoven through the essays and reminiscences is a lively commentary from Barnes' friends and contemporaries as well as Barnes herself.
A cumulative list of works represented by Library of Congress printed cards.
Get creative with The Blank Comic Sketchbook 150 Bright White Pages by Tangie Marie and Cameron Purvis. This Comic Sketchbook has more than 150 pages that are high quality heavy weight white paper. This sketchbook offers a variety of blank comic panels that encourage creativity in kids and adults along with featuring splash pages for creating comic book covers. You can be free to let your inner artist loose to sketch, draw, write, and color your original cartoon or comic. This sketchbook is created by artists for artists. Tangie Marie and Cameron Purvis are an artistic duo that have written, illustrated, and published successful children's books. They have used a variety of sketchbooks and journals throughout the years to bring their artwork and stories to life. They decided to create a line of sketchbooks and journals so that you can do the same. These Sketchbooks and journals are an essential part of any creative process. Buy yours today to begin your successful art journey!
"The idea of creating a book that would shed new light on the world of tattoo artists was first conceived about two years ago. Marco Bratt a tattoo-artist from The Netherlands, and his girlfriend Nancy Heimburger, a lifestyle photographer, did their utmost to contact eminent tattoo artists from all over the world with the request that they create a sketch for inclusion in this unique book. The authors' enthusiasm inspired a wide range of artists, who were able to express themselves in deeply personal ways, unrestrained by commercial demands. These artists are all well known for dedicating their lives to their profession, but the extent of their artistic versatility is frequently overlooked. This sketchbook of 80 exclusive designs has been produced with this in mind. Works by several of these artists have never been published in book form before." "The book is divided into two sections, the first comprises an introduction detailing how this collection was brought together along with a brief overview of the various styles and historical aspects of tattooing. Also included are photographs made by the authors during their extensive travels, reproduced here for the first time. The second section is devoted to the artists themselves, each sketch being accompanied by their individual biographies and favourite quote."--BOOK JACKET.
In analyses of tattoo contests, advertising, and modern primitive photographs, the book shows how images of tattooed bodies communicate and disrupt notions of gender, class, and exoticism through their discursive performances. Fenske suggests working within dominant discourse to represent and subvert oppressive gender and class evaluations.