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According to the New York Times, Cuba is at an historic turning point. As Cuba catches up with political and economic changes, baseball will inevitably catch up and change as well. In Cuba Loves Baseball, photographer Ira Block, who has spent the past three years photographing the culture of Cuba through baseball, has assembled more than one hundred images of baseball players of all ages. In doing so, Block helps to preserve baseball's enduring presence in Cuba. The colorful photos cover everything from grass roots baseball to the pro teams, from portraits of old-timers to children playing baseball in the streets, and from exuberant fans at stadiums to vendors selling traditional food before the games. Cuba Loves Baseball incorporates sport with culture in a country that has been "closed" for so many years. It makes the perfect gift for sports fans, people interested in Cuba and travel, men and women who played baseball as children in cities or rural areas, and parents who have children playing baseball now.
From the first amateur leagues of the 1860s to the exploits of Livan and Orlando "El Duque" Hernandez, here is the definitive history of baseball in Cuba. Roberto Gonzalez Echevarria expertly traces the arc of the game, intertwining its heroes and their stories with the politics, music, dance, and literature of the Cuban people. What emerges is more than a story of balls and strikes, but a richly detailed history of Cuba told from the unique cultural perch of the baseball diamond. Filling a void created by Cuba's rejection of bullfighting and Spanish hegemony, baseball quickly became a crucial stitch in the complex social fabric of the island. By the early 1940s Cuba had become major conduit in spreading the game throughout Latin America, and a proving ground for some of the greatest talent in all of baseball, where white major leaguers and Negro League players from the U.S. all competed on the same fields with the cream of Latin talent. Indeed, readers will be introduced to several black ballplayers of Afro-Cuban descent who played in the Major Leagues before Jackie Robinson broke the color barrier once and for all. Often dramatic, and always culturally resonant, Gonzalez Echevarria's narrative expertly lays open the paradox of fierce Cuban independence from the U.S. with Cuba's love for our national pastime. It shows how Fidel Castro cannily associated himself with the sport for patriotic p.r.--and reveals that his supposed baseball talent is purely mythical. Based on extensive primary research and a wealth of interviews, the colorful, often dramatic anecdotes and stories in this distinguished book comprise the most comprehensive history of Cuban baseball yet published and ultimately adds a vital lost chapter to the history of baseball in the U.S.
According to the New York Times, Cuba is at an historic turning point. As Cuba catches up with political and economic changes, baseball will inevitably catch up and change as well. In Cuba Loves Baseball, photographer Ira Block, who has spent the past three years photographing the culture of Cuba through baseball, has assembled more than one hundred images of baseball players of all ages. In doing so, Block helps to preserve baseball's enduring presence in Cuba. The colorful photos cover everything from grass roots baseball to the pro teams, from portraits of old-timers to children playing baseball in the streets, and from exuberant fans at stadiums to vendors selling traditional food before the games. Cuba Loves Baseball incorporates sport with culture in a country that has been "closed" for so many years. It makes the perfect gift for sports fans, people interested in Cuba and travel, men and women who played baseball as children in cities or rural areas, and parents who have children playing baseball now.
In his comprehensive and vibrant picture of baseball in Cuba, Milton H. Jamail explores the sport's relationship to U.S. baseball. Jamail, whose personal love of the game matches that of the Cubans, examines the roots and traditions of baseball on the island and explains why Cubans play such excellent baseball. His analysis of the development of Cuban baseball after the 1959 takeover by Fidel Castro includes a detailed description of the formation of the Cuban amateur baseball system that has dominated international competitions for more than three decades. Before 1961, when the U.S. government severed diplomatic relations with Cuba and Castro abolished professional baseball, Cuba provided the bulk of the foreign players in the major leagues (more than one hundred since the color barrier was lifted in 1947). Major league interest in Cuban baseball remains high, Jamail notes, as he examines the changes necessary, both in the United States and Cuba, to return Cuban ballplayers to professional baseball in the United States. He discusses Cuban defectors, including Liván Hernández, and describes the intrigue surrounding agent Joe Cubas's courting of Cuban players and his attempts to spirit them away when the Cuban national team plays outside the country. An academic trained in Latin American politics, Jamail has spent twelve years as a Spanish-speaking journalist writing about Latinos and baseball. To write this book, he conducted extensive interviews with baseball officials, journalists, players, and fans in Cuba, as well as Cuban players who have defected. He also talked to scouts and front office people from U.S. baseball organizations.
In 1998, a mysterious right-handed pitcher emerged from the ashes of the Cold War and helped lead the New York Yankees to a World Championship. His origins and even his age were uncertain. His name was Orlando El Duque Hernandez. He was a fallen hero of Fidel Castro's socialist revolution. The chronicle of El Duque's triumph is at once a window into the slow death of Cuban socialism and one of the most remarkable sports stories of all time. Once hailed as a paragon of Castro's revolution, the finest pitcher in modern Cuban history was banned from baseball for life for allegedly plotting to defect. Instead of accepting his punishment, he fearlessly fought back, defying the Communist party authorities, vowing to pitch again, and ultimately fleeing his country in the bowels of a thirty-foot fishing boat. Here, for the first time and in astonishing detail, the secrets behind El Duque's persecution and escape are revealed. Moving from the crumbling streets of post Cold War Havana to the polarized world of exile Miami, from the deadly Florida Straits to the hallowed grounds of Yankee Stadium, it is a story of cloak-and-dagger adventure, audacious secret plots, the pull of big money, and the historic collision of ideologies. Present throughout are the larger-than-life characters who converged at this bizarre intersection of baseball and politics: El Duque himself, Fidel Castro, the Miami sports agent Joe Cubas, the late John Cardinal O'Connor along with scouts, smugglers, and the Cuban ballplayers who gave up their lives as tools of socialism to test the free market and chase their major-league dreams. Reported in the United States and Cuba by two award-winning journalists who became part of the story they were covering, The Duke of Havana is a riveting saga of sports, politics, liberation, and greed.
In March 1999, the Baltimore Orioles played a team of Cuban all-stars, the first time a major league baseball team from the United States had played a Cuban team since 1959. Before communism, Cuba had a rich baseball history, fielding teams that often defeated U.S. major league opponents. This text presents basic statistical information and listings for every Cuban baseball team from 1878 until 1961, when the communist government of Fidel Castro shut down professional sports. The information for each season includes the final standings, team rosters, all-time records, individual statistics arranged by team, and background information. The appendix lists the Cuban players in the first three eras, all-time leaders for batting average, runs, hits, doubles, triples, home runs, RBI, stolen bases, pitching, completed games, wins, losses, MVPs, Rookies of the Years, and much more. The book is profusely illustrated with photographs.
In the 125th anniversary of the first baseball game played on Cuban soil, the history of Cuban baseball has been brought to life like never before.
The remarkable new novel in the Doc Ford series by New York Times–bestselling author Randy Wayne White. Doc Ford’s old friend, General Juan Garcia, has gone into the lucrative business of smuggling Cuban baseball players into the U.S. He is also feasting on profits made by buying historical treasures for pennies on the dollar. He prefers what dealers call HPC items—high-profile collectibles—but when he manages to obtain a collection of letters written by Fidel Castro between 1960–62 to a secret girlfriend, it’s not a matter of money anymore. Garcia has stumbled way out of his depth. First Garcia disappears, and then the man to whom he sold the letters. When Doc Ford begins to investigate, he soon becomes convinced that those letters contain a secret that someone, or some powerful agency, cannot allow to be made public. A lot happened between Cuba and the United States from 1960–62. Many men died. A few more will hardly be noticed.
In Cuban Star, an interpretive account of Alejandro "Alex" Pompez's life in context, Adrian Burgos, Jr. follows Pompez's--and baseball's--path through the twentieth century's changing social and racial landscape. When the selection committee voted Alex Pompez into the Baseball Hall of Fame in 2006, some cried foul. A Negro-league owner during baseball's glory days, Pompez was known as an early and steadfast advocate for Latino players, helping bring baseball into the modern age. So why was his induction so controversial? Like many in the era of segregated baseball, Pompez found that the game alone could never make all ends meet. To finance his beloved team, the New York Cubans, he delved headlong into a sin many baseball fans find unforgivable—gambling. He built one of the most infamous numbers rackets in Harlem, eventually arousing the ire of the famed prosecutor Thomas Dewey. But he also led his Cubans, with their star lineup of Latino players, to a Negro-league World Series championship in 1947. In this effervescent biography, the historian and sportswriter Adrian Burgos, Jr., brings to life the world of professional baseball during a time of enormous change. Following Pompez from his early days to the twilight of his career, Burgos offers a glimpse inside the clubhouse as both owners and players struggled with the new realities of the game. That today's rosters are filled with names like Rodriguez, Pujols, Rivera, and Ortiz is a testament to Pompez and his lasting influence.
A memoir by the mustachioed baseball pitcher who went playing rocky, trash-ridden fields in Castro’s Cuba to becoming a Boston Red Sox legend. Luis Tiant is one of the most charismatic and accomplished players in Boston Red Sox and Major League Baseball history. With a barrel-chested physique and a Fu Manchu mustache, Tiant may not have looked like the lean, sculpted aces he usually played against, but nobody was a tougher competitor on the diamond, and few were as successful. There may be no more qualified twentieth-century pitcher not yet enshrined in the National Baseball Hall of Fame. His big-league dreams came at a price: racism in the Deep South and the Boston suburbs, and nearly fifteen years separated from a family held captive in Castro’s Cuba. But baseball also delivered World Series stardom and a heroic return to his island home after close to a half-century of forced exile. The man whose name—“El Tiante” —became a Fenway Park battle cry has never fully shared his tale in his own words, until now. In Son of Havana, Tiant puts his heart on his sleeve and describes his road from torn-up fields in Havana to the pristine lawns of major league ballparks. Readers will share Tiant’s pride when appeals by a pair of US senators to baseball-fanatic Castro secure freedom for Luis’s parents to fly to Boston and witness the 1975 World Series glory of their child. And readers will join the big-league ballplayers for their spring 2016 exhibition game in Havana, when Tiant—a living link to the earliest, scariest days of the Castro regime—threw out the first pitch.