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Think Cuba, you’re likely to think bearded revolutionaries in fatigues. Salsa. Sugar cane. Rock ‘n’ roll, zombies, drugs – anomie and angst – do not generally figure in our mental images of a country that’s assumed an outsized place in the American imagination. But fresh from the tropics, in Cuba in Splinters – a sparkling package of stories we’re assured are fictional – that’s exactly what you’ll find. Eleven writers largely unknown outside Cuba depict a world that veers from a hyperreal Havana in decay, against a backdrop of oblivious drug-toting German tourists, to a fantasy land – or is it? – where vigilant Cubans bar the door to zombies masquerading as health inspectors. Sex and knife-fights, stutterers and addicts, losers and lost literary classics: welcome to a raw and genuine island universe closed to casual visitors. ……………………………… “I took a dollar taxi. I must have fallen asleep right away next to the driver, nodding off against the seatbelt. The flight attendant was another giggling mulata who helped me with my buckle in a flash, right near the zipper of this countryless queer, right at that timeless time to close the doors and fly away from Cuba once and for all. To clear Cuba out of myself forever—another variation on a terrible outcome. The noise was deafening. How mysterious, how miraculous, how shitty.” —from “The Man, the Wolf and the New Woods”
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
The first English-language anthology of contemporary Tibetan fiction available in the West, Old Demons, New Deities brings together the best Tibetan writers from both Tibet and the diaspora, who write in Tibetan, English and Chinese. Modern Tibetan literature is just under forty years old: its birth dates to 1980, when the first Tibetan language journal was published in Lhasa. Since then, short stories have become one of the primary modern Tibetan art forms. Through these sometimes absurd, sometimes strange, and always moving stories, the English-reading audience gets an authentic look at the lives of ordinary, secular, modern Tibetans navigating the space between tradition and modernity, occupation and exile, the personal and the national. The setting may be the Himalayas, an Indian railway, or a New York City brothel, but the insights into an ancient culture and the lives and concerns of a modern people are real, and powerful. For this anthology, editor and translator Tenzin Dickie has collected 21 short stories by 16 of the most respected and well known Tibetan writers working today, including Pema Bhum, Pema Tseden, Tsering Dondrup, Woeser, Tsering Wangmo Dhompa, Kyabchen Dedrol, and Jamyang Norbu.
A literary guide to one of the most fascinating countries in the world. With its flamboyant style and rich culture, Cuba has provided the inspiration and setting for literature for decades. It has always been one of the most compelling places in the world, though perhaps never more so than now. Following Raúl Castro's resignation as President in 2018, the era of Castroism has come to an end, and the US-Cuba rapprochement has opened the country to a generation of Americans whose only previous exposure was through film and literature. The coming years will undoubtedly bring significant changes to a country that has in many ways been frozen in time. Cuba: A Literary Guide for Travellers takes the literary-minded traveller (either in person or in an armchair) on a vivid and illuminating journey, retracing the footsteps of writers and artists who have lived and worked in, or been inspired by, the history and landscape of Cuba. This literary guide challenges some firmly-held Western assumptions about the country, and shines a light on one of the richest and most deeply embedded literary cultures in the world.
As American-Cuban relations begin to warm, tourists are rushing to discover the throwback tropical paradise just eighty miles off of the American coast. But even as diplomatic relations are changing and the country opens up to the Western world, Cuba remains a rare and fascinating place. Cuba: A Cultural History tells the story of Cuba’s history through an exploration of its rich and vibrant culture. Rather than offer a timeline of Cuban history or a traditional genre-by-genre history of Cuban culture, Alan West-Durán invites readers to enter Cuban history from the perspective of the island’s uniquely creative cultural forms. He traces the restless island as it ebbs and flows with the power, beauty, and longings of its culture and history. In a world where revolutionary socialism is an almost quaint reminder of the decades-old Cold War, the island nation remains one of the few on the planet guided by a Communist party, still committed to fighting imperialism, opposed to the injustices of globalization, and wedded to the dream of one day building a classless society, albeit in a distant future. But as this book shows, Cuba is more than a struggling socialist country—it is a nation with a complex and turbulent history and a rich and varied culture.
“A landmark book . . . Bonner reveals the full extent of Washington's complicity with a murderous regime bent on eliminating even its mildest critics. This story not only sets the record straight, but, as importantly, it also speaks to the future, serving as a fresh warning of the perennial perils of American engagement in secret wars.” —Alan Riding, author of Distant Neighbors: A Portrait of the Mexicans; former Mexico City bureau chief, The New York Times “Weakness and Deceit vividly depicts the failure of U.S. policy to take human rights seriously in Central America in the 1980s. Its lessons are more relevant than ever today as policy-makers struggle to respond to crisis situations in the Middle East, and elsewhere. For three decades Bonner's relentless pursuit of the truth has set the gold standard for investigative journalists everywhere.” —Michael Posner, professor of Ethics and Finance at New York University, former U.S. assistant secretary of state “Thirty years ago, Raymond Bonner wrote a fundamental book about the United States and Latin America. Here it is again, a major work by a big-hearted reporter, with new and fascinating details about the tragedy of U. S. interventionism during the Cold War, and the lies we have been told.” —Alma Guillermoprieto, author of Looking for History: Dispatches From Latin America, and The Heart That Bleeds: Latin America Now A land and culture poorly understood by analysts, politicians, and voters in the far-off United States. A regime permeated with corruption; a country in the steel grip of a few families that disdained any system which might give a voice to the millions who kept them in comfort: guarding their children, watering their lawns and putting food on their tables. A brutal and remorseless police force and army trained in America, armed with American guns, and fighting a bloody proxy war against anyone who might conceivably be an American foe—whether or not they held a gun. Sound familiar? This was Central America in the 1980s, at a time when El Salvador was the centerpiece of a misguided and ultimately disastrous foreign policy. It resulted in atrocities that took the lives of hundreds of thousands of people and destabilized a region that has not recovered to this day. At a time when the Reagan Administration’s obsession with communism overwhelmed objections to its policies, Ray Bonner took a courageous, unflinching look at just who we were supporting and what the consequences were. Now supplemented with an epilogue drawing on newly available, once-secret documents that detail the extent of America’s involvement in assassinations, including the infamous murder of three American nuns and a lay missionary in 1980, Weakness and Deceit is a classic, riveting and ultimately tragic account of foreign policy gone terribly wrong.
An astonishing account of Cuban exiles, CIA informants, and cocaine traffickers in Florida by the New York Times–bestselling author of South and West. In Miami, the National Book Award–winning author of The Year of Magical Thinking looks beyond postcard images of fluorescent waters, backlit islands, and pastel architecture to explore the murkier waters of a city on the edge. From Fidel Castro and the Bay of Pigs invasion to Lee Harvey Oswald and the Kennedy assassination to Oliver North and the Iran–Contra affair, Joan Didion uncovers political intrigues and shadowy underworld connections, and documents the US government’s “seduction and betrayal” of the Cuban exile community in Dade County. She writes of hotels that offer “guerrilla discounts,” gun shops that advertise Father’s Day deals, and a real-estate market where “Unusual Security and Ready Access to the Ocean” are perks for wealthy homeowners looking to make a quick escape. With a booming drug trade, staggering racial and class inequities, and skyrocketing murder rates, Miami in the 1980s felt more like a Third World capital than a modern American city. Didion describes the violence, passion, and paranoia of these troubled times in arresting detail and “beautifully evocative prose” (The New York Times Book Review). A vital report on an immigrant community traumatized by broken dreams and the cynicism of US foreign policy, Miami is a masterwork of literary journalism whose insights are timelier and more important than ever.
Evangelina Cisneros is a very beautiful nineteen-year-old girl who, along with her father, is active in the struggle to oust the Spanish from Cuba in the late 1890s. When her father is arrested, she pleads his case to a Spanish general, who falls in love with her. She spurns his advances and is herself thrown in jail for her revolutionary activities. When reports of her imprisonment reach the New York papers, Evangelina becomes a cause cilhbre among the city's many society women. William Randolph Hearst, recognizing an opportunity, sends one of his star journalists, Karl Decker, to Havana on the pretense of interviewing her when in fact he is on a mission to effect her escape. As she tells him her story, the two find themselves falling in love. Back in America, Decker's wife is becoming increasingly suspicious of her husband's absences. After a frightening escape, Evangelina and Karl arrive in New York, where they are heralded as heroes. But then they must inevitably face Decker's wife and a decision that will affect all their lives. Based on a true story, White Rose is part romance and love story and part spy thriller. Set in both the exotic, primitive world of Cuba and the high-society milieu of Manhattan in 1897, here is a story that will inspire the imagination and capture the heart.
Even if you think you don’t know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp and bearing his name, Ed Wood has become an icon of Americana. Perhaps the purest expression of Wood’s théma—pink angora sweaters, over-the-top violence and the fraught relationships between the sexes—can be found in his unadulterated short stories, many of which (including “Blood Splatters Quickly”) appeared in short-lived “girly” magazines published throughout the 1970s. The 32 stories included here, replete with original typos, lovingly preserved, have been verified by Bob Blackburn, a trusted associate of Kathy Wood, Ed’s widow. In the forty years or more since those initial appearances in adult magazines, none of these stories has been available to the public. Wood died in 1978, but the legacy of the director of “Plan 9 from Outer Space,” “Glen or Glenda,” “Jail Bait” and so many other beloved screen classics has only grown in importance. Wood speaks—not least for himself—as one of America’s “outsiders” caught up in the struggle to find acceptance inside—and never more directly than in the material in this book.