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Encompass the sweep of changing Western thought on the Aztecs from Cortes to the present.
A study of Mexico - political, social, cultural, economic - by a journalist who was for the past 6 years the NYT bureau chief in Mexico City. With portraits of Mexico's top leaders, about a nation whose stability is vital to our national well-being.
In this engaging study, Paul Gillingham uses the revelation of the forgery of Cuauhte'moc's tomb and the responses it evoked as a means of examining the set of ideas, beliefs, and dreams that bind societies to the nation-state.
In "The War of the Fatties," a campy, tongue-in-cheek retelling of an episode from the Mexican "Trojan War," naked fat women from Tlatelolco discombobulate Tenochtitlan’s invading army by squirting them with breast milk. Told with satiric allusions to the policies and tactics used by Mexico’s current ruling party, PRI, to consolidate its power, the play unfolds a history of vain rivalry and decadence, intricate political maneuvers, corruption, and unchecked ambition that determined the course of Mexican history for two centuries before the Spanish conquest. Novo’s other works in this collection—"A Few Aspects of Sex among the Nahuas," "Ahuítzotl and the Magic Water," "Cuauhtémoc: Play in One Act," "Cuauhtémoc and Eulalia: A Dialogue," "Malinche and Carlota: A Dialogue," and "In Ticitézcatl or The Enchanted Mirror: Opera in Two Acts"—represent nearly all of his Aztec-related writings. Taken together, they provide a delightful introduction to Novo’s later works and a light-hearted, historically accurate introduction to Aztec culture. The text is supplemented by a glossary of Nahuatl terms, notes on the historical characters, and an introduction that provides historical background and places Novo’s works within their cultural context.
The long history of the politically symbolic use of the bodies, or body parts, of martyred heroes in Latin America.
Rosenswig proposes that we understand Early Formative Mesoamerica as an archipelago of complex societies.
This story takes place in the early 16th Century; a time when the world seemed to be expanding at an almost exponential rate. It occurs in South America in a land known as Maya: this is not a tale of what was, but rather, a story of what might have been if I had been in charge of that era. In the second story, Cuauhtémoc is sent to the City of Emperors. He meets the old Emperor and in the process accidentally gives him a new name. He meets the three Crown Princes; gets into another fight with pirate raiders as well as several of his own people; saves the life of a young girl and very nearly kills the Sun’s High Priest: it was a busy week, even for him. The tale unwinds and in the end, Maya has a new Emperor, when the old Emperor dies . . . or does he? If you want to know more; read the book.
The American Book Award-winning author of Rebellion from the Roots traces the history of Mexico City through the personal stories of everyday survivors who witnessed its most influential crimes and urban deterioration.
Describes daily life in the Aztec world, including coverage of geography, foods, trades, arts, games, wars, political systems, class structure, religious practices, trading networks, writings, architecture and science.