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The Coranians have won the war, and Kymru is defeated. For Havgan, however, the victory is not complete. Cadair Idris, the hall of the High Kings, remains closed to him. To gain entrance, he must locate the Four Treasures?the Stone, the Spear, the Cauldron, and the Sword?and bring them to the Guardian of the Doors. Only then can he proclaim himself High King of Kymru. But the Treasures were hidden long ago. In order to save Kymru, Gwydion the Dreamer must locate a long-forgotten song and the clues it contains before Havgan does. Following the dictates of the song, he persuades Rhiannon, her daughter Gwenhwyvar, and his nephew Arthur to set out with him on the dangerous quest. Dogged by Havgan's soldiers, they must hurry to find the artifacts. Soon, distrust and fear complicate their already difficult journey, and one of them must risk life and limb on the next move in their deadly game.
The Coranians have won the war, and Kymru is defeated. For Havgan, however, the victory is not complete. Cadair Idris, the hall of the High Kings, remains closed to him. To gain entrance, he must locate the Four Treasures—the Stone, the Spear, the Cauldron, and the Sword—and bring them to the Guardian of the Doors. Only then can he proclaim himself High King of Kymru. But the Treasures were hidden long ago. In order to save Kymru, Gwydion the Dreamer must locate a long-forgotten song and the clues it contains before Havgan does. Following the dictates of the song, he persuades Rhiannon, her daughter Gwenhwyvar, and his nephew Arthur to set out with him on the dangerous quest. Dogged by Havgan's soldiers, they must hurry to find the artifacts. Soon, distrust and fear complicate their already difficult journey, and one of them must risk life and limb on the next move in their deadly game.
A thought-provoking examination of death, dying, and the afterlife Prominent scholars present their most recent work about mortuary rituals, grief and mourning, genocide, cyclical processes of life and death, biomedical developments, and the materiality of human corpses in this unique and illuminating book. Interrogating our most common practices surrounding death, the authors ask such questions as: How does the state wrest away control over the dead from bereaved relatives? Why do many mourners refuse to cut their emotional ties to the dead and nurture lasting bonds? Is death a final condition or can human remains acquire agency? The book is a refreshing reassessment of these issues and practices, a source of theoretical inspiration in the study of death. With contributions written by an international team of experts in their fields, A Companion to the Anthropology of Death is presented in six parts and covers such subjects as: Governing the Dead in Guatemala; After Death Communications (ADCs) in North America; Cryonic Suspension in the Secular Age; Blood and Organ Donation in China; The Fragility of Biomedicine; and more. A Companion to the Anthropology of Death is a comprehensive and accessible volume and an ideal resource for senior undergraduate and graduate students in courses such as Anthropology of Death, Medical Anthropology, Anthropology of Violence, Anthropology of the Body, and Political Anthropology. Written by leading international scholars in their fields A comprehensive survey of the most recent empirical research in the anthropology of death A fundamental critique of the early 20th century founding fathers of the anthropology of death Cross-cultural texts from tribal and industrial societies The collection is of interest to anyone concerned with the consequences of the state and massive violence on life and death
A poetic picture book about being able to say goodbye to those we love, while holding them in memory.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
This is the moving story of Matt Chandler's battle with a potentially fatal brain tumor. But it's also the stories of those in his church family who taught him, and teach him, how to walk with joy in sorrow. Readers will find encouragement and strength to get through tough times, or to support others to do so.
"Crying Spells" is Bethany Moore's fourth self-published work of poetry, following her previous work's themes of self-discovery, spirituality, searching, and coming to terms with those darkest nights of the soul. Poems follow the artist through her twenties and early thirties as she dissects and digests the struggles of coming of age and sorting out one's boundaries, limitations, as well as developing and establishing one's true values and morals. Reviews:"When I read Bethany's prior collection of poetry, Weather Magick, I was impressed, sure that future works from this author would continue to be on par with her previous work. However, Crying Spells is actually a notable departure from Moore's prior work, in that it is extremely comfortable within its own established voice, allowing the words to take ownership over their author's unique tone and style, while expanding upon the format as a whole to create something that is both confident and questioning -- this is extremely rare for such an early entry to a volume of creative writing. Crying Spells is not just another book of poetry, but a milestone for an author who could have easily become lost in the sea of her colleagues, and instead, chose to create her own lane that is both respectful to form and completely independent of it, a feat that many writers never achieve. Bethany Moore's poetry has, within just a few years, evolved from extremely enjoyable, to flat-out undeniable." - Ray McMillin, Cherry City Studios"Bethany Moore is on fire. The poems in Crying Spells have such a sense of urgency that I sat down to read a few and found myself reading the book cover to cover in one sitting. Moore's poems are at once assertive and compassionate, and as real as they are full of magic. This collection of poems, spanning over a decade of the poet's life seem meant for each other. A collection not just of words or ideas, but a large cumulative story of the foundation of bone, the vulnerability of blood and the inevitability of sorrow and how we all face these things." - Brice Maiurro, Editor, South Broadway Ghost Society"These pieces are clear-sighted and smoothly-flowing, looking at everything, feelings, subjects, and objections without too much complication, and the book reads quickly and smoothly because of that talent without missing any of the hot-hearted pains and points. Moore's words have a sense of clarity, like raindrops swirling on your windshield in a rainstorm, or sparks from an eager campfire on a dark winter's night when your heart starts knocking. Moore's work has a rare hospitality." - Zack Kopp, Fire Diner