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C.1 COUNTY FUNDS. PENWORTHY. 01-09-2008. $13.99.
Lana Sue has had too many husbands and too little success as a country-western singer. Loren Paul's a semi-successful writer presently sitting on top of a western Wyoming mountain waiting for Cosmic answers. Together or apart, Loren Paul and Lana Sue are modern folk heroes on this deliciously ribald saga of the new Wild West—a spirited tale of love and loss, of country music and coming home. "What propels Western Swing is a cheerfully unfashionable conviction that in spite of past mistakes, lost hopes, and emotional pain, these two people belong together." —New York Times Book Review "The humor of Western Swing is the key to Tim Sandlin's memorable characters...a wonderful and satisfying experience." —Atlanta Journal-Constitution "Sandlin's is a book about running into the sun and keeping on, with humor, passion, and faith, no matter how you burn or mess up." —Los Angeles Times Book Review "Tim Sandlin writes about crazy people. Not scary crazies, but the kind of interesting, funny eccentrics with whom the reader would like to spend an evening drinking beer...Western Swing is funny, wise and a bubbling joy to read." —Kansas City Star "Ongoing life is what this book is all about...Sandlin's voice is a wry mix of cynicism and innocence. Add to that a well developed sense of the bizarre, and you have a book that's fun to read, brimming with high-spirited zaniness."—St. Louis Post-Dispatch
Reproduction of the original: Hellen's Babies by John Habberton
Helen's Babies is a humorous novel by American journalist and author John Habberton. Tom and Helen Lawrence are parents of two kids who need a break. They enlist Helen's brother as a babysitter and it turns out he isn't exactly skilled at it!
Could the orphaned beetle Asparagus be the little brother Little Miss Spider has wished so hard for?
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.