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The author has narrated a two-year voyage aboard a ship. It is the account of wild sea storms, navigational doubts and sea-illnesses combined with the natural beauty. The amalgamation of terror and fascination renders beauty to the narrative. A book that testifies man's indefatigable courage and spirit....
In April 1907 Jack London set out to sail around the world in the 45-foot ship The Snark, accompanied by his wife and a small crew. Although suffering from seasickness and tropical disease, London wrote prolifically, including a series of entertaining sketches of the voyage itself. These were later collected as The Cruise of the Snark, a remarkable record of adventure and love among the islands of the South Pacific. - Publisher.
The Cruise of the Snark by Jack London: In "The Cruise of the Snark," the adventurous writer Jack London recounts his experiences aboard the Snark, a small sailboat he and his wife, Charmian, sailed across the Pacific. This travelogue chronicles their remarkable journey, providing thrilling accounts of encounters with diverse cultures, breathtaking landscapes, and the challenges of life at sea. London's engaging narrative and sense of adventure make this book an inspiring exploration of the human spirit and the pursuit of dreams. Key Aspects of the Book "The Cruise of the Snark": Pacific Exploration: London's travelogue takes readers on a captivating journey through the Pacific, offering insights into the cultures and peoples he encountered. Adventure and Nature: The book celebrates the thrill of exploration and the beauty of the natural world, as London and his crew experience the wonders and dangers of their maritime voyage. Personal Reflections: "The Cruise of the Snark" is not only an adventure story but also a personal reflection on the author's own ambitions, ideals, and the pursuit of a fulfilling life. Jack London was an American author and adventurer, born in 1876. He is best known for his adventure novels, such as "The Call of the Wild," "White Fang," and "The Sea Wolf." London's own experiences as a sailor, gold prospector, and traveler informed much of his writing, and he often drew inspiration from his life's adventures. His works captured the spirit of exploration and the challenges of survival in the natural world, resonating with readers across generations and establishing him as a significant figure in American literature.
The Cruise of the Snark is a non-fictional, illustrated book by Jack London chronicling his sailing adventure in 1907 across the south Pacific in his ketch the Snark. Accompanying London on this voyage was his wife Charmian London and a small crew.A history of what was once viewed as the heart of the American city. Urban historian Robert Fogelson gives an account of how downtown - and the way Americans thought about it - changed between 1880 and 1950. Recreating battles over subways and skyscrapers, the introduction of elevated highways and parking bans, and other controversies, this work offers a perspective on downtown's rise and fall.
The author has narrated a two-year voyage aboard a ship. It is the account of wild sea storms, navigational doubts and sea-illnesses combined with the natural beauty. The amalgamation of terror and fascination renders beauty to the narrative. A book that testifies man's indefatigable courage and spirit....
In April 1907 Jack London set out to sail around the world in the 45-foot ship The Snark, accompanied by his wife and a small crew. Although suffering from seasickness and tropical disease, London wrote prolifically, including a series of entertaining sketches of the voyage itself. These were later collected as The Cruise of the Snark, a remarkable record of adventure and love among the islands of the South Pacific. - Publisher.
The Snark had two masts and was 43 feet long at the waterline, and on it London claims to have spent thirty thousand dollars. The snark was primarily a sailboat, however, it also had an auxiliary 70-horsepower engine. It was further equipped with one lifeboat. In 1906, Author Jack London began to build a 45-foot yacht on which he planned a round-the-world voyage, to last seven years. After many delays, Jack and Charmian London and a small crew sailed out of San Francisco Bay on April 23, 1907, bound for the South Pacific
The first book-length study of London as a maritime writer Jack London’s fiction has been studied previously for its thematic connections to the ocean, but Jack London and the Sea marks the first time that his life as a writer has been considered extensively in relationship to his own sailing history and interests. In this new study, Anita Duneer claims a central place for London in the maritime literary tradition, arguing that for him romance and nostalgia for the Age of Sail work with and against the portrayal of a gritty social realism associated with American naturalism in urban or rural settings. The sea provides a dynamic setting for London’s navigation of romance, naturalism, and realism to interrogate key social and philosophical dilemmas of modernity: race, class, and gender. Furthermore, the maritime tradition spills over into texts that are not set at sea. Jack London and the Sea does not address all of London’s sea stories, but rather identifies key maritime motifs that influenced his creative process. Duneer’s critical methodology employs techniques of literary and cultural analysis, drawing on extensive archival research from a wealth of previously unpublished biographical materials and other sources. Duneer explores London’s immersion in the lore and literature of the sea, revealing the extent to which his writing is informed by travel narratives, sensational sea yarns, and the history of exploration, as well as firsthand experiences as a sailor in the San Francisco Bay and Pacific Ocean. Organized thematically, chapters address topics that interested London: labor abuses on “Hell-ships” and copra plantations, predatory and survival cannibalism, strong seafaring women, and environmental issues and property rights from San Francisco oyster beds to pearl diving in the Paumotos. Through its examination of the intersections of race, class, and gender in London’s writing, Jack London and the Sea plumbs the often-troubled waters of his representations of the racial Other and positions of capitalist and colonial privilege. We can see the manifestation of these socioeconomic hierarchies in London’s depiction of imperialist exploitation of labor and the environment, inequities that continue to reverberate in our current age of global capitalism.