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A tender, classic love story about the secrets that linger in our hearts and the choices that set us free?Ķ Some people aren't meant for happily-ever-after. And Deborah Standridge is one of them. When she called off her wedding to the perfect man to pursue her passion as an architect, she didn't mean to hurt anyone. But Deborah saw her chance to finally make her own dreams come and she took it, setting in motion a tragedy that has haunted her ever since. Now, as one of Denver's most successful architects, Deborah has avoided love at all costs...until Daniel Parker walks into her life. He commissions her to design his company's headquarters and soon makes her want to believe in love again. But Dan is keeping a shocking secret that could rip apart everything they've built--and break Deborah's heart once and for all. Will Deborah find the strength to put the past behind her to fight for a love that could last for all time?
Scholarship has sought to explain design primarily as developments and trends by understanding the influential ideas of a period. These processes are resourceful to the analysis, however they don't explain why people become attached to design and cultivate it in time. For this purpose we must also gain understanding of collective cognitive processes and the meaning of design to people.The study traces the development of respective design observed first in ancient structures, and then in interiors and artefacts that are associated to architecture by design. Design form migrates usually from technology to material culture (i.e. from buildings to interiors and crafts), though this direction is not fixed in creativity. Sometimes this pattern is not followed, and arches, pilasters, tower crenellations and pediments appear in historic costume. Technology holds implications for visual culture, thus this study also looks at the inspiration in mechanical instruments observed in XXI century design.As the book unfolds a cultural phenomenon emerges. Architectural evocations in other crafts reflect that the public has its own dialogue with design. The attachments and responses of the public to design are many times a phenomenon worthy of being analyzed. The book gives out interesting findings about the mind and how it transforms design. It also exemplifies a new methodology for the observation of collective responses to design.
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
When the murder of a scientific genius on the verge of a momentous discovery upsets the wedding of their dear friends, Wrexford and Charlotte must risk all they hold dear to deconstruct a sinister conspiracy in the latest installment of Andrea Penrose’s USA Today bestselling Wrexford & Sloane Mysteries. Celebration is in the air at Wrexford and Charlotte’s country estate as they host the nuptials of their friends, Christopher Sheffield and Lady Cordelia Mansfield. But on the afternoon of the wedding, the festivities are interrupted when the local authorities arrive with news that a murdered man has been discovered at the bridge over King’s Crossing, his only identification an invitation to the wedding. Lady Cordelia is horrified when the victim is identified as Jasper Milton, her childhood friend and a brilliant engineer who is rumored to have discovered a revolutionary technological innovation in bridge design. That he had the invitation meant for her cousin Oliver, who never showed up for the wedding, stirs a number of unsettling questions. Both men were involved in the Revolutions-Per-Minute Society, a scientific group dedicated to making radical improvements in the speed and cost of transportation throughout Britain. Is someone plotting to steal Milton’s designs? And why has her cousin disappeared? Wrexford and Charlotte were looking forward to spending a peaceful interlude in the country, but when Lady Cordelia resolves to solve the mystery, they offer their help, along with that of the Weasels and their unconventional inner circle of friends. The investigation turns tangled and soon all of them are caught up in a treacherous web of greed, ambition, and dangerous secrets. And when the trail takes a shocking turn, Wrexford and Charlotte must decide what risks they are willing to take with their family to bring the villains to justice . . .
Provides an up-to-date, single-source reference for all aspects of the gear industry Presents an integrated approach to gear design and manufacture Includes new coverage of direct gear design and ready-to-use gear design Contains coverage of finite element analysis, gear vibration, load ratings, and gear failures
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.
An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.