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Human exodus as a biological occurrence has become a predictable component of human history, and this puts man in a scenario in which he becomes the most extensively diffused social animal, the explorer on the move. Writers, poets, critics and theoreticians have tried their best to capture and expose these harrowing experiences of displacement and dislocation which have to a large extent altered the sentiments of people culturally, socially and linguistically. Multicultural societies today are a consequence of the widespread movements as a result of diaspora, which has been occurring at different levels of social echelon, with varying enormity and for as many diversified reasons.
Study of Kamala Markandaya, b. 1924, and Ruth Prawer Jhabvala, b. 1927, Indian women novelists.
In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Nineteen Authors Who Are Both Established As Well As Upcoming Writers: Toru Dutt, Nissim Ezekiel, Jayanta Mahapatra, R.C. Shukla, Rajendra Singh, Mulk Raj Anand, Kamala Markandaya, Amitav Ghosh, Arundhati Roy, Shashi Tharoor, Shiv K. Kumar, Shobha De, Intizar Husain And Mahesh Dattani. Although The Present Anthology Contains Articles On Indian English Poetry, Fiction And Drama, But Fiction Enjoys A Prominent Place.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find The Book Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.
In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.
(In)fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines (In)fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists.
Indian English Literature Has Established Its Credentials All Over The World. Still Litterateurs In This Stream Have To Be Continuously Appraised And Evaluated And Key Issues Like The Impact Of Multiculturality And The Role Assigned To Women Have To Be Confronted And Analysed Threadbare Not Merely In Theory But Also Through The Elucidation Of Key Texts From This Perspective. The Present Volume Scrutinizes Kamala Markandaya S Corpus As Part Of This General Critical Endeavour.The Volume Comprises Scholarly Studies Of Nectar In A Sieve, Possession, A Handful Of Rice, A Silence Of Desire And Pleasure City, Besides Examining In Depth Kamala Markandaya S Rural Sensibility, The Silent Saga Of Suffering Chronicled In Her Novels, Her Philosophic Vision Of Life, Her Portrayal Of Social Tensions And Her Feminist Poetics, Taking A Holistic View Of Her Writings.An Indispensable Source Of Fresh And Innovative Insight Into The Making Of Markandaya S Craft Of Fiction. A Useful Supplement To The Existing Studies Of Her Novels. An Original Perspective On Life, Society, Values, Gender-Issues And Related Areas For Students, Teachers, Researchers Working In The Fields Of Literary Theory, Fiction Studies, Aesthetics, Culture, Philosophy And The Sociology Of Literature.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Ruth Prawer Jhabvala, A Twentieth Century Expatriate Writer Of Polish-Jewish Origins And British Upbringing, Who Chose To Make India Her Home Since 1951 For More Than Two Decades, Has Made Her Mark As Writer Of Novel, Story, Screenplay, Non-Fiction, Etc, Which Have Brought Her Worldwide Recognition And Prestigious Awards And Fellowships Both In India And Abroad. Her Work Offers A Site For The Intersection Of Cultures, Especially Those Of India And Europe/America.Heat And Dust (1975), Jhabvala S Booker Winning And Most Well-Known Novel, Which Ensured Her Celebrity Status In The Literary World, Is A Delightful Interrogation Of The Imperial And Post-Imperial Discourses Vis-À-Vis India And England, As Presented Through The Parallel Lives Of Two English Women In India, Placed In Two Distinct Historical Contexts Across Half-A-Century, In Which The Young Narrator Is Set To Restore The Lost Story Of Her Predecessor From The Heat And Dust Of Passion And Oblivion.The Atlantic Critical Study Of Heat And Dust, Which Is Primarily Meant For The Students Of English Literature Of Indian Universities, Is A Comprehensive, Self-Sufficient, And An In-Depth Study Of The Text. The Present Book Provides A Thorough And Illuminating Study Of The Text And Examines It From Such Aspects As Race Relations, Man-Woman Relations, Themes, Form, Structure, And Technique. In Addition, It Provides Useful Background Materials Related To Jhabvala S Life, Works, Her Vision Of India, And A Detailed Critical Summary Of The Entire Text, Along With A Select Bibliography And Sample Questions. The Book Will Be Immensely Useful For Students, Scholars And Teachers In The Area.
North America is becoming increasingly interdisciplinary and cross-cultural. In this emerging context narratives play a crucial role in weaving patterns that in turn provide fabrics for our lives. In this thoroughly original collection, Interdisciplinary and Cross-Cultural Narratives in North America, a dozen scholars deploy a variety of provocative and illuminating approaches to explore and understand the many ways that stories speak to, from, within, and across culture(s) in North America.
This research work spins around the issue of cultural allotropy, which we all have experienced at different levels; however, a conscious realization regarding it might be missing to some extent. Centuries of political intervention and subjugation by foreign countries results in the presence of a mixed culture and this side-by-side flourishing of two cultures seems now an accepted fact, a part of mans consciousness. But the presence of two contradictory sets of valuesone not fully accepted and the other not totally rejectedgives rise to a difficult situation in the face of the conflicting claims of the two. This gives rise to a mixing of cultures, a blend which in other words may be called cultural allotropythat is, existence of the culture of a particular region in two or more forms, having different and mixed properties at the emotional or intellectual level at a given point of time. Going beyond the political subjugation in the era of globalization, it has now become a matter of economic and cultural subjugation. Undoubtedly, our cultural allotropy is a byproduct of modern economic compulsions also. Through different Indian English novelists, I have tried to intrigue the issues via different portrayals and characters and finally posed a question, What is it to be an Indian?