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Sharing his love and profound understanding of the Old Testament, Baylis takes us on a walk through these important books, pointing out perspectives and insights along the way that leave us with a new, personal understanding of the Old Testament, and, more importantly, of God. Now revised and updated to include all the book of the Old Testament. Copyright © Libri GmbH. All rights reserved.
The cross is regarded as Jesus Christ’s great work of salvation. But is it also a work of creation? Excitingly plumbing Scripture and Christian tradition, Andrew McGowan shows that it is. “Each of Jesus’s seven words from the cross can be understood as a creative act, as a new divine work,” he writes. From the cross, Jesus works forgiveness, bestows Paradise, enacts human relationship, identifies completely with humanity, fulfills Scripture, and reenacts Sabbath. From early days, Christians—for good reason—linked the original seven days of creation with creation and re-creation at the apex of salvation. Seven Last Words recovers this linkage in all its power and perennial freshness. But that is not all. In addition to surveying the seven last words Jesus spoke, McGowan insists that at the cross “the eternal Word not only speaks, but listens.” And so he turns to the “conversations” spoken not only from but to the cross. Here he opens new vistas on the words of Judas, Dismas (the criminal crucified beside Jesus), Mary, God the Father, Longinus (the centurion), and Nicodemus, and ruminates fascinatingly on the accompanying silence of the angels. Profound and endlessly edifying, Seven Last Words will richly repay reading and rereading.
with a Postcript coauthored by Michael W. Goheen In print for two decades and translated into eight languages, Albert Wolters's classic formulation of an integrated Christian worldview has been revised and expanded to reach new readers beyond the generation that has already benefited from this clear, concise proposal for transcending the false dichotomy between sacred and secular. Wolters begins by defining the nature and scope of a worldview, distinguishing it from philosophy and theology. He then outlines a Reformed analysis of the three basic categories in human history -- creation, fall, and redemption -- arguing that while the fall reaches into every corner of the world, Christians are called to participate in Christ's redemption of all creation. This Twentieth Anniversary edition features a new concluding chapter, coauthored with Michael Goheen, that helpfully places the discussion of worldview in a broader narrative and missional context.
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
This mix of creation, spirituality and Scripture is a call to Christians to realize the interdependence of creation. It gives examples from Scripture, including some that are not well known.
The book gives an account of various movements in art and their relation to the visual and in churches and in liturgy, for example the Franciscan movement, different approaches to the crucifixion, and the restoration of creation. It recovers the links between the cross and creation, and relates the baptismal covenant to a commitment to care for creation.
The phrase "creation ex nihilo" refers to the primarily Christian notion of God’s creation of everything from nothing. Creation ex nihilo: Origins, Development, Contemporary Challenges presents the findings of a joint research project at Oxford University and the University of Notre Dame in 2014–2015. The doctrine of creation ex nihilo has met with criticism and revisionary theories in recent years from the worlds of science, theology, and philosophy. This volume concentrates on several key areas: the relationship of the doctrine to its purported biblical sources, how the doctrine emerged in the first several centuries of the Common Era, why the doctrine came under heavy criticism in the modern era, how some theologians have responded to the objections, and the relationship of the doctrine to claims of modern science—for example, the fundamental law of physics that matter cannot be created from nothing. Although the Bible never expressly states that God made everything from nothing, various texts are taken to imply that the universe came into existence by divine command and was not assembled from preexisting matter or energy. The contributors to this volume approach this topic from a range of perspectives, from exposition to defense of the doctrine itself. This is a unique and fascinating work whose aim is to present the reader with a compelling set of arguments for why the doctrine should remain central to the grammar of contemporary Christian theology. As such, the book will appeal to theologians as well as those interested in the relationship between theology and science. Contributors: Gary A. Anderson, Markus Bockmuehl, Janet Soskice, Richard J. Clifford, S.J., Sean M. McDonough, Gregory E. Sterling, Khaled Anatolios, John C. Cavadini, Joseph Wawrykow, Tzvi Novick, Daniel Davies, Cyril O’Regan, Ruth Jackson, David Bentley Hart, Adam D. Hincks, S.J., Andrew Pinsent, and Andrew Davison.
Faith-Based Solutions to Caring for the Earth Climate change is a confusing and polarizing issue. It may also prove to be the most daunting challenge of this century because children, the elderly, and the poor will be the first to feel its effects. The issue is all over the news, but what is seldom heard is a conservative, evangelical perspective. Connecting the dots between science and faith, this book explores the climate debate and how Christians can take the lead in caring for God's creation. The authors answer top questions such as "What's really happening?" and "Who can we trust?" and discuss stewarding the earth in light of evangelical values. "Acting on climate change is not about political agendas," they say. "It's about our kids. It's about being a disciple of Jesus Christ." Capping off this empowering book are practical, simple ideas for improving our environment and helping our families and those around us.
This book is the first published statement of the fruits of some years' work of a largely philological nature. It presents a new appreciation of the relationship of the languages of the ancient world and the implication of this advance for our understanding of the Bible and of the origins of Christianity.